Sentences with phrase «color theory as»

Color was the basis of her painting, undeniably reflecting her life - long study of color theory as well as the influence of luminous, elegant abstract works by Washington - based Color Field painters such as Morris Louis, Kenneth Noland, and Gene Davis.

Becca Albee's work navigates between prescriptions of color as relating to the body, gender, and space, and looking at color theory as a lens to confuse those constructs.

He explained analogous color theory as color modified not by black and white but by other close colors of the spectrum.

I am not sure if you read my article about the importance of color theory as a makeup artist.

Not exact matches

A movement for national reconciliation in a color - blind society had been seized by race - baiters who preached a gospel of victimization and identified the struggles of black America with the revolutionary theories of such Third World ideologues as Frantz Fanon.

That's what has been happening in the UK, as food industry giants such as Kraft Foods Inc. and Mars Inc. have reacted to increasing consumer worries over artificial colors, particularly after a British study bolstered the hyperactivity theory.

I like the peacock color best in theory, but it's not as wearable as the other colors.

For adherents of color theory and avid users of the color wheel, this analogous color pair is congruous, and versatile when you consider the range of options available as an accent.

In the vein of such divisive cult favorites as «Primer» and «Upstream Color,» Mike Cahill's crazy - ambitious sophomore feature (after «Another Earth») refuses to let a modest budget constrain its larger - than - life - itself concept, cramming everything from the existence of God to a new, all - encompassing theory of reincarnation into the guise of a sexy, globe - trotting detective movie that very nearly collapses under the weight of its own mumbo - jumbo.

The «cultural understanding» theory also supports the idea that students of color assigned to diverse teachers might be more likely to feel cared for and happy in class as a result of feeling understood by a culturally sensitive teacher.

Howard Gardner's Multiple Intelligences Theory is implicitly asking the designer of the learning environment to consider a variety of learning spaces — spaces in diverse sizes, materials, and colors as well as spaces with different transparency, connectivity, and agility.

This article analyzes the experiences of preservice Teachers of Color using critical race theory and Whiteness as property to relate the idea of science as White property.

The graphic art curriculum contains such units as anatomy, illustration, divisions of space, color theory, and I - PAD centered animation.

It can't do her job for her — a flying - off - buildings kind of superpower, it ain't (sadly)-- but the subtle flashes of color in her head can illuminate important details and fine - tune theories as she sifts through clues she already has.

There are a variety of theories regarding the origin of the name «Greyhound,» ranging from a derivation of the word «Graius,» meaning «Grecian,» to the old British word for dog, «Grech» or «Greg,» to the historical prevalence of gray as the breed's leading color.

The cause for this can only be guessed at, but one theory is that facial features don't show up with as much definition due to the darker the fur color, leading people to make less of a connection with the dog based on photos alone.

Obviously there has been zero research or data to support this theory, but I do know that IF the owners of these dogs tend to notice skin color, their dogs will as well.

If you are an art collector, however, you may not have as much of an interest toward in - depth tutorials on color theory.

Touching on formal elements such as color theory and Op Art, we will explore the visual effects created within works of art including, but not limited to: pattern, repetition, design, composition, Gestalt psychology and all forms of optical razzle dazzle that will make the cones and rods in our eyes forget which way is up.

Hofmann was one of the first theorists of color field painting, and his theories were influential to artists and to critics, particularly to Clement Greenberg, as well as to others during the 1930s and 1940s.

In the 1980s, just as women and artists of color were starting showing more, the big new theory of the day proclaimed that the author was dead.

Intermittently bright and gloomy, his paintings are characterized by unconventional grade of the constant concentration of pure pictorial elements, as color, surface, proportion, and scale followed by the theories that they could reveal the presence of the philosophical thoughts.

Yet engaged as Hofmann continued to be by teaching and writing after leaving Germany, and influential as his instruction and theories were, the most notable aspect of his American years was his refinding of his original identity, not as a teacher and theorist, but as a deeply engaged maker of art and a master manipulator of color.

Drawing on color theory, she creates paintings that manipulate the 12 tones of the color circle, as well as shades of black, white, and gray, to create disorienting and destabilizing visual effects.

The new paintings fuse, in Cranston's idiosyncratic way, her ongoing interest in color theory and how it functions within consumer culture vis - a-vis corporate marketing and branding strategies, as well as its relationship to personal and collective experience, with the aesthetics and history of high Modernist abstraction.

It was there that Schawinsky developed his theory of the «Spectodrama,» producing proto - «happenings» exploring phenomena such as space, motion, light, sound and color from scientific and performance - based perspectives.

Albers was highly influential as a teacher, first at the Bauhaus in Germany alongside Wassily Kandinsky and Paul Klee, and later with posts at Black Mountain College, Yale, and Harvard; he taught courses in design and color theory, and counted among his students such iconic artists as Eva Hesse, Cy Twombly, Richard Anuszkiewicz, and Robert Rauschenberg.

... [while other images] celebrate Africa as a continent in which the geopolitical boundaries imposed by European colonial authorities were completely dissolved... [giving] artists the freedom to... borrow visual icons from any part of the continent... This exhibition has been organized with Pace Primitive, New York, and is accompanied by a fully - illustrated color catalogue with an essay by Dr. Nnamdi Elleh, Assistant Professor of Architecture History and Theory at the University of Cincinnati, Ohio.

A hallmark of Hofmann's instruction was his substantial contribution to modern color theory, based on his experience with the School of Paris and the Fauves as well as his work in the design studio of Robert and Sonia Delaunay.

A maker of vibrant and intellectual abstract paintings that pushed forward the color theories of Albers and Kandinsky, Alma Thomas (1891 - 1978) is finally being recognized as a pivotal member of the Washington, D.C. mid-century arts scene.

The open interplay of different parameters like space, void, form and color as well as the aspect of an active involvement of the viewer contradicts the traditional theory of the image as a static and hermetically sealed object.

The artist, trained in color theory by Josef Albers, deployed a grayish palette, «both ashen and sallow, highlighted with accents of the nauseous,» as E. Luanne McKinnon puts it in the catalog for the current Brooklyn Museum exhibition of 19 of these paintings, from a series thought to include 21.

Josef Albers (1888 — 1976) is considered one of the foremost abstract painters, as well as an important designer and educator noted for his rigorously experimental approach to spatial relationships and color theory.

Through these works, she challenges the viewer's inherent desire for narrative and considers color as it relates to natural and man - made elements, design theory, and the culturally - specific meanings of logos, branding, pie charts, diagrams.

Although Josef Albers» influence on color theory is pervasive, CMYK reveals that artists continue to experiment and explore the infinite possibilities of mixing pigments based on cyan, magenta, yellow and black (K), illustrating that the future for abstract painting is as vast as its past.

As a contemporary answer to the Bauhaus's combination of the fine and applied arts, Aalto's faculty also includes lecturers in drawing, color theory, printmaking, design history, theory, and aesthetics.

The public is invited to attend the opening on Thursday, September 28th from 6 to 8 p.m. Alfred Jensen: The Number Paintings looks at how the artist used Pythagorean theory, the Mayan Calendar, and other numerical systems as well as Goethe's color theory in his work.

Josef Albers on #TheDress: OK, we know everyone will have forgotten about this whole thing by Monday, but for now: the Atlantic's CityLab uses Albers's 1963 color theory book Interaction of Color (as well as its app version, produced by Yale University Press) to explain how the hell people are seeing that dress as white and color theory book Interaction of Color (as well as its app version, produced by Yale University Press) to explain how the hell people are seeing that dress as white and Color (as well as its app version, produced by Yale University Press) to explain how the hell people are seeing that dress as white and gold.

Seamlessly blending pop cultural imagery, color theory, and psychology, Yuskavage draws on classical and modern painterly techniques and, in particular, marshals color as a conduit for complex psychological constructs.

Interaction of Color was Albers» book about the color theory, published by Yale University Press in 1963, that was conceived as a handbook and a sort of guide for artColor was Albers» book about the color theory, published by Yale University Press in 1963, that was conceived as a handbook and a sort of guide for artcolor theory, published by Yale University Press in 1963, that was conceived as a handbook and a sort of guide for artists.

Josef Albers, Alfred Jensen, and Ad Reinhardt used the square as the basic organizing framework for their systems of color theory.

Mary spent nearly 50 years at Southern Methodist University where she taught art history, painting and drawing, as well as SMU's noted color theory course.

Algebra is (often overtaught, I admit) technique, no different, and just as important, as learning how to control strokes when painting or the essentials of color theory.

Because, as Grigely told me, «no archive is disinterested» and in an extension of Joseph Albers» articulations of color theory, «you can't put one document beside another without changing both.»

Johnson believes there is a certain kind of taste development in the assembled painters» use of color and an opportunity to explore their palette as race, theory, and feeling.

This easy - to - use spiral - bound book is filled with comprehensive color information, including color theory and specific color recipes for oil, acrylic and watercolor, as well as for painting landscapes, portraits, and still lifes.

This discipline eventually led to my becoming a college instructor of various subjects such as life drawing, color theory and art history.

That first experiment with color theory set in motion what would become more than five decades of ardent inquiry into the nature of color, not as the means to conveying life but as the subject itself of Riley's art.

Her work explores themes as varied as Afrofuturism, queer theory, the power of language, and the spiritual nature of the color purple.

A few untitled graphite pieces combine a plaidlike grid of angles, crosses and string - theory loops with short phrases, such as «HOOT & HOLLER» or «Dance With Me Henri»; two primary - colored, acrylic marker grids have the complicated luminosity of a sun shower.