Not exact matches
Principal investigator Adrian Daw helps calibrate the Extreme Ultraviolet Normal Incidence Spectrograph using
colored lights
before its latest trip to
study the sun.
Wolf's team measures the young birds» wing length and
color and collects blood samples for genomic
studies before returning them to the nest.
Created in close collaboration with the artist, the publication's beautifully produced
color plates offer a selection of the iconic works, including Riley's first stripe works in
color from the 1960s, a series of vertical compositions from the 1980s that demonstrate her so - called «Egyptian» palette, and an array of her modestly scaled
studies, executed with gouache on graph paper and rarely
before seen.
The show's more than fifty works included important canvases from private and public collections, but the most spectacular inclusions, in many ways, were the works on paper, ranging from intimate pencil
studies with little or no
color to pastel and crayon - enriched images, as complete as paintings; many of these had rarely — if ever — been exhibited
before.
These include the artist's first stripe works in
color from the 1960s, a series of vertical compositions from the 1980s that demonstrate her so - called «Egyptian» palette — a «narrow chromatic range that recalled natural phenomena» — and an array of her modestly scaled
studies, executed with gouache on graph paper and rarely
before seen.
Gorky often used his works on paper as
studies, shifting configurations and
colors before further interpreting a composition on canvas.
This catalogue for a traveling exhibition considers the working drawings and spontaneous
studies of Josef Albers, beginning with the landscapes and figure
studies he created
before enrolling at the Bauhaus, to abstractions inspired by archeological sites in Mexico, to
color studies for his famous Homage to the Square paintings.
Starting with charcoal drawings on paper, she makes a multitude of
color studies in her studio
before arriving at her final choice.
His first stroke of
color is very important since it may be visible in the final version of the picture, and so, for Fruit Bowl, No. 1, Hofmann spent considerable time
studying the still - life
before picking up his brush... «A work of art is finished from the point of view of the artist,» says Hofmann, «when feeling and perception have resulted in a spiritual synthesis.»»
Born in 1922, Fangor
studied and taught art during the early years of his career, producing paintings inspired by various styles of the European avant garde
before shifting his artistic output to poster design and eventually works that relate to both Optical Art and
Color Field painting.
On the occasion of the current exhibit of his working drawings and
color studies, which is showing for the first time at Peter Blum SoHo till March 6, 2010, the painter David Reed welcomed Art Editor John Yau to view the works at the gallery a day
before the opening reception.
You must try to match your
colors as nearly as you can to those you see
before you, and you must
study the effects of light and shade on nature's own hues and tints.
The show opens patriotically with Robert Longo's shiny warped aluminium mirror flag from 2015, moves along Trevor Paglen's ominous
color study of the San Quentin State Prison from 2016, stops by Jim Shaw's Hanging Legs with Toes Bitten Off, turns to three works in Cindy Sherman's ill - boding Disaster Series from 1987, takes a funny detour with Camille Henrot's Study For Nightmare from 2017, before heading upstairs to explore the angst and misery of our Chinese compatr
study of the San Quentin State Prison from 2016, stops by Jim Shaw's Hanging Legs with Toes Bitten Off, turns to three works in Cindy Sherman's ill - boding Disaster Series from 1987, takes a funny detour with Camille Henrot's
Study For Nightmare from 2017, before heading upstairs to explore the angst and misery of our Chinese compatr
Study For Nightmare from 2017,
before heading upstairs to explore the angst and misery of our Chinese compatriots.
Neurologists who conducted
studies on people who were exposed to blue - heavy lights
before bedtime found that those people took far longer to fall asleep than those who were exposed to warmer light or light more evenly distributed across the
color spectrum.