Not exact matches
I glared at him as I walked
through the living room with yet another pile of
colors to
wash and eventually fold and put away.
A select group of Pure Barre trainers wore several different styles and fabrics to class to make sure they were practical for Pure Barre and kept their
color and shape
through rigorous workouts and
washings.
Like ginger, turmeric, the unassuming root with
color so vibrant you suddenly have an urge to hand - dye fabric, is said to be one of the world's healthiest foods — the bright orange - yellow equivalent of putting your insides
through a car
wash.
Searching
through our drawers and closets, I found LOTS of freezer paper stenciled things, and am happy to say that after two years of wearing and
washing, the paint had held up pretty well (I use the Jacquard Textile
Color, found here).
The
colors won't fade or run over time no matter how many times you put this carrier
through the
washing machine.
A select group of Pure Barre trainers wore several different styles and fabrics to class to make sure they were practical for Pure Barre and kept their
color and shape
through rigorous workouts and
washings.
The lipstick remained true to
color and did not bleed as of 9 pm that night and the hand swatch lasted
through a shower and more hand
washes than most people do in a week!
They also retain
color very well
through each
wash and hold up.
This slice of New York (and Chicago) is drab and worn in, almost like the film stock had been put
through a
washing machine 100 times without
color safe detergent.
This means you are trudging
through a choppy world where
colors seem lifeless and
washed out.
This meanders
through straw -
colored hills for 30 - odd miles before
washing into Paso Robles, one of the many wine - centric areas of California.
This means you are trudging
through a choppy world where
colors seem lifeless and
washed out.
Her eccentrically shaped canvases employ a light touch and modest approach to create deceptively simple compositions that seem to will themselves into being
through cumulative
color washes, brush strokes and a sidelong
color palette.
The pencil delineations that were visible
through the
washes of
color that characterized her work of the 1970s and early 1980s, now sit on top of them.
The bright but slightly tarnished
colors could represent the primaries dictated by formalism after a run
through the
washing machine.
Manny Farber's monumental
color field paintings created in New York and California during the years 1967
through 1975 were cut, stained, saturated, sliced, wet, glued, painted, folded, collaged, pleated, pasted, layered, dripped, brushed, glazed, bled, marked,
colored, tinted, textured, smeared, pierced, trimmed, slit, creased, buffed, wiped, varnished,
washed, graphed, drawn, scraped, burnished, rubbed, scoured, soaked, coated, veiled, and wrapped.
Through juxtapositions of newer and older work, Veils of
Color: Juxtapositions and Recent Work by Elizabeth Osborne explores the arc of the artist's nearly six - decade career, a career of incredible artistic production and exploration distinguished by a subtle pas de deux between abstraction and realism, a duet that is both revealed and concealed by veils of color that wash across every ca
Color: Juxtapositions and Recent Work by Elizabeth Osborne explores the arc of the artist's nearly six - decade career, a career of incredible artistic production and exploration distinguished by a subtle pas de deux between abstraction and realism, a duet that is both revealed and concealed by veils of
color that wash across every ca
color that
wash across every canvas.
Post-painterly abstraction encompasses a broad group of American painters who reacted to Abstract Expressionism, either
through the pursuit of Hard - edge abstraction or by creating open compositions of
washes and poured areas of
color.
Though he was often associated with the
Color School painters, he vigorously denied that connection, asserting instead that his floating washes of color carried light, and through light, a spiritual pres
Color School painters, he vigorously denied that connection, asserting instead that his floating
washes of
color carried light, and through light, a spiritual pres
color carried light, and
through light, a spiritual presence.
Through enlivening these dated portraits with an updated palette and active
washes of
color, Fischer attempts to re-imagine the representation of history as only painting can by depicting intangible mental characteristics excluded from an object - based historical archive.
Through enlivening these dated portraits with an updated palette and active
washes of
color, Fischer attempts to re-imagine -LSB-...]
Mack integrates the everyday into these layered, expressionist «canvases» adding pages torn from magazines and newspapers along with
washes of
color, paint splatters, and dots of paint pushed
through pegboard in a DIY screen - printing process.
Washes of
color (squints of light),
color seen
through lids barely open, a view that represents only a portion of the landscape or portrait, but is not false.
The visual history of the African diaspora is annotated
through the inclusion of three African - American artists, two of whom were born in the 1930s: Mississippi - raised
Color Field painter Sam Gilliam shows vast draped canvases saturated in a gradient of color wa
Color Field painter Sam Gilliam shows vast draped canvases saturated in a gradient of
color wa
color washes.
Whereas Louis and Noland worked with an icy control, often using
colored washes rather than viscous paint to avoid even the texture of paint strokes, Thomas allows a playful humanity to appear
through the rigor, pushing against it in creative and unexpected ways, but never breaking
through or turning haphazard.
Patterns and
washes of bright
color pop out as one walks
through the galleries.
Philip Taaffe Luhring Augustine, 25 Knickerbocker Avenue,
through April 26 Like many art - worlders of a certain age, I was smitten in the mid-1980s by Philip Taaffe's flickering bioluminescent patterns and remakes of famous Modernist masterpieces, all accomplished with stains,
washes, hallucinogenic
color — a unique form of collage whereby he created some of the most sensual surfaces I've ever seen in contemporary art.
But here this structure is often reversed, with pale, transparent
colors sitting on top of solid dark ones, and aura - like
washes creating an uncanny sense of depth
through the layering of luminosity.
Wistful cloudscapes etch themselves out in childlike innocence, as bright
washes of
color animate simple polyester — shifting surfaces that flirt with the otherworldly
through accessible means.
Although the
color and canvas are bound together on a totally flat surface, our eye moves, in her words, «miles back and forth»
through the fictive space the artist creates out of her large, open
washes of
color.
In her workshops, Ritchey teaches how to layer
colors and distress or wax the paint to create an old - world patina, as well as how to use the product as a
wash that allows wood grain to show
through.
The result was a beautiful, white -
washed fireplace which wasn't completely paint - covered and some of the texture and
color of the original brick showing
through, but white enough that it changed the whole look of the room.