Two - channel digital
color video installation with two - channel soundtrack; run time and dimensions variable.
Animated LED
color video installation, with sound, dimensions variable.
Three - channel HD
color video installation, 7.1 sound, 53 minutes.
Three channel HD
color video installation, 7.1 sound, 53 minutes.
Not exact matches
Plus, the company supports a streamlined DIY
installation process with
color - coded tubings and easy - connect fittings, so with their instructional
videos and customer support team, you can install the RO system yourself.
Chris Larson, Land Speed Record (still), 2016,
installation with
color digital
video, black - and - white Super 16 mm film, sound, and sculpture.
Panoramic film
installation: Super 8 film transferred to
video and HD
video, black - and - white and
color, silent; 35 min., looped.
Five - channel
video installation (
color, sound; 15:00 minutes) with mirror, wood, and rear projection screens.
Single channel film
installation (16 mm film transferred to HD
video,
color / sound), 3:29 min.
2009
Video animation, 22 min (loop),
color, sound Dimensions vary with
installation Courtesy the artist, David Zwirner, New York and Sadie Coles HQ, London
NEW YORK — Opening Thursday, March 28 at the Studio Museum in Harlem, David Hartt: Stray Light is a presentation of
color photographs, sculptures and a
video installation by Chicago - based conceptual photographer David Hartt (b. 1967) reflecting on the iconic headquarters of the Johnson Publishing Company in downtown Chicago.
Multichannel
video installation,
color, sound.
Two - channel HD
video installation, 5.1 sound,
color; 26:31 min.
[33] Lyrical Abstraction, Conceptual Art, Postminimalism, Earth Art,
Video, Performance art,
Installation art, along with the continuation of Fluxus, Abstract Expressionism,
Color Field Painting, Hard - edge painting, Minimal Art, Op art, Pop Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through the 1970s.
An En - Tele - Shit of the Specular Image Separated from the Truth for a Better Dispossession of Yourselves (
Installation project), six - second
color video loop with sound projected on a home television set, cardboard sculptures of a television and skull, paraffin arm: cardboard, plastic and dyed paraffin.
Dara Birnbaum, American, born 1946;
Installation view, storefront window of H - Hair Salon de Coiffure, NYC, 1980; Technology / Transformation: Wonder Woman, 1978 - 79;
video still from single - channel
video,
color, stereo sound; 5 minutes 50 seconds; Courtesy of The Studio of Dara Birnbaum, New York; Photo: Dara Birnbaum © Dara Birnbaum
The
video installation Shape - Shifting consists simply of four screens broadcasting
colors.
avaf works in a vast array of media, including painting, drawing,
installations,
video, sculpture, neons, wallpaper, decals, and often confronts gender, politics, and embedded cultural codes through pop imagery and neon
colors.
This presentation is a
video installation in which RODNEY MCMILLIAN casts himself as politician and recites a historic 1964 President Lyndon B. Johnson speech laying out his domestic agenda focused on eliminating poverty and racial injustice: «Untitled (the Great Society) I,» 2006 (single channel
video,
color and sound, 15:48 minutes, looped; Edition of 5 and 2 AP).
Two - channel HD
video and sixteen - channel sound
installation,
color; 20:45 min.
Two - channel
video and sound
installation,
color, with carpet and pillows; 10:25 min.
Two - channel high definition
video installation (sound,
color), run time: 7:24.
LIU Shiyuan Isolated Above, Connected Down 2018 single channel
color video 21 minutes; 55 seconds
Installation view (TBG 18775)
Two - channel
video and sound
installation,
color; 4:07 min.
Captivating, full -
color images documenting it all, are splashed across spreads and produced in up - close detail on countless pages, alongside
installation images and
video stills.
Video installation with three channels of video (color, sound), three projections, freestanding room, PVC projection screens, mir
Video installation with three channels of
video (color, sound), three projections, freestanding room, PVC projection screens, mir
video (
color, sound), three projections, freestanding room, PVC projection screens, mirrors.
Yael Bartana Wild Seeds 2005 6 min 40 sec, mini DV & DVD, PAL,
color, sound Two channel
video and sound
installation (projection 1: Image, projection 2: subtitles) Courtesy Annet Gelink Gallery, Amsterdam and Sommer Contemporary Art Gallery, Tel Aviv Photo: Matthew Septimus.
David Hartt: Stray Light presents
color photographs, sculptures, and a
video installation by Chicago - based Canadian artist David Hartt (b. 1967) reflecting on the iconic headquarters of the Johnson Publishing Company in downtown Chicago.
Among many other works, including modified
video games, a new sculpture, website and performance, and prints made especially for this show, the DHC / ART presentation features the film
installation Colors, 2009.
Single - channel
video installation, silent,
color; 9:07 min.
Six - screen film
installation,
color infrared film transferred to HD
video.
avaf works in a vast array of media, including painting, drawing,
installations,
video, sculpture, neon, wallpaper, decals, and often confronts gender, politics, and embedded cultural codes through pop imagery and neon
colors.
In 2016, Mutu opened a second studio in Nairobi, and this return to her «alien mother,» as the artist has referred to it, has catalyzed a transformation in her work.4 Fresh materials and methods referencing the Kenyan landscape — such as the distinctive rust -
colored clay of Nairobi's volcanic soil and a dark, coal - like paper pulp — evidence a shift in the artist's focus from primarily two - dimensional works to the earthy, the organic, and the spiritual, with an emphasis on three - dimensional forms and performance - based
installations, as well as the playful and imaginative opportunities of
video animation.
Yang Fudong: Tonight Moon, 2000;
installation view; multi-channel
video installation (1 projected image, 24 LCD screen = s, 6 monitors),
color and black and white, sound; 10 min; collection Museum of Contemporary Art Antwerp (M HKA), Antwerp, Belgium, and Collection Eric X. Li (AB (1990) and Mrs. Li, Shanghai.
All of the second - floor galleries were retrofitted, new walls were constructed, and projectors were installed to create intimate viewing spaces that allow the viewer to experience each
video work to the exact
installation requirements of the artists — this includes specific wall
colors, audio parameters, sound panels, other installed materials, projection angles, and screen selection.
More recently, we've gotten the insane overload of sound,
color, sensibilities, cults and tribes in Ryan Trecartin and Lizzie Fitch's
videos and the JPEG, YouTube circularity data in Hito Steyerl's walk - in
videos, films and sculptural
installations.
Dara Birnbaum, Tiananmen Square: Break - In Transmission, 1990 Five - channel
color video, four - channel stereo sound, surveillance switcher and custom - designed support system, Dimensions variable
Installation view at S.M.A.K. - Stedelijk Museum voor Actuele Kunst, Ghent, 2009 Courtesy of the Artist and Marian Goodman Gallery, New York / Paris / London Photo credit and Copyright: Dara Birnbaum
Baga turns her
videos into room - size
installations, adorning them with found objects in bright
colors and weird knick - knacks; instead of standing watching a
video, you're in her world.
Mercy Garden, 2014; two - channel
video and sound
installation,
color, with carpet; 10:30; dimensions variable.
Video installation with one channel of video (color, sound), one projection, steel and PVC screen billboard scul
Video installation with one channel of
video (color, sound), one projection, steel and PVC screen billboard scul
video (
color, sound), one projection, steel and PVC screen billboard sculpture
The photographic mediums,
colors, styles, and sizes are heavily varied; many works are tacked to the walls unframed, and a curtained - off
video installation features sitters singing childhood lullabies.
Ever Is Over All, 1997; two - channel
video and sound
installation,
color; 4:07; dimensions variable.
He soon made New York his home and shifted from performance,
video, and
installation - based work to making abstract paintings and drawings about
color, light, and space.
Installation view of SHEN XIN's Provocation of the Nightingale # 1, 2017, digital
video with
color and sound: 22 min, at the Baltic Centre for Contemporary Art, Gateshead, 2017.
Ben Dean's Account, 2002 — 2008, the exceptional
installation that constituted his first solo show, is really two accounts — one a 16 - mm
color film, the other a gray - toned, computer - generated
video — of three places.
This richly illustrated exhibition catalogue, published in conjunction with the artist's first major retrospective in North America, highlights both Dijkstra's large - scale
color photographs and her
video installations.
Two - channel
video installation,
color, sound; 10 minutes.
Bringing together 70 large - scale
color photographs and five
video installations, this is the artist's first major retrospective in the United States.
Fantastic images of warriors and staged historical battles are invaded by irrepressible
color and pop - images from electronic media in the former Core Fellow's paintings, sculpture, digital collage,
video, and
installations, which express his «concern with romanticized and sterilized representations that occur with the westernization, commercialization, and imposition of entertainment value upon history.»
Three - channel HD
video installation, 7.1 sound,
color; 48:30 min.