When creating her prints, she employs experimental techniques, concentrating
on color relationships and focusing on images that depict the natural world.
Do you have an idea in mind before you start, or is it through the process of painting that you arrive at the
final color relationships?
In 1964, he made a series of hard - edge border paintings using gray, orange, salmon and other soft and
felt color relationships.
He was producing some on his most abstract works and with them, he challenged the boundaries of landscape painting and developed sophisticated and
subtle color relationships that remain captivating decades later.
Set - ups will be reminiscent of some of these master paintings with their composition, structure and
color relationships in mind.
According to the artist, his works, «begin as a problem of two or
more color relationships to be explored through form».
Visiting Dia: Beacon for the first time and seeing installations by colorists Blinky Palermo and Imi Knoebel, I became fascinated
by color relationships, value, and saturation.
Laura's landscape - based abstractions explore spatial and
color relationships between land, sea and sky, and the possibilities they suggest for dividing the picture plane.
You've said that you borrow from all over to arrive at your forms and color — certain Native American art, West African art, Mexican art, and you've even talked about commercial
color relationships as influences.
Josef Albers (1888 — 1976) is best known for his series of paintings, Homage to the Square, in which he endlessly explored
color relationships within a similar format of concentric squares.
«Simultaneous contrast is not just a curious optical phenomenon — it is the very heart of painting,» Albers explained of his lifelong pursuit of
investigating color relationships.
«Just as Josef Albers investigated
color relationships using squares within squares, Grigoriadis explores the interaction of patterns using a bilaterally symmetrical format of frames within frames,» (Hayden Herrera, Art in America) in her earliest works in the exhibition.
The artist creates his works through a process of process of layering colors and sanding away the surface in one masked - off area at a time, resulting in
surprising color relationships and textures that call spacial depth into question.
Eventually, Stanczak ventured beyond the rigid square format of his master and started to explore more
complex color relationships within parallel lines, waves, and grids.
This doesn't mean you have to paint your home in five shades of green, but it does mean that adjoining rooms should have a
good color relationship whether it be they are complementary or coordinating colors.
I thought both about my own life (how having a strict and not very affectionate
father colored my relationships with men) and how incredibly lucky Laurel and Violet are to have Jon as their dad.
The artist
pursues color relationship and brings a considerable dexterity of color theory, a deep - seated sense of rhythm and formational aspects to each painting.
«Northern Village» is one of the many paintings Klee created that demonstrates his use of the grid as an abstract way to
organize color relationships.
For those who wish to only observe, Beckwith and Gartrell will be working on a variety of color theory projectsthroughout their residency ranging from still life photography to found object sculpture and collage that explore seemingly
opposing color relationships.
Starting by testing dabs of color within another, he
structured color relationships into a series of squares, adopting the iconic, off - centered layout used in Josef Albers» Homage to the Square.
And, as its subtitle suggests, the work supports the influence of painting on his practice by
invoking color relationships adapted from the renowned series by Josef Albers (1888 — 1976).
Recognizing that their work shared
formal color relationships and rhythmic patterning within a unified single plane, Peter Selz, chairman of the art department at Pomona College, offered the four independent artists a group exhibition at the college in the mid-1950s.
Should be white — not tinted — in order to
maintain color relationships and brightness in the oil colors which become more transparent with age
In both her portraits and other paintings, Cross
stretches color relationships — sometimes harmonious and sometimes dissonant — to create engaging and complex palettes that keep the eye busy.
Heavily influenced by the legacy of Constructivism and post-Minimalism, Kronschlaeger
manipulates color relationships, aiming to generate a phenomenological experience for the public.