Sentences with phrase «color photos of works»

Designed by Miami graphic designers Fulano, Inc., the catalog features full color photos of works in the exhibition and recent and related works of conceptual needlework by Trombly, an artist born and raised in Miami.

Designed by Miami - based graphic designers Fulano, Inc., the catalog features full color photos of works in the exhibition and recent and related works of conceptual needlework by Frances Trombly.

Not exact matches

Photos might not even be a part of Color in the future, he said, though an engineer hired away from the computer - in - a-pen company Livescribe is working on ways for people to doodle on pPhotos might not even be a part of Color in the future, he said, though an engineer hired away from the computer - in - a-pen company Livescribe is working on ways for people to doodle on photosphotos.

COLOR PHOTO: GREG FOSTER [See caption above] B / W PHOTO: ROBERT L. SMITH BUFFALO BOB With the Bills, Kalsu (61) worked as hard as he had at Oklahoma and started nine games as a rookie.B / W PHOTO: COURTESY OF AUDREY WRIGHTSELL BROTHER - IN - ARMS Johnson, who was practically inseparable from Kalsu on Ripcord, would die with him too.COLOR PHOTO: GREG FOSTER LASTING IMAGE At home in Oklahoma City, Leah Kalsu keeps a painting of Bob by another former Sooner, Tommy McDonalOF AUDREY WRIGHTSELL BROTHER - IN - ARMS Johnson, who was practically inseparable from Kalsu on Ripcord, would die with him too.COLOR PHOTO: GREG FOSTER LASTING IMAGE At home in Oklahoma City, Leah Kalsu keeps a painting of Bob by another former Sooner, Tommy McDonalof Bob by another former Sooner, Tommy McDonald.

The contrast it provided with the self - promotional brochure describing his work at Housing and Urban Development was stark and no doubt deliberate: the glossy color photos of Cuomo the HUD secretary posing with celebrities like Sarah Jessica Parker had been replaced by statistics, tables and footnotes.

In over 146 color photo filled pages I've gone through all the hard work of testing it out and sharing all the essential facts, recipes and insights that you could ever need, so you don't have to learn by trial and error.

In the second photo I layered it on top of a darker lip liner and Im convinced that this particular color works better as a lip topper.

Although the photo in front of the red car is stunning from a color and contrast study I couldn't tell you what you were wearing unless I peeked again but I do remember every outfit you modeled on your way to work surrounded by your environment.

The color of the cardigan looks a little washed out in these photos but it's really a lovely shade of heathered oatmeal (or more plainly, tan) and I wear it very often as a completer piece for work during warmer months.

With excellent color photos, full - page diagrams, and a thorough appendix, this volume offers a vivid, realistic view of one scientist at work.

Each selectee is introduced in a short essay by the selector, and presented with a brief bio, a sample menu, a few representative recipes and color photos of the chefs at work and dishes they're working on.

Bonney gives special attention to underrepresented women of color and women of the LGBTQ community, and features photos of everyone featured in her chosen work space, from television sets to art studios.

The Eyewitness Companions series of travel guides is rightfully famous for its full - color photos and high - quality paper and for its intriguing details on famous buildings and personalities, but the format doesn't work quite as smoothly in Wines of the World, which is a slightly ungainly combination of tour brochure and wine primer.

Cynthia Simmons, author of Anything, My Love, worked with Lorenz and received nearly a two page write up and color photo in Women's World.

· A handout containing identification information (in the event you get separated from your pet) · Current photo of pet · Pet's descriptive features (age, sex, neutered / non-neutered status, color (s), and approximate weight) · Microchip number · Owner contact information (cell phone, work phone, home phone) · Contact information of a close relative or friend, · A handout with boarding instructions [443 KB], such as feeding schedule, medications, and any known allergies and behavior problems · Documents, medications, and food should be stored in waterproof containers Protect Yourself from Injury and Illness

Whether it's a landscape split into triptych or a surprising break in an otherwise expected image pattern, these works take the concept of travel photo into a world of color, composition, and icon.

Painted on every conceivable kind of surface, from aluminum foil and corrugated cardboard boxes to cotton batting and artichoke leaves, these small works honor artists ranging from Alfred Jensen, who shares Martin's interest in numerology («Good Morning Alfred Jensen, Good Morning,» reads a 2005 - 07 painting whose rainbow of stripes frames, in Jensen-esque colors, a bikini - clad calendar model) to Dash Snow (a messy little canvas of 2006 - 07 titled Dash Snow Bombing, in which the late enfant terrible appears in a tiny blurry photo by Ryan McGinley, spray - painting a wall).

His work in photography began with his pioneering AutoPolaroid and Photo - Transformation self - portraits, made between 1969 and 1976, which feature his costumed or disguised self as the subject and were often manipulated with added colors or abstracted renditions of his own body.

This stunningly illustrated survey encompasses works from the late 1950s to the present — photo - paintings, abstractions, landscapes, seascapes, portraits, color charts, grey paintings, glass and mirror works, sculptures, drawings and photographs — providing the definitive account of Richter's achievements.

The stamps can be seen as an extension of Brehmer's interest in everyday printed ephemera — the very visible process of photo reproduction with enlarged half - tone dots and simplified color separations connect visually to the earlier work.

These photo emulsion works also point to Thomas» color work of ten years later that uses fabric, drawing fragments and scraps of torn photographs to make pigment prints on canvas.

Additional expected highlights at The Photography Show include photographs by Swiss born Henry Leutwyler of the New York City Ballet in 2012 (Foley Gallery); historically important photographs from André Kertész and a collection of photography by Jerry Uelsmann including never before seen color work (Catherine Couturier Gallery); recent work by Alison Rossiter who creates photo based work by dipping expired photo paper into liquid photo developer or by pouring or pooling it directly on the paper to create abstract minamimal work (Yossi Milo Gallery) and others.

The exhibition is accompanied by an in - depth catalogue featuring full - page color reproductions of all works in the exhibition as well as a detailed chronology, historical photos, reprints of key texts by Jean Dubuffet and Franz Schulze, and new essays by the exhibition curators and Dennis Adrian, Jon Bird, Thomas Dyja, Mark Pascale, and Arlene Shechet.

Furthered by contributions from colleagues Uri Aran, Leslie Hewitt and James Richards, situated alongside full - color installation photos and reproductions of work from the past decade, Matt Keegan: OR provides a solid introduction and layered overview of the artist's multifarious practice.

These works lead to Escapist Collages, paintings on colored tile layered with photo decals of tropical imagery, as if suggesting a way out.

Like much of Akunyili Crosby's work, this piece is wrought on paper, its painted image scored by numerous photo transfers that dissolve the painting's surface even as its muscular linearity and bold colors work toward compositional unity.

Filled with dazzling reproductions of Deschenes's installations and lush work, this book includes her key bodies of works, from early color studies to recent hybrid photo - sculptural installations that playfully interact with their environment.

In other works, photos that he has taken of landscapes are projected onto the canvas, on which the landscape is then been painted in lighter and darker hues of the same color, both stressing and denying a monochromatic identity.

This publication features full - color reproductions of her work across media — much of it new and never before published — including photo collages and landscapes; foreword by Elsa Longhauser; introduction by Arnold Lehman of the Brooklyn Museum; texts by scholar Dr. Sarah Lewis and Denise Murrell; and an interview with the artist by Lisa Melandri.

In addition to the intimate graphite drawings, the exhibit includes mixed - media works that make deft use of cut paper, collage and glitter as well as super-sized color photos, which are the weak link, but more about that later.

Usually painting from collaged photographs, Wood takes delightful liberties with background, scale, and color, often distorting figures, employing unusually vivid hues, or adding a work of art in place of a family photo in an interior scene.

Threshold provides an overview of Kim's career from several vantage points: a curatorial essay by Eugenie Tsai on the concept of «threshold» in Kim's work, a conversation with Constance Lewallen, Glenn Ligon, Janine Antoni, and Kim on the 1990s art world, an essay on color theory and color in Kim's work by art historian Anoka Faruqee, and a new photo and text project by Kim himself.

Artist: Kiki Smith Title of Work: Pool of Tears I Year: 2000 Plate Dimensions: 22 ″ x 24 3/4 ″ Material: Intaglio in 1 color with chine colle on Sekishu Gampi laid down on Hahnemuhle paper Photo Line: © Kiki Smith / Universal Limited Art Editions, 2000.

Artist: Kiki Smith Title of Work: Litter (Fireplace Editions) Year: 1999 Plate Dimensions: 22 ″ x 30 ″ Material: Lithograph in 4 colors with gilding on Arches Cover White paper Photo Line: © Kiki Smith / Universal Limited Art Editions, 1999.

On view are the installation «The Victorian Philanthropist's Parlour» (1996 — 97), the photo suite «Dorian Gray» (2001) and the US premiere of Shonibare's more recent large scale work «The British Library», the work is a collection of 10,000 books arrayed on shelves and bound in the artist's signature brightly colored, Dutch wax cloth.

In assemblages, loose - hanging works, mixed - media panels, and photo collages, Broughan draws on the languages of painting and printmaking alongside those of photography and collage to play with space and form, line and color.

Baltimore collectors Tom and Nancy O'Neil have given the institution two dozen color and black - and - white works by 19 important artists of our time, including Dawoud Bey, celebrated for his portrait photography, and Edward Burtynsky, whose photos document humanity's impact on the environment.

Highlights included works by feminist artist Judy Chicago, Tammy Rae Carland's Lesbian Beds photo series, Nicole Wermer's Untitled (Bench)(2016) which featured colored rocks in a plexiglass container, and two of Margo Wolowiec's woven works.

VMFA Studio School Exhibitions Photographs from the Photo Salon & Darkroom: through March 4, 2016 Studio Painters: March 11 — April 8, 2016 Works in Color: April 15 — May 20, 2016 The Alchemy of Pots & Prints: Number Eleven: June 6 — July 1, 2016 Inside / Out: VMFA Staff Art Exhibitions: July 11 — August 19, 2016

It has examples of the large, color photo - portraits and clusters of the small, truculent collages that function as studies for Ms. Thomas's paintings while being works of art themselves.

There are some substantial works: a large, photo - based portrait of the painter Lisa Yuskavage by Mr. Close; a fluttery sculptural abstraction made of crumpled, candy - colored auto body metal by Mr. Chamberlain; and a poured - paint diptych by Joe Zucker that is composed of a black monochrome rectangle over a schematic image of a schooner.

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

In September the gallery is publishing the first monograph on Suellen Rocca's work, featuring full - color reproductions of more than fifty works, essays by Dan Nadel and Sarah Lehrer - Graiwer, and a narrative chronology illustrated with historical photos and ephemera from the artist's personal archive.

It includes 75 vividly colored graphic works — etchings, engravings, aquatints, lithographs, collagraphs, screenprints, photo projections, and monotypes — all created over a span of thirty years.

Highlights included solo shows at the National Gallery of Iceland by Italian artist Claudio Parmiggiani, who exhibited sculptural and installation works; photos by American Minimalist Roni Horn; abstract three - dimensional colored - paper works by Iceland's Svava Bjorndottir; and Jon Gunnar Arnarson's installation Cosmos (1982, first shown at the 1982 Venice Biennale), which approaches «infinite space and Earth's gravity.»

While photos of all the works completed at Artpark have been reproduced in black - and - white, this will be the first time that many of them will be presented in color.

A graphic sensibility is evident in the work's sharp lines, bright colors and juxtaposition of photo - realist fragments.

Welling's body of work includes representational and abstract photography; black and white and color; film - based and digital photos and camera-less photography.

This exhibition celebrates the publication of Peter Cain, the first complete monograph on the artist's work, featuring essays by Beau Rutland, Richard Meyer, and Collier Schorr, and illustrated with over eighty full - color plates of the paintings, drawings, photographs, and collages, as well as photos of the artist's studios, plus notes and ephemera from his archive, much of it published here for the first time.

It features a wide array of full - color reproductions of her work across media — much of it new and never before published — including photo collages and provocative landscapes, along with an interview with the artist and critical texts that elucidate her paintings» investigations of femininity, sexuality and power, and provide extensive context for her oeuvre as a whole.