Sentences with phrase «color scale as»

If you want to work the green color scale as a pro, focusing on texture is a great way of dealing with it.

Not exact matches

Pricing will vary based on the quality, material, colors, and quantity, so if you're on a tight budget, you can start small and scale up as cash flow allows.

As Chertoff said, you can also save a bundle by going for a diamond that's lower on the color scale.

The move, first reported by Bloomberg Law, would scale back a 2013 Obama - era policy, known as Directive 307, which had expanded the DOL's ability to investigate and sanction federal contractors that showed a pattern of paying female workers and employees of color less than their white male colleagues.

Commercial dyes work by using harsh chemicals, such as ammonia and bleach, to first pry open the cuticle scales to allow colorant molecules inside and then trigger a reaction inside the hair to produce more color.

The color scale represents the value of the t statistic for the comparison between meals (n = 11) by using general linear model analyses as described in Subjects and Methods.

The clash of prints won't be as crazy and the meeting point of two prints can be in the color scale.

Because this color is so muted, it can easily be worn in larger scales, such as a maxi dress.

The first of this series is a more classic carrera marble pattern, but as the images go on you can see how you can scale up to more bold color patterns such as malachite and agate textures.

Despite their single mother's (Whitney Houston) troubled past as an aspiring but ultimately unsuccessful soloist, the family lives in an upper scale home, even owning a color television.

Covered in multi colored scales of orange, yellow and brown, this Bird Wyvern's body type resembles others of its kind such as Velocidrome or Monster Hunter: World's Tzitzi - Ya - Ku.

As told in Kevin Brownlow's definitive biography of Lean, the director and Neame thought the simple story would gain impact if they filmed it in color, which at that time was generally saved for larger - scale productions.

Basic shapes are presented, as well as color and shade, scale, patterns, and combining shapes into tangrams — much like we combine letters into words.

But these days, the connections between low - income enrollment and lower achievement are being enacted at scale in predominantly white communities with the same depressing regularity as they have been for years in low - income communities of color.

The next steps will include using very wide Color Gamuts together with Dynamic Color Management and a Dynamic Intensity Scale that are both automatically adjusted real - time based on the measured current Ambient Light level in order to have them compensate for the reflected light glare and image wash out from ambient light as discussed above and in our 2014 Innovative Displays and Display Technology article.

The Asus Transformer was much better than the Motorola Xoom but not as good as the iPad 2 because of the Intensity Scale, which affects color saturation.

Then there's the coloring book with my Dad as above, which is a creative joint venture and a model I intend to continue (with very select partners as I don't intend to become a larger scale publishing company).

I would think gray scale is as expensive as color since they would use 256 shades of gray.

The key will be in enlarging the native Color Gamut and then dynamically changing the display's color management and intensity scales with the measured Ambient Light level in order to automatically compensate for reflected glare and image wash out from Ambient Light as discussed in our 2014 Innovative Displays and Display Technology and SID Display Technology Shoot - Out artiColor Gamut and then dynamically changing the display's color management and intensity scales with the measured Ambient Light level in order to automatically compensate for reflected glare and image wash out from Ambient Light as discussed in our 2014 Innovative Displays and Display Technology and SID Display Technology Shoot - Out articolor management and intensity scales with the measured Ambient Light level in order to automatically compensate for reflected glare and image wash out from Ambient Light as discussed in our 2014 Innovative Displays and Display Technology and SID Display Technology Shoot - Out articles.

The key will be in lowering screen Reflectance and implementing Dynamic Color Management with automatic real - time modification of the display's native Color Gamut and Intensity Scales based the measured Ambient Light level in order to have them compensate for the reflected light glare and image wash out from ambient light as discussed in our 2014 Innovative Displays and Display Technology and SID Display Technology Shoot - Out articles.

While the Surface RT Color Gamut is similar to the iPad 2, the iPad 2 has somewhat better color saturation because of its steeper Intensity Scale and Gamma (as explained in Figure 3 beColor Gamut is similar to the iPad 2, the iPad 2 has somewhat better color saturation because of its steeper Intensity Scale and Gamma (as explained in Figure 3 becolor saturation because of its steeper Intensity Scale and Gamma (as explained in Figure 3 below).

When done properly, as on the Droid, it produces a nice color and intensity scale with few visible artifacts.

The key will be in implementing Dynamic automatic real - time modification of the display's Color Gamut and Intensity Scale based the measured current Ambient Light level in order to have them compensate for the reflected light glare and image wash out from ambient light as discussed in our 2014 Innovative Displays and Display Technology and SID Display Technology Shoot - Out articles.

Additionally, as the enTourage eDGe uses E-Ink technology for easy digital reading, images will appear in gray - scale on the e-paper side of the device; however, users can load these in color on the LCD side, ideal for viewing colored charts and graphs from course materials.

The key will be in dynamically changing the display's color management and intensity scales with the measured Ambient Light in order to automatically compensate for reflected glare and image wash out from ambient light as discussed in our 2014 Innovative Displays and Display Technology and SID Display Technology Shoot - Out articles.

Screens using the new Triton e-ink can display thousands of colors, as well as 16 levels of gray scale, according to E Ink.

Anthropologists use for this purpose a scale of skin color and iris of the eyes, hair color and shape, the eyelid, nose and lips shape, as well as anthropometric instruments.

The Iconia also had a nicely calibrated intensity scale, but it would actually have been better off with a steeper intensity scale in order to increase color saturation in the same fashion as the iPad 2 and Galaxy Tab.

The second hook: The nook marries a gray - scale E Ink screen, which is standard with other digital readers such as the Sony Reader or the Kindle, with a separate color touch screen below the E Ink display (see photo to the right).

Once you get close to Z on the color scale of a colorless diamond, you approach the world of naturally colored yellow diamonds, as we've been discussing.

• Tags are available at drastically reduced bulk rates (below wholesale) & can feature any full color logo or artwork desired • Tags can be re-sold, raffled or included as part of adoption kits • Organizations are given unique coupons that lead to savings for new adoptive parents AND additional funds back to the shelter • PetHub loves to provide raffle and auction packages for special fundraising events • Large scale, individualized fundraising opportunities are available

And as a traveler of color, it brings me joy to hear the opportunity to travel may be available on a large scale to an entire generation.

His passage beneath the Golden Gate Bridge — which opened a few years before his arrival — proved to be a lasting inspiration, as the scale and color of the structure have inspired di Suvero throughout his life.

- hear comments from GLaDOS as you play - sounds from the Portal series - «cake is a lie» graffiti makes an appearance, with «the cake is in the kitchen on floor 2» written below it - the three light - up sections of the toy pad must be colored by positioning a character on a colored pad - then you move the actual minifig to the correspondingly colored panel on the toy pad itself - find hidden items in the world using the toy pad as a guide - toy pad flashes red when you go in the wrong direction and then gradually shifts to green when you're going the right way - use an environmental «keystone» to scale Batman to about ten times his normal size - use Gandalf's gift for magic to propel a levitated Companion Cube through a series of tubes and onto a button

I also used the opportunity to experiment with Game Maker Studio and played with the camera, coloring, scaling and other things to represent how the main character loses his shit as you keep obeying the syndicate for no apparent reason.

It was built by our advance technology group as a teaching tool for developers to author in wide color gamut and high dynamic range, to show how the engine can scale between 4K and 1080p, and we saw it and it's just magical.

You may use these as is or tweak to your project needs For example, Scale, color, speed and other attributes.

They arguably rank a little higher on the baddie scale than a Goomba, insomuch as their behavior tends to more closely resemble Koopa Troopas by way of some colors (pink or blue, depending on the version you play) turning back upon facing a drop, rather than walking right over the edge as the red ones are wont to do.

This work varies widely in scale and format, making each one feel particular as an object, and color moves at varying speeds.

Drawing on people close to her, including a number of other artists as well as family members, Opie has posed her figures against a black drop cloth, using highly theatrical lighting, color, and scale.

In them all, abstracted rhythms and undulating strokes describe a fluid network of lambent color, such as we see in Untitled III, all spread over large - scale canvases generally measuring 80 x 70 or 80 x 77.

Published on the occasion of her first exhibition at David Zwirner in fall of 2010, this beautifully designed and produced catalogue — with a text by noted curator and art historian Joachim Pissarro — features Suzan Frecon's most recent large - scale oil paintings, along with newly commissioned color photography of exhibition and studio installation views, as well as the artist's notebooks and sketches.

Intermittently bright and gloomy, his paintings are characterized by unconventional grade of the constant concentration of pure pictorial elements, as color, surface, proportion, and scale followed by the theories that they could reveal the presence of the philosophical thoughts.

More than other formal elements in the visual arts — such as color, line, or shape — scale directs attention towards the capacity of the artwork to respond to a specific location and call into play the role of the viewer.

As demonstrated in the cheekily titled I Always Lie, Sprecher's third solo exhibition at Jeff Bailey Gallery in New York, he is equally gifted in color combinations and media application, in a range of scales and often within the same painting.

Joan Brown (1938 - 1990) was a prodigy in the «Bay Area Figurative style,» and «Portrait of a Chair» (1958), which serves as a kind of frontispiece to this exhibition, is a stunning example of someone mastering scale, composition, color and hell - for - leather brushwork at the tender age of 19.

He sticks to an easel scale and blends colors, as Georges Seurat said one should not, right up to the edge of the canvas.

Describing his work as «long - form, visual, comedic poetry» and «glorified political cartooning,» the artist continues to use his unique background to create heroically - scaled installations, most often anchored by wall - sized, photorealistic drawings utilizing charcoal, graphite and colored pencils.

The evening at Swiss Institute will unfold according to the rituals, choreography and aesthetics of color field painting and strategy games, in which human - scaled objects become pawns in activating their own function as sculpture.

Revisiting an idea he first employed in his late - seventies project «128 Photographs of a Painting», he divided the work's surface into two vertical sections, then halved those halves, and so on, he had each work printed to his desired scale, so that we might contemplate what have become remarkable horizontal, rhythmic fields of fine lines, oscillating with vibrations of color, the largest of which stretches over ten meters, as seen on the gallery's first floor.