Sentences with phrase «color pigment prints»

These works are available as color pigment prints in three sizes, each an edition of five.

Consisting of about 50 color pigment print photographs produced in 2012 and 2013, the series charts several new developments — as well as some stunning departures — in her practice.

I was immediately drawn to a color pigment print featuring the artist lying in her bed and puffing on a cigarette pursed between her lips.

Not exact matches

Julian Charrière Nutmeg - First Light, 2016 large format color photograph, double - exposed through radioactive material, archival pigment print on Hahnemüle Photo Rag, mounted on aluminum Dibond, Red Palmira veneered frame, Mirogard anti-reflective glass paper: 59 1/8 x 73 7/8 inches (150.2 x 187.7 cm) framed: 60 1/2 x 75 5/16 x 2 inches (153.7 x 191.3 x 5.1 cm) JCh - 237

Akdogan often utilizes objects counter to their intended use — traditionally, colored gels for cinematic and theatrical lighting create distinct light conditions while remaining hidden from view; the artist extracts and edits the atmospheric and surface properties of these materials, often directly in the exhibition space — manipulating layers of color pigments, print, and light sources.

Dorit Cypis's Who Did It (alert) text - based pigment prints are represented by three of the five colors not yet used by the infamous Homeland Security Advisory System.

Jo Ann Callis, Untitled (Hand and Honey), from Early Color Portfolio, circa 1976, Archival Pigment Print, 16 × 20 inches.

«David Alekhuogie is represented by a large pigment print on cotton, «Pull - Up K / W / R» (2017), which is a close - up view of low - slung red pants, white underwear, and a black t - shirt — three stacked horizontal bands of color.

Jo Ann Callis, Untitled (Tied Up), from Early Color Portfolio, circa 1976, Archival Pigment Print, 16 × 20 inches, Printed under the direct supervision of the artist.

Using archival pigment print and processing techniques that isolate the aircraft in the image, Milstein focuses on color and design to achieve maximum clarity in his images, which the Smithsonian National Air and Space Museum mounted in a solo exhibition entitled AirCraft: The Jet as Art in 2011.

These photo emulsion works also point to Thomas» color work of ten years later that uses fabric, drawing fragments and scraps of torn photographs to make pigment prints on canvas.

In Untitled (Dream) of 2005, a pigment print on canvas, the stripes and grids are gone, the scraps of fabric are relegated to the side and an empty space of color is presented.

Pavlović's reproductions are printed copies (some endura metallic color prints, others archival pigment prints).

Here it comes in the form of a pale, 1960s Wallace Berman image of the moon's remote surface overlaid with cryptic writing; a black - and - white Vija Celmins screen - print of the vast, horizonless ocean that appears to carry a faint «X,» as if the printing plate had been canceled; a ragged piece of fiberglass painted with a Tiepelo - like sky by Joe Goode, who seems to have ripped it from either the actual heavens above or a movie - studio set; and a photographic close - up of shifting desert sand, over which actual sand and colored pigment has been applied by David Benjamin Sherry, as if reality were a veil obscuring camera - created truth in our mediated universe.

Phillip Maisel, Desert Hot Springs (4846), 2016, Archival pigment print and colored filters, Variation 1 of 3, 30 x 20 inches

Phillip Maisel, Desert Hot Springs (4699 - 4), 2016, Archival pigment print and colored filters, Variation 1 of 3, 30 x 20 inches

La Grande Sortie, 2015 6 archival pigment prints, single - channel video with color and sound on blue - ray disc and thumbdrive, storyboards dimensions of prints to be determined duration: 10 minutes.

[3] Typically, Margo would «line up variously colored inks onto a plate, apply a roller to the colors to mix them, ink the cellocut with the blended pigments, and print the now multicolored plate in a single run through the press.»

Since 2012, Magnolia Editions has published an ongoing series of archival watercolor prints by Close which use the artist's grid format and the precision afforded by contemporary digital printers to layer water - based pigment on Hahnemuhle rag paper [31] such that the native behavior of watercolor is manifested in each print: «The edges of each pixel bleed with cyan, magenta, and yellow, creating a kind of three - dimensional fog effect behind the intended color swatches.»

To the unsuspecting viewer, these large, monochromatic pigmented inkjet prints in various shades of blue are a post-Minimalist answer to Color Field Painting.

This exhibition shows a series of archival pigment prints of new works by Mark Podwal in acrylic and colored pencil.

Avi Gupta, Untitled II (from «Color Studies» series), 2014, 24 ″ x16 ″, archival pigment print, edition 1 of 5, courtesy of the artist and Morton Fine Art.

Rendered in black pigment, Günther Förg's monumental WWM (1989) prints evoke the artist's seminal lead paintings of the 1980s in both color and form.

Given regular exposure to light, a pigment print might only last a couple decades before the color degrades, although this depends on a variety of factors, including the type of paper used.

The color of Rosenkranz» pigment inkjet prints is based on the data information which contains colors that are subject to prevailing light conditions, scan settings, or photochemical conditions, etc..

However, because pigment is sensitive to light, the color of these prints can shift or even fade over time, which is why many museums store their works in carefully regulated environments.

Pigment ink prints and colored clay papers; 10 x 10 in.

These works are displayed alongside a series of silver gelatin and pigment prints (some colored with amaranth), including a number of landscapes that display past human engagement and abandonment.

Living Ink has been developing its own line of algae cell cultures specifically for their colors, which can range from yellow to magenta to cyan, as well as their suitability as pigments for printing inks.

* Fabric Content: 100 % organic cotton / linen blend * Color: Pearl * Printed front, solid natural back, invisible zipper closure * INSERT NOT INCLUDED (we recommend a 22» x 22» insert for added fullness) * Printed with water - based pigment inks that contain no heavy metals, utilizing a printing process that minimizes water consumption.