Sentences with phrase «color woodblock prints»

Japanese Impressions: Color Woodblock Prints from the Rodbell Family Collection is the first exhibition at the Clark to focus on the Institute's permanent collection of Japanese prints.

The exhibition spans more than a century of Japanese color woodblock printing as represented by three generations of artists who produced prints from the 1830s to the 1970s.

In celebration of the acquisition of Helen Frankenthaler's breakthrough color woodblock print, East and Beyond, 1973, the Art Center presents an exhibition contextualizing Frankenthaler's print.

Kawase Hasui (Japanese, 1883 - 1957) Kiyomizu Hall, Ueno, from the series Twenty Views of Tokyo (Tokyo nijukei, Ueno Kiyomizudo), 1928, Color woodblock print on paper.

Helen Frankenthaler, East and Beyond, 1973, eight - color woodblock print on buff laminated Nepalese handmade paper Sheet: 31 3/4 × 21 in.

Kawase Hasui, Carp Banner, Toyohama, Kagawa Prefecture,, color woodblock print on laid paper, 1948.

Katsushika Hokusai, Kudan Ushigafuchi (Ushigafuchi at Kudan)(ca.1804 - 1807), color woodblock print (nishiki - e), 18 × 24.5 cm.

Utagawa Kuniyoshi, Returning from the Shin Yoshiwara by Moonlight, ca. 1834, color woodblock print, 10 ⅝ x 15 inches.

«Leslie» is the artist's first color woodblock print.

Not exact matches

French director Sébastien Laudenbach works with pen, paper and paint, crafting his take on the Brothers Grimm fairy tale with simple lines and color blocks that suggest — without replicating — Japanese woodblock prints.

Each print is unique, and painstakingly produced by an arrangement of flower - shaped woodblocks, each printed in a single color.

Sumptuous color plates showcase a dazzling array of achievements — including Shanghai School paintings, modern calligraphy, commercial art, 1920s and 1930s woodblock prints, modern guohua (traditional ink and color paintings), socialist realist paintings and other contemporary works.

She has her BFA from Herbert Lehman College, was trained in etching color print with Maria Samosa (El Museo del Barrio, NYC, 1972 - 3), in viscosity printing with Arun Bose and Krishna Reddy (NYC, 1972 - 3), papermaking with Zarina Hashmi (NYC, 1979), and in Hanga (Japanese water based woodblock printing) with Sensei Toshi Yoshida (Nagano — Japan, 1984).

Kawase Hasui (Japanese, 1883 - 1957), Asahi Bridge, Ojiya, from the series Souvenirs of Travel, Second Series, August 14, 1921, woodblock print, ink and color on paper.

His unique woodblock prints often illustrate social issues such as corruption, environmental damage, consumerism and social division, while his paintings depict simpler yet rich and symbolic motifs with explorations in colors and textures.

Frankenthaler has worked with Pace Prints to create four Ukiyo - e plus woodcuts, including «Geisha» (2003), a twenty - three color Ukiyo - e woodcut printed from 15 woodblocks on Torinoko paper and mounted onto Fabriano Classico, as well as «Book of Clouds,» a large - scale print using a combination of aquatint, woodcut and pochoir techniques.

Be sure not to miss an intricate and fantastical woodblock and lithograph edition entitled Monkey Biz by Duke Riley at Graphicstuide / USF; seminal prints by prominent American Pop artists Roy Lichtenstein and Andy Warhol at Gregg Shienbaum Fine Art; a visually hypnotic nine - color screen print by Jason Middlebrook at Flying Horse Editions; an impressive suite of etchings entitled The Caprichos by Emily Lombardo at Childs Gallery; striking figurative lithographs by American artist Robert Longo at Hamilton - Selway Fine Art; a bold woodcut by Royal Academy artist Eileen Copper at Rabley Contemporary Gallery UK; three - dimensional print sculptures by Lesley Dill and mixed media prints by Cuban artist Sandra Ramos at Tandem Press; a series of haunting portraits by the American artist Monica Lundy at Stoney Road Press / Ireland; colorful mixed media work by Stanley William Hayder at Susan Teller Gallery; subtle and contemplative photolithographic prints by Linda Schwarz at Wildwood Press LLC; and bold and colorful works by Alexander Calder and Chuck Close at Thomas French Fine Art.

On a single work's surfaces, on a colored ground, Zheng makes thousands of prints from woodblocks he has carved, printing type, found stamps, and more recently Chinese papercuts; he finishes the work by painting into it by hand.

Throughout her career, New York artist Gloria Garfinkel (b. 1929) has drawn inspiration from the vivid designs and unexpected color combinations of Japanese fabrics and woodblock prints.

A week - long exploration working in intaglio to create multi color prints from one copper plate, combining traditional etching process with a la poupee inking, mono printing, chine colle, with the option of using a woodblock as a second plate / matrix.

The talk will touch on Judd's four - decade engagement with woodblock prints as well as his interest and use of color across all media.

The title reflects her fascination with Japanese woodblock prints, especially the subtle colors found in the work of Utagawa Hiroshige (1797 — 1858), an artist whose work she owned.

The Nabis, influenced by Paul Gauguin and the fashionable Japanese woodblock prints, experimented with arbitrary color, expressive line, and flat, patterned surfaces.

In her series of reduction woodblock prints entitled The Sum of All the Parts, López uses the medium to layer texture and color as she describes the rusting surfaces of I - beams and the very joints of construction.

Twenty - two color Ukiyo - e style woodcut printed with 18 woodblocks 24 x 18 inches Edition of 51 Signed and numbered by the artist Printed by Pace Editions Ink Published by Pace Editions, Inc. unframed, pristine condition never framed, hinged or printed with 18 woodblocks 24 x 18 inches Edition of 51 Signed and numbered by the artist Printed by Pace Editions Ink Published by Pace Editions, Inc. unframed, pristine condition never framed, hinged or Printed by Pace Editions Ink Published by Pace Editions, Inc. unframed, pristine condition never framed, hinged or matted.

Her paintings also bring to mind the extravagant decadence of fin de siècle Vienna, the crystalline colors of ukiyo - e woodblock prints, the late figuration of Philip Guston and the Pop abstraction of Nicholas Krushenick.

Except for a central column covered in brightly colored strips, the patterning is black and white, and it was made by means of woodblock printing and high - gloss house paint....

He works in the ancient tradition of woodblock printing using as many as 15 colors in a single print.

Italian Renaissance artists were inspired by the naturalism of ancient Greek and Roman sculpture; French Post-Impressionists incorporated the compositions and colors of Japanese woodblock prints.

In a new series of two - part ink drawings, Baselitz is «visited» by Katsushika Hokusai, whose exquisitely controlled color - woodblock prints epitomized the refined ukiyo - e genre in Japanese art and persist in the popular imagination today.

Using various printing techniques including lithography, silkscreen and woodblock, he renders his subjects in vivid colors and patterns.

Kawase Hasui (Japanese, 1883 - 1957), Daigokuden, Kyoto, from the series Selection of Scenes of Japan, 1922, woodblock print, ink and color on paper.

Kawase Hasui (Japanese, 1883 - 1957) Hori River, Obama from the series Souvenirs of Travel, First Series, early autumn 1920, woodblock print, ink and color on paper.

Kawase Hasui (Japanese, 1883 - 1957), Kaminohashi Bridge, Fukagawa, from the series Twelve Subjects of Tokyo, summer 1920, woodblock print, ink and color on paper.

The woodblocks themselves are hardly recognizable, but their textured, dark, almost burnt color reveals the ink - stained surface of the blocks (the reverse images of positive prints).