The exhibition examines the connections in both artist's approach to layered imagery and experimentation and is comprised of one major painting by each of the artists, accompanied by hand -
colored gelatin silver prints and works on paper.
YOUSSEF NABIL, I Saved My Belly Dancer #XIII, 2015, hand -
colored gelatin silver print, from video: 12 min.
YOUSSEF NABIL, I Saved My Belly Dancer #XXIV, 2015, hand -
colored gelatin silver print, from video: 12 min.
YOUSSEF NABIL, I Saved My Belly Dancer #XIII (detail), 2015, hand -
colored gelatin silver print, from video: 12 min.
YOUSSEF NABIL, I Saved My Belly Dancer #XXV, 2015, hand -
colored gelatin silver print, from video: 12 min.
Not exact matches
Lynn Hershman Leeson, Double Drawing (recto), 1966, ink,
colored pencil, transfer type, watercolor, collaged
gelatin silver prints, and plastic on paper.
Dogtown - Hartley Series 2008 polaroid,
color coupler,
gelatin -
silver print, and halftone montage 18 5/8 x 14 3/8 inches
The collection spans much of the twentieth century and encompasses many different processes, including
gelatin silver, cyanotype, collodion, hand - tinted, chromogenic
color, and Polaroids.
Bruno Taut on Mies van der Rohe (1922), ii 2009 Drawing on
silver gelatin photograph using
color retouching pencil 23 1/2 x 17 1/2 inches (59.7 x 44.5 cm) Edition variant 1 of 4, 1AP ARG # MJ2009 - 006 © Josiah McElheny
They represent a history lesson from 1843 to 1981, with prints of salted paper, albumen
silver, platinum, palladium,
gelatin silver, three -
color carbro, dye transfer and chromogenic.
Eye Body # 1, 1963 — 79;
gelatin -
silver print with hand
coloring and scratching; 14 in x 11 1/2 in.
So This Is, (diptych) 2011
Silver gelatin print on fiber - based paper, 3.135 x 4.705 inches and silkscreen on paper with
color shifting ink, 8.135 x 9.705 inches (unframed),
Bruno Taut on Mies van der Rohe (1922), i 2009 Drawing on
silver gelatin photograph using
color retouching pencil 23 1/2 x 17 1/2 inches (59.7 x 44.5 cm) Edition of 4 with 1 AP ARG # MJ2009 - 005
Her personal work includes
gelatin silver prints, hand -
colored silver prints, digital photographs, and most recently, the 19th century processes of daguerreotypes, tintypes and wet plate collodion negatives and positives (ambrotypes).
From the Series Still Life as Landscape, Landscape as Still Life, 1986
Gelatin silver print; printed c. 1986, hand
colored by the artist 10 1/2 X 10 1/8 inches
A list of some of the processes, materials, and cameras used in A Fine Experiment reads like a grand catalogue of photography's means: offset lithograph, dye transfer print, Polaroid print,
gelatin silver print, Cibachrome print,
color - in -
color print, photogram, photo collage, double exposure, cliché verre, contact print, large format, panoramic, 35 mm camera.
C - print, Courtesy Steven Kasher Gallery André - Adolphe - Eugène Disdéri, Prince Lobkowitz, 1858 Albumen
silver print from glass negative, Courtesy Metropolitan Museum of Art Massimo Vitali, # 4874 Tropea Shadow, Calabria, 2015 Courtesy the artist and Benrubi Gallery Edward Weston, Two Shells, 1927 Silver Gelatin Print, Courtesy Scott Nichols Gallery Edward Weston, Shells, 1927 Silver Gelatin Print, Courtesy Scott Nichols Gallery Ellen Carey, Pull 01 Unique Polaroid color dye - diffusion transfer print, Courtesy the artist and M+B Gallery Denis Brihat, Pelure d'oignon (onion skin), 2006 Gold - toned gelatin silver print, Courtesy Nailya Alexander G
silver print from glass negative, Courtesy Metropolitan Museum of Art Massimo Vitali, # 4874 Tropea Shadow, Calabria, 2015 Courtesy the artist and Benrubi Gallery Edward Weston, Two Shells, 1927
Silver Gelatin Print, Courtesy Scott Nichols Gallery Edward Weston, Shells, 1927 Silver Gelatin Print, Courtesy Scott Nichols Gallery Ellen Carey, Pull 01 Unique Polaroid color dye - diffusion transfer print, Courtesy the artist and M+B Gallery Denis Brihat, Pelure d'oignon (onion skin), 2006 Gold - toned gelatin silver print, Courtesy Nailya Alexander G
Silver Gelatin Print, Courtesy Scott Nichols Gallery Edward Weston, Shells, 1927 Silver Gelatin Print, Courtesy Scott Nichols Gallery Ellen Carey, Pull 01 Unique Polaroid color dye - diffusion transfer print, Courtesy the artist and M+B Gallery Denis Brihat, Pelure d'oignon (onion skin), 2006 Gold - toned gelatin silver print, Courtesy Nailya Alexander
Gelatin Print, Courtesy Scott Nichols Gallery Edward Weston, Shells, 1927
Silver Gelatin Print, Courtesy Scott Nichols Gallery Ellen Carey, Pull 01 Unique Polaroid color dye - diffusion transfer print, Courtesy the artist and M+B Gallery Denis Brihat, Pelure d'oignon (onion skin), 2006 Gold - toned gelatin silver print, Courtesy Nailya Alexander G
Silver Gelatin Print, Courtesy Scott Nichols Gallery Ellen Carey, Pull 01 Unique Polaroid color dye - diffusion transfer print, Courtesy the artist and M+B Gallery Denis Brihat, Pelure d'oignon (onion skin), 2006 Gold - toned gelatin silver print, Courtesy Nailya Alexander
Gelatin Print, Courtesy Scott Nichols Gallery Ellen Carey, Pull 01 Unique Polaroid
color dye - diffusion transfer print, Courtesy the artist and M+B Gallery Denis Brihat, Pelure d'oignon (onion skin), 2006 Gold - toned
gelatin silver print, Courtesy Nailya Alexander
gelatin silver print, Courtesy Nailya Alexander G
silver print, Courtesy Nailya Alexander Gallery
The widely varied work included in the exhibition represents the diversity of our faculty in terms of subject and medium, including analog and digital
color prints,
silver gelatin and platinum / palladium prints, video, and photographic sculpture.
Gelatin silver print with hand -
coloring and scratching.
Over the past forty years I have produced five portfolios, including several series of sculpture - relief paintings, paintings on canvas and paper, and photography series both in
color, B&W
gelatin silver and platinum palladium prints.
Like a
gelatin silver print, an older photographic process, the chromogenic
color print uses paper coated in several layers of
gelatin mixed with
silver.
Ink,
colored pencil, transfer type, watercolor, collaged
gelatin silver prints, and plastic on paper, 8 x 4 in.
Unlike his contemporaries William Eggleston and William Christenberry, who traversed the South and ventured into
color photography, Leigh stayed focused on his native Savannah and
silver gelatin prints.
In Untitled (Dingo 4), 1980, four identical
gelatin silver prints of a dog appeared side by side, each overlain with a small photocopy that was partially obscured, in turn, by a different -
colored paint chip — a frame - by - frame dissolve from
color to
color that recalled O'Neill's movies.
It was also at a moment when photography was gaining momentum as a recognized art form, while at the same time traditional
gelatin silver prints were losing favor in the excitement of the new, of
color.
Silver gelatin print with special edition hardback book in slipcase, 720 pages, 400
color illustrations, 800 black and white illustrations
DOYLESTOWN, PA — From Diane Burko's sweeping views in pencil and Emmet Gowin's evocative
gelatin silver prints, to Alan Magee's pensive woven cotton tapestry and Elizabeth Osborne's saturated
color canvases, Parting Gifts at the Michener Art Museum through January 31, 2013 is a combined farewell and thank you to former Director / CEO Bruce Katsiff.
New Ground: The Southwest of Maria Martinez and Laura Gilpin features 26 pieces of pottery and 48 platinum,
gelatin silver and
color print photographs.
Five Views of Niagara Falls: American School, 19th / 20th Century, Two Views of Niagara Falls, both unsigned,
colored photographic print and
gelatin silver print; Attributed to George Barker More...
CC: No, only the manipulation of
silver gelatin chemistry is used to create the
color shifts.
The survey includes recent large multi-panel and single - panel
color photographic works, early black - and - white
gelatin silver prints, dye destruction prints, waterless lithographs, and Polaroid prints.
Postcard: pen and ink, graphite, and
colored ink washes on
gelatin silver print, machine stitched to secondary support.
(Various Studios, 1950 - 1963) Collection of (65 +) vintage original
gelatin silver single - weight glossy photographs (7 -
color glos) ranging in size from 4 x 5 in.
Postcard: graphite and
colored ink washes on
gelatin silver print, machine stitched to secondary support.
So This Is, 2011
Silver gelatin print on fiber - based paper, 3.135 x 4.705 inches and silkscreen on paper with
color shifting ink, 8.135 x 9.705 inches
Collage of 3 - M
Color - in -
Color photocopy transferred to buff -
colored manila paper, gold star, multicolored thread,
gelatin silver print, and rayon braid and tassels, hand and machine stitched to green plain weave cotton with gold rayon faille backing.
Snake format artist's book of
gelatin silver prints with
colored ink washes, watercolor, and machine stitching.
Gelatin silver print with
colored ink washes, machine stitched to secondary support.
IMAGE: JAMES VANDERZEE, «GGG Photo Studio at Christmas,» 1933 (
gelatin silver print with applied
color).
Drawing on
silver gelatin photograph using
color retouching pencil, 23 1/2 x 17 1/2 in., Edition variant 1 of 4 with 1 artist's proof.
Experimenting with her stash of
gelatin silver print photographic paper, used thirty years ago to create a series evoking Cuban surrealist painter Wifredo Lam, she adds subtle gradations of
color, from lavender and peach to
silver.
Sigmar Polke, German, 1941 — 2010, Untitled (Quetta, Pakistan), 1974/1978,
Gelatin silver print with applied
color, 22 3/8 × 33 13/16 ″ (56.9 × 85.9 cm).
Similarly, a few black and white
silver gelatin prints by Matthew Barney standing in for «Cremaster 2» (1999) misrepresent his epic multi-film project, which relied on vivid
color and surrealist excess.
Tracing Richard Avedon's extraordinary depictions of women over the course of six decades, this ambitious exhibition will include more than 100
silver gelatin prints, 300 contact prints selected from the artist's personal archives, and in a separate room, the artist's lesser - known
color transparencies displayed on light - boxes.
Josiah McElheny Sheerbart Hand -
Colors Taut's Glass House 2014 Drawing with retouching pencil on
silver gelatin photograph 20 x 16 inches
Lewis Baltz # 59 from Candlestick Point a portfolio of 72
gelatin silver and 12 chromogenic
color prints
gelatin silver print 8 x 10 inches
Josiah McElheny Scheerbart Hand -
Colors Taut's Stairway to the Exhibition Room 2014 Drawing with retouching pencil on
silver gelatin photograph 20 x 16 inches
These works are displayed alongside a series of
silver gelatin and pigment prints (some
colored with amaranth), including a number of landscapes that display past human engagement and abandonment.
Color image numbered «NASA S -66-15802» (NASA MSC) in red on the recto u.l. margin, NASA MSC caption on the verso;
gelatin silver prints with NASA KSC captions and RCA stamps on the verso.