Sentences with phrase «colored by emotions»

and our own point of view is almost always colored by our emotions.

Not exact matches

This feeling is built over time by every interaction people have with your brand — where they see it, whom they see it with, its colors and the emotions that the name inspires.

Those who passed the emotion recognition test with flying colors «are considered more socially and politically skilled than others by their colleagues.

Everything, from emotions to colors to sounds, is absorbed by the child.

The first chapter offers a week - by - week calendar sharing the many changes one can expect in their body and emotions, as well as fetal development changes with a number of color illustrations.

Thinking back to my own uninvited mystical experiences, I felt swallowed by them and filled with emotion, while the details of my surroundings — the colors, the reflections, the shapes — were more defined, brighter and more intense than ever.

Happiness was the easiest emotion for the computer to recognize by color alone, and it detected the emotion with 90 percent accuracy.

Gibson explains by analogy that emotions can be broken down into these emotion primitives much as a secondary color, such as orange, can be separated into two primary colors, yellow and red.

Summer is the time associated with the Fire element which is represented by the color red, the emotion of joy, the sound of laughter, and unencumbered growth or abundance.

Summer is the time associated with the Fire element which is represented by the color red, the emotion of joy, the sound of laughter, and unencumbered...

Color impacts emotion by communicating a mood and creating atmosphere, from subtle and harmonious to striking and intense.

Featuring the latest Colorado wedding photography with vibrant colors and emotions, inspired by couples who embrace individuality and dare to be different.

The album is crucially accompanied by an «emotion picture» also called Dirty Computer that depicts a surveillance state where queer people and people of color are hunted down for noncompliance.

Winstead is given a lot to work with in the role of Alex, as the material requires her to explore myriad colors of emotion as a mother overwhelmed by a sense of abandonment, isolation, a scattered home life, and a hefty workload.

A melodrama so suffused with emotion, so ripe with sincerity and irony, so bountiful in color and design that it was remade beautifully not only by Fassbinder but also by Todd Haynes.

Sometimes when people talk to him, he see their voices as colored shapes provoked by the emotions of the speakers, not by the words themselves.

A neurological phenomenon that causes a person to associate colors with everything from letters to days of the week and even people and emotions, graphemeàcolor synesthesia doesn't have many practical uses in my own life, unless you count the time I filled awkward silences at my spouse's company Christmas party by entertaining acquaintances with the colors my brain links to two particularly unpopular high school foreign language teachers with whom everyone in the group happened to share an F - filled history.

Mood and emotion is conveyed by colors and textures.

Unfortunately, people's debt attitudes are colored by a lot of experience, emotion and learning that they've done on their own and one's good debt can very well be someone else's bad debt.

CODE: 5184660001 New Year in Cusco (4 Days / 3 Nights) Cusco lives the New Year's festivities, with much happiness and emotion, as there is an overflowing joy in the city, during the Easter and Christmas celebrations, as well as on New Year's Eve, in which the night life increases, in discotheques, pubs, «peñas show» and special social festivities promoted by the catering companies of Cusco, the Sacred Valley and Machu Picchu, with dinner, cotillion, light, color and sound, dance floor, varied orchestra, drinks, «free cork», etc..

One day she got the camera and dared to document travel's scenery and faced situations — surrounded by many subjective feelings, colors, emotions.

Featuring the latest Colorado wedding photography with vibrant colors and emotions, inspired by couples who embrace individuality and dare to be different.

And that's an adventure of the heart; she truly paints what she feels, and I marvel at how she can translate those emotions by the colors of paint she uses and the movement that's created.

Through color alone — applied to suspended rectangles within abstract compositions — Rothko's work evokes strong emotions ranging from exuberance and awe to despair and anxiety, suggested by the hovering and indeterminate nature of his forms.»

Arlington, VA — In May, the Focus Gallery features our all - media national juried show, «RED,» which explores this powerful color, used by artists to attract attention, express emotion or interpret a feeling.

The structure of Hofmann's well - known Slab paintings of the 1960s, with their hovering rectangles, is similarly informed by the generous planes of Synthetic Cubism, while his life - long exploration of color as both a vehicle for emotion and means of creating space can be related to his admiration for the work of Henri Matisse.

With multiple layers of paint, color and line, she creates an ambiguous space that affords the viewer an intimacy with her subject matter and both obscures and recalls the pain it evokes («Pietà») In her catalogue essay, Tina Kinsella writes, «Bracha's recent paintings beckon us to reprise the work of mourning, to return to the grounds from which the act of lamentation arrives and to reappraise the particular emotion that the laboring through grief produces... the Pietà always threatens to disclose this excess of sorrow by surfacing the penumbra of future loss that lurks in the heart of the maternal relationship between mother and child.»

The former — an abstract collection of images created by inputting a series of numbers corresponding to frequencies, amplitudes, and color values into a custom - designed program — plays with the role technology plays in photographic representation; the latter, staged scenes from a imaginary emergency situation of power loss in New York City, explores what happens to human emotions in such scenarios.

Influenced by her passion for spiritual life and self - reflection, Harmony's works are infused with color, texture and emotion.

This approach to treating color as a primary vehicle of communicating emotions, rather than accurately rendered figurative elements, would be adopted and further expanded upon by the 20th century Abstract Expressionists.

Driven by emotion the central tension in much of the work lies in the play between dark and light, whether that be in explorations with color and abstraction or in large - scale landscape paintings.

Flirting with Abstraction brings together some seventy - five works by Philadelphia artists who have used the language of abstraction — color, line, texture, scale, and form — to express the ideas, emotions, and sensuality of life's experiences.

Hands pull colorful pieces of fabric from a head, and a face is lit up in various colors, a sincere and almost childlike adoration and idealization of the field of emotions, inspired by the expressionistic paintings of Gabriele Munther and images from modern fMRI scanners.

Karsten writes: «Weight's paintings are captivating for many reasons - his color sense is perfectly in tune with his mysterious imagery, his realism is modified by the emotions of fear and anguish, and his compositions reveal a deep understanding of 2 - d image structure... It isn't mastery over materials that keeps me looking at Weight's work though - it's his crazy, compelling, haunted voice, and how he gives us a frank look at the unknowable world of individual emotional lives.»

Featuring artworks by Sarra Badel, Christopher Beckman, Sandra Chevrier, Douglas Cloninger, Nick Farhi, Amanda Fenlon, Matt Jones, Pryce Lee, Micaela McLucas, Lucas Price and Adam Shrewsbury, each artist has created a monochrome work relying on form and medium, to command and convey emotion and meaning, rather than a spectrum of lurid colors.

By analyzing the different color theories that took shape in the turbulent socio - political context that characterized the 20thcentury, the exhibition reflects on a perspective that considers light, its vibrations and the world of emotions, while challenging the standardization of the use of color in the modern age (synthetic colors) and the digital era (RGB colors offered by various online palettes), a leveling that considerably reduces our ability to distinguish colors in the real worlBy analyzing the different color theories that took shape in the turbulent socio - political context that characterized the 20thcentury, the exhibition reflects on a perspective that considers light, its vibrations and the world of emotions, while challenging the standardization of the use of color in the modern age (synthetic colors) and the digital era (RGB colors offered by various online palettes), a leveling that considerably reduces our ability to distinguish colors in the real worlby various online palettes), a leveling that considerably reduces our ability to distinguish colors in the real world.

More concerned with conveying emotion than beautiful composition, and influenced by El Greco, Paul Cézanne, and the Surrealists, he used what he described as «the nasty color or sickly color, the sweet color or violent color or pretty - pretty - dolly color that will express the mood of what I'm trying to put over.»

It is by the value of tones, the colored surface and the harmony of lines that I can reach the spirit and wake up the emotions.»

I am writing this statement not quite knowing what the immediate outcome will be, but am aware of the potential collective impact that this distinctive community of creators will have with Brian Belott's innovations in collage, Ákos Birkás's philosophy about painting a certain situation, Regina Bogat's devotion to art making with clever variations on certain abstract themes, Matt Bollinger's extra-large and bracing graphite drawings, Paul DeMuro's painterly electricity, Marc Desgrandchamp's time - fragmented paintings, Michael Dotson's paintings of the «Disney - esque,» Michel Huelin's relationship with nature and software, Irena Jurek's very meaningful cat character, Alix Le Méléder's proposals of four colors determined by the passage of the brush, David Lefebvre's painted images cut out of magazines or downloaded from a mobile phone, Pushpamala N.'s ethnographic documentations which have been compared to Cindy Sherman, Wang Keping's unique wooden sculptures that juxtapose vivid emotion with a marked sense of introversion, Katharina Ziemke's pictorial treatment of current events, and me, the co-host with a small drawing.

One can divide painting abstracted into two groups: - on the one hand the geometric abstraction characterized at the beginning by the suprematism of Malévitch in Russia and the constructivism of Piet Mondrian in Holland, - and on the other hand, the abstracted expressionnism in which form and color are often posed arbitrarily while expressing the unconscious feelings and emotions of the painter.

The paintings depicted in the book communicate the motion of the ocean tides, the vivid sunsets, and the seemingly pure emotions inspired by Audubon's pink and orange flamingo colors.

Like the Romantic painters Caspar David Friedrich or William Turner, he saturates landscapes so intensively with light and color that the sensitive viewer is captivated by a sublime emotion which draws him / her into the light of the painting.

The 1990s through the present has witnessed the continued efflorescence in painting, as demonstrated in this show by works such as Judith Godwin's Blue, No. 11 (1997), a lyrical expression of mixed emotion, Jasmina Danowski's Tender Trap (2012), in which the artist conveys a sense of moving through an aquatic and sensuous world, Carol Hunt's Easter Morning (2011), featuring a calligraphy of line and shape that conjures archetypal signs and symbols, Katherine Parker's Behind and Above (2011), a canvas built of thin layers of paint that the artist has scraped away to convey a metaphysical awareness of the passage of time, and Susan Vecsey's Napeague Bay, Montauk (2012), in which the subtle color stained into the canvas evokes the emotion of a place remembered and deeply felt.

As posted by 99 Designs, color impacts emotions and behaviors.