Sentences with phrase «colored aquatint»

A masterful hand colored aquatint of a NYC night scene.

Four color aquatints, sheet 29 1/4 x 22 3/4 inches.

Lot 46: RADCLIFFE BAILEY (1968 ---RRB-, «Until I Die / Georgia Trees and the Upper Room,» 1997 (color aquatint with drypoint and burnishing, xerography and chine collé on cream wove paper).

Xylor Jane, Third Order Magic Square for Deep Sleep, 2014 three color aquatint 24.5 x 21.75 inches edition of 22 published by Wingate Studio Purchase / Inquire Project and Artist Info

Shown, RADCLIFFE BAILEY, «Until I Die / Georgia Trees and the Upper Room,» 1997 (color aquatint).

Chuck Webster, Houses Under the Sea, 2014 three color aquatint etching, spit bite aquatint, and sugar lift 38 x 43 inches edition of 15 published by Wingate Studio Purchase / Inquire

Despite a disparate range of formats, including porcelain sculpture, complex wire installations, and color aquatints, this exhibition brings together a wide array of works that originate from a process - based practice and share connections to -LSB-.....]

Indigo, 1990 color aquatint with spitbite, aquatint, ed 15/50 40-1/2 x 54-1/4» - paper size 47-1/8 x 56-1/4» - framed signed on verso Al Held began his career as an Abstract Expressionist, but after becoming dissatisfied with this type of painting, he began to exhibit work demonstrating an alternative style.

Color aquatint and hard ground etching, 11 3/4 x 11 1/2 inches [Cat.

«Crowd Paintings», Cheim & Read, New York «Paintings from Kunsthalle», Basel, Tony Shafrazi, New York «New Work», Greenberg Van Doren, St. Louis, Missouri «Collage Paintings», Velge & Noirhomme, Brussels, Belguim «New Color Aquatints», Baron / Boisanté, New York «Recent Paintings», Bernd Klueser, Munich, Germany «Sculptures & Drawings», Lars Bohman, Stockholm, Sweden «New Paintings», Thomas Cohn, São Paulo, Brazil «Donald Baechler», Locks Gallery, Philadelphia, Pennsylvania «Globes and More», Thaddaeus Ropac, Paris, France

In addition to popular favorites Francis Bacon, David Hockney, Alex Katz and Roy Lichtenstein, there is a selection of prints by Wayne Thiebaud featuring his iconic candies and treats, as well as two rare landscapes: Freeway Curve, color aquatint and etching, 1979 - 80 and River and Farm, color direct gravure with drypoint, 2002 ($ 6,000 to $ 9,000 and $ 3,000 to $ 5,000, respectively).

Richard Diebenkorn Folsom Street Variation III (Primaries), 1986 Color aquatint with drypoint, soap ground aquatint and flat bite Plate: 12 x 26 inches Sheet: 26 x 40 inches Edition of 60

On home page: Kerry James Marshall's Vignette (Wishing Well), 2010, color aquatint etching with collage.

The three - color aquatint print, created during her first collaboration with Wingate Studio, employs larger patterns and blocks of color than the Jane's well - known microscopic dots of oil paint, allowing the viewer a sense of the structure behind her meaningfully configured compositions.

YELLOW SPAN (HARRISON 13) Color aquatint, 1968, signed, dated and numbered 50/75 in pencil, published by ULAE and with their blindstamp, minor foxing, discoloration and creasing in the margins, otherwise in good condition, with full margins.

Louise Nevelson, (Untitled # 1), 1973, color aquatint and collage on paper, Smithsonian American Art Museum, Museum purchase, 1973.181

ELDZIER CORTOR, «Trio Assemblage # 1 / Composition III,» 1950s (color aquatint on paper).

It includes color aquatints from the»80s by Sean Scully, Tony Cragg and Anish Kapoor that, in addition to their own individual virtues, point out the Press» increasingly international outlook.

It also includes conceptual work by Cage (his calligraphic 1989 color aquatint «75 Stones») and LeWitt (his elegant 1986 color woodcut

These irregularly shaped and deeply colored aquatints have a captivating multi-dimensionality that denies easy interpretation.

Helen Frankenthaler (American, 1928 - 2011) Yellow Span, 1968 color aquatint, ULAE, pub.

It includes understandably popular work by standbys Richard Diebenkorn (his lush 1986 color aquatint

Richard Diebenkorn Folsom Street Variations III (Primaries), 1986 Color aquatint with drypoint, soap ground aquatint and flat bite Plate: 12 x 26 inches Sheet: 26 x 40 inches Edition of 60

Not exact matches

Color sugarlift and spitbite aquatint, 14 3/16 x 18 1/8 in.

Kiki Smith, In a Bower (2015), color etching and aquatint with hand coloring, 33 3/4 x 44 1/2 inches.

Untitled (from Daughter of the East), 2008 six plate color etching, aquatint, spit bite aquatint, drypoint, and hand coloring 25 x 19 inches edition of 30 published by Wingate Studio Purchase / Inquire

Once Webster approved the lithograph impression, a variety of color combinations were developed until the final selection of 10 colors was reached to completely fill in the composition, requiring three carborundum aquatint plates.

Untitled (from Daughter of the East), 2008 five plate color etching, aquatint, spit bite aquatint, and drypoint 25 x 19 inches edition of 30 published by Wingate Studio Purchase / Inquire

Blue Tumbler, 2010 three color soft ground etching and aquatint sheet size 22.5 x 23 inches, plate size 18 x 18 inches edition of 20 published by Wingate Studio Purchase / Inquire

Untitled (from Daughter of the East), 2008 six plate color etching, aquatint, spit bite aquatint, drypoint, chine collé, and hand coloring 25 x 19 inches edition of 30 published by Wingate Studio Purchase / Inquire

Untitled (from Daughter of the East), 2008 six plate color etching, aquatint, spit bite aquatint, and chine collé 25 x 19 inches edition of 30 published by Wingate Studio Purchase / Inquire

Shavasana, 2001 color etching and aquatint 33.5 x 39 inches edition of 30 published by Wingate Studio Purchase / Inquire

Fortune, 1999 color etching and aquatint 32 x 26.25 inches edition of 40 published by the artist, printed by Wingate Studio

The French Singer, 1999 color etching and aquatint 32 x 27.5 inches edition of 60 published by the artist, printed by Wingate Studio

Frankenthaler has worked with Pace Prints to create four Ukiyo - e plus woodcuts, including «Geisha» (2003), a twenty - three color Ukiyo - e woodcut printed from 15 woodblocks on Torinoko paper and mounted onto Fabriano Classico, as well as «Book of Clouds,» a large - scale print using a combination of aquatint, woodcut and pochoir techniques.

John Cage, 75 Stones, 1989; Color spit bite aquatint with sugar lift aquatint on smoked paper; 54 x 41 inches; published by Crown Point Press, San Francisco.

Stripping even the minimal color used in the paintings foregrounds Taylor's fastidious attention to texture through etching, sugar lift aquatint and scraping.

Luna, 2005 six color hard ground etching, aquatint, spit bite aquatint, sugar lift, white ground, drypoint, and roulette 30 x 22.5 inches edition of 30 published by Wingate Studio.

Walton Ford, Limed Blossoms, 2007 six plate color etching and aquatint plate size 12 x 9 inches, paper size 18.5 x 14 inches edition of 100 published by Paul Kasmin Gallery, produced and printed by Wingate Studio SOLD OUT

Walton Ford, The Tale of Johnny Nutkin, 2001 six plate color etching and aquatint plate size 36 x 24 inches, paper size 44 x 31 inches edition of 50 published by Paul Kasmin Gallery, produced and printed by Wingate Studio SOLD OUT

Color sugar lift and spit bite aquatints with soft ground etching printed on gampi paper chine collé

Chuck Webster, Fun House, 2015 color etching and aquatint, hard ground, scraping, burnishing, spit bite, dry point plate size 12 x 10.5 inches, sheet size 20.5 x 17 inches edition of 20 published by Wingate Studio Purchase / Inquire

Walton Ford, Benjamin's Emblem, 2000 six plate color etching and aquatint plate size 36 x 24 inches, paper size 44 x 31 inches edition of 50 published by Paul Kasmin Gallery, produced and printed by Wingate Studio SOLD OUT

Walton Ford, Swadeshi - cide, 1998 - 99 six plate color etching and aquatint plate size 36 x 24 inches, paper size 44 x 31 inches edition of 50 published by Paul Kasmin Gallery, produced and printed by Wingate Studio SOLD OUT

Chuck Webster, Reach A Call in the Sun, 2015 color etching and aquatint, hard ground, scraping, burnishing, spit bite, dry point plate size 12 x 10.5 inches, sheet size 20.5 x 17 inches edition of 20 published by Wingate Studio Purchase / Inquire

Walton Ford, Compromised, 2003 six plate color etching and aquatint plate size 36 x 24 inches, paper size 44 x 31 inches edition of 50 published by Paul Kasmin Gallery, produced and printed by Wingate Studio SOLD OUT

Walton Ford, Visitation, 2004 six plate color etching and aquatint plate size 36 x 24 inches, paper size 44 x 31 inches edition of 50 published by Paul Kasmin Gallery, produced and printed by Wingate Studio SOLD OUT

Walton Ford, Dying Words, 2005 six plate color etching and aquatint plate size 14 x 18 inches, paper size 22.5 x 30 inches published by Paul Kasmin Gallery, produced and printed by Wingate Studio edition of 75 SOLD OUT

Robert Havell Jr. after John James Audubon, American White Pelican, 1836, from The Birds of America, hand - colored etching and aquatint, National Gallery of Art, Washington, Gift of Mrs. Walter B. James, 1945

Chuck Webster, Gleemer, 2015 color etching and aquatint, hard ground, scraping, burnishing, spit bite, dry point plate size 8.5 x 7.1875 inches, sheet size 15.75 x 14 inches edition of 20 published by Wingate Studio Purchase / Inquire