Sentences with phrase «color theory paintings»

Josef Albers used squares within squares to make color theory paintings.

Frederick Spratt (1927 — April 29, 2008) was an American artist and educator, best known for his exquisite color theory paintings.

Not exact matches

These paints can be mixed to form more colors giving children hands - on experience with color theory.

Coinciding with the exhibition Re-Generation, which maps the lasting effect of Josef Albers teaching on three successive generations of painters, is a small but exuberant show of paintings and works on paper by another teacher of color theory, painter Siri Berg.

Hofmann was one of the first theorists of color field painting, and his theories were influential to artists and to critics, particularly to Clement Greenberg, as well as to others during the 1930s and 1940s.

The 20 essays and book reviews that comprise Words For Art assess the practices and precepts of a wide range of artists, critics, and historians — from E. H. Gombrich's theory of perception and Walter Benjamin» views on color to the conceptual underpinnings of Mel Bochner's word paintings and the complications of Jack Tworkov's belief in the need for ethics in art.

Lesley Heller Workspace, New York, NY Claxons (four - person exhibition, curated by Walter Robinson), Haunch of Venison, New York, NY Grey Area, New York, NY The Queen's Feathers (one - person exhibition), John Tevis Gallery, Paris France 2011 Peacocks and Bottles (one - person exhibition) Organized by Nana Kipiani in conjunction with Artisterium, National Gallery of Georgia, Tbilisi, Georgia Forever and Never, One More Time (two - person exhibition), Season, Seattle, WA Color Theory, Storefront, Brooklyn, NY 2010 Birdbaths and Birdhouses (one person exhibition), Le Petit Versailles, New York, NY The Visible Vagina, Francis M. Naumann Fine Art & David Nolan Gallery, New York, NY 2009 Modern & Contemporary Ceramics, A.M. Richard Fine Art, Brooklyn, NY Bazvalon (one person exhibition), Rose Burlingham Living Room Gallery, New York, NY 2007 Momenta Art (one person exhibition), Brooklyn, NY French Kiss, organized by Rob Wynne, JGM Galerie, Paris The Demoiselles Revisited, Francis M. Naumann Fine Art, New York, NY NADA Art Fair, Miami, FL (Momenta Art booth) 2006 The Studio Visit, Exit Art, New York, NY 2005 Picture Window, (site specific, city organized), Baltimore, Maryland 2004 Hall of Portraits, Pinkard Gallery, Maryland College Institute of Art, Baltimore, MD 2003 The Recurrent, Haunting Ghost, Francis M. Naumann Fine Art, New York, NY Sleight of Hand, Salena Gallery, Brooklyn Campus, Long Island University, Brooklyn, NY 2002 Kismet, The Work Space, New York, NY 2001 Bad Touch, Lump gallery / projects, Raleigh, NC (also traveled to Keith Talent Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, Brooklyn, NY

Intermittently bright and gloomy, his paintings are characterized by unconventional grade of the constant concentration of pure pictorial elements, as color, surface, proportion, and scale followed by the theories that they could reveal the presence of the philosophical thoughts.

«Border Theory» revives painting techniques pioneered by Helen Frankenthaler, Morris Louis and other Color Field painters in the 1950s and 1960s.

Professional Experience 2014 - Present — Instructor at Evanston Art Center 2008 - 2011 — Adjunct Instructor; Queensborough Community College Courses: Color Theory, 2 - Dimensional Design in Foundation Program 2003 — Graduate Teaching Assistant; New York Academy of Art Course: Painting II

Drawing on color theory, she creates paintings that manipulate the 12 tones of the color circle, as well as shades of black, white, and gray, to create disorienting and destabilizing visual effects.

Students learn how to apply the fundamentals of color theory to painting from perception (still life or the model), imagination, or abstraction.

Shepherd's interest in both traditional color theory models and value - based painting is apparent in her «triangle suit» series made with precisely cut screen prints.

There she befriended the choreographer Merce Cunningham and studied painting with Albers, whose theories on color were immensely influential.

The new paintings fuse, in Cranston's idiosyncratic way, her ongoing interest in color theory and how it functions within consumer culture vis - a-vis corporate marketing and branding strategies, as well as its relationship to personal and collective experience, with the aesthetics and history of high Modernist abstraction.

The artist pursues color relationship and brings a considerable dexterity of color theory, a deep - seated sense of rhythm and formational aspects to each painting.

Both Anuszkiewicz (who studied with Josef Albers) and Wurmfeld, whose exhibition I reviewed on April 14th, make optically dazzling, hard - edge paintings that owe something to the scientific, research - driven engagement with color that goes back to Georges Seurat, the study of optics and the rise of color theories.

I also mixed regular paints with fluorescent paints to get a wider range of colors, which I alternated for contrast, instead of following some sort of color theory.

In color theory and color mixing workshops, guests will see firsthand how colors impact each other — what happens when colored paints are combined and how does our perception of one color change by simply placing it next to another.

A maker of vibrant and intellectual abstract paintings that pushed forward the color theories of Albers and Kandinsky, Alma Thomas (1891 - 1978) is finally being recognized as a pivotal member of the Washington, D.C. mid-century arts scene.

In the 1980s Mr. Poons's cottony paintings began to trash Greenbergian theories of flatness and weightless color with undisguised glee.

In 1951, Saidie May died, and Jensen settled in New York City, where the following year, the John Heller Gallery mounted the first exhibition of his work — a collection of twelve paintings based on Goethe's theories and executed in prismatic colors.

Explore color theory, mixing, paint application & more with expert guidance.

The artist, trained in color theory by Josef Albers, deployed a grayish palette, «both ashen and sallow, highlighted with accents of the nauseous,» as E. Luanne McKinnon puts it in the catalog for the current Brooklyn Museum exhibition of 19 of these paintings, from a series thought to include 21.

Our Visual Arts courses range from Drawing for Absolute Beginners, Basic Collage, Introduction to Watercolors, Acrylic Painting, Portrait Drawing and Drawing the Figure with Charcoal to How to Make a Graphic Novel and Color Theory.

Artists from both movements subscribed to a painting technique rooted in color theory; held left - wing political views; and pursued similar subject matter — from idyllic landscapes to timely social problems.

With his understanding of formal spatial composition, color theory (his palette has been compared to Matisse's), and expressive paint handling (which has often been compared to Mark Rothko's), it is no wonder that Kahn was a particularly favorite student of Hans Hofmann's.

Although Josef Albers» influence on color theory is pervasive, CMYK reveals that artists continue to experiment and explore the infinite possibilities of mixing pigments based on cyan, magenta, yellow and black (K), illustrating that the future for abstract painting is as vast as its past.

The public is invited to attend the opening on Thursday, September 28th from 6 to 8 p.m. Alfred Jensen: The Number Paintings looks at how the artist used Pythagorean theory, the Mayan Calendar, and other numerical systems as well as Goethe's color theory in his work.

He used mathematical systems to construct two - dimensional grid paintings and demonstrate color theories, but the work itself is metaphorical, referencing pre-Colombian and Asian cultures, textiles, and divination.

The 2 - D paintings in colored sign vinyl from her Color Theory Series quote works of the jazz - and language - inspired modernist Stuart Davis, in his transition from early Cubistic and Romantic influences to an engagement with radical politics and popular culture.

«Color: Stained, Brushed and Poured» brings together several artists whose enquiries into color theory and paint application revolutionized the course of abstraction in AmeColor: Stained, Brushed and Poured» brings together several artists whose enquiries into color theory and paint application revolutionized the course of abstraction in Amecolor theory and paint application revolutionized the course of abstraction in America.

Termed Color Field painting by the art critic and champion of American abstract painting, Clement Greenberg, it was defined and differentiated from Abstract Expressionism by an intense approach to color theory and a revolutionary application of pColor Field painting by the art critic and champion of American abstract painting, Clement Greenberg, it was defined and differentiated from Abstract Expressionism by an intense approach to color theory and a revolutionary application of pcolor theory and a revolutionary application of paint.

A self - taught student of color theory and non-western philosophies, Alfred Jensen communicates his broad philosophical and mystical knowledge with his paintings.

Nora Griffin draws on an array of diverse sources, including film theory, constructivist art, the late works of Philip Guston and the unruly colored frame paintings of Howard Hodgkin.

Mary spent nearly 50 years at Southern Methodist University where she taught art history, painting and drawing, as well as SMU's noted color theory course.

His works thus offer compelling complements to Hans Hofmann's paintings and well - known «push - pull» color theory.

Join us for a workshop in art history, color theory, drawing from the figure, drypoint etching, figure drawing, the monoprint, oil painting, photography, plein air painting, still life drawing, watercolor, the white line print, and exploring your creative expression.

Rules or color theory were unknown to me so painting it was just fun.

Algebra is (often overtaught, I admit) technique, no different, and just as important, as learning how to control strokes when painting or the essentials of color theory.

Holliday recalls being to paint in plein air on a trip to Australia: «there's all my color theory and there's time and there's meaning - it was all there... with the weather and the light.

The exhibition — titled for a 1936 Paul Klee painting of utopian geometry that reflects the artist's interest in color theory and musical composition — features 40 paintings, sculptures, and works on paper by some 20 artists, including Alexander Calder, Alberto Giacometti, Fernand Léger, Francis Picabia, and Joaquín Torres - García.

Three big hexagons separate into red, yellow, and blue — the foundational elements of painting's color theory but nothing to do with the elements of a camera lens that actually shape the effect.

He began a course in the weaving workshop in 1927, where she was exposed to both his theories on abstraction and his paintings, which were rich in symbols and colors.

She has been teaching color theory, painting, and drawing courses at the School of the Museum of Fine Arts, Boston and Massachusetts College of Art and Design for over a decade.

This easy - to - use spiral - bound book is filled with comprehensive color information, including color theory and specific color recipes for oil, acrylic and watercolor, as well as for painting landscapes, portraits, and still lifes.

La Historia Del Mssa — Museo de la Solidaridad Salvador Allende, Santiago Contemporary Masters — The Kirk Varnedoe Collection — Telfair Academy of Arts & Sciences, Savannah, GA Double Negative: From Painting To Object — Museo Tamayo, Mexico City Transatlantic — UpDown Gallery, Ramsgate Contemporary Masters — Zane Bennett Contemporary Art, Santa Fe, NM Nichts Ist Kunst — Galerie Eugen Lendl, Graz Black White — Mnuchin Gallery, New York City, NY Color: Theories and Structures — The Gund Gallery at Kenyon College, Gambier, OH Carte Blanche — Nextex, St. Gallen

Josef Albers was an American artist and teacher widely known for his paintings and his book on color theory, but I personally love these album covers that he designed in the late 50's and early 60s for Command Records.

The exhibition features new works from the artist's Kite paintings series, which combines aspects of Op Art and Color Field Theory, intermingled with concepts from Rosalind Krauss» theory of Sculpture in the Expanded Theory, intermingled with concepts from Rosalind Krauss» theory of Sculpture in the Expanded theory of Sculpture in the Expanded Field.

Drawing + Painting Anatomical Figure Drawing Beginning Water - based Media Color Theory for Painters + Designers Color Theory for the Painter Contemporary Figuration Contemporary Techniques for Figurative Painting Continuing the Indirect Method of Oil Painting Creating Innovative Comics Drawing + Painting the Figure Drawing for Comics Drawing Fundamentals Drawing in Color Drawing Outside in RVA Drawing with Ink, Charcoal + Wax Resist Exploring Water - based Media Figure Drawing Intensive Impressionism, Mark - making + Your Sketchbook Intermediate Classical Drawing Intermediate Drawing Intermediate Pastel Drawing Intermediate to Advanced Watercolor Introduction to Acrylic Painting Introduction to Children's Book Illustration Introduction to Classical Drawing Introduction to Oil Painting Introduction to Painting with Gouache Introduction to Pastel Drawing Introduction to the Figure Introduction to Watercolor Mixed - Media Drawing + Painting Mixed - Media Image Transfers Painting the Still Life + Figure in Oil Pen + Ink Drawing The Expressive Figure The Portrait in Oil The Traveling Sketchbook Value Into Color Visual Storytelling Through Illustration Watercolor + the Figure