Sentences with phrase «colored gelatin silver prints»

The exhibition examines the connections in both artist's approach to layered imagery and experimentation and is comprised of one major painting by each of the artists, accompanied by hand - colored gelatin silver prints and works on paper.

YOUSSEF NABIL, I Saved My Belly Dancer #XXV, 2015, hand - colored gelatin silver print, from video: 12 min.

YOUSSEF NABIL, I Saved My Belly Dancer #XIII (detail), 2015, hand - colored gelatin silver print, from video: 12 min.

YOUSSEF NABIL, I Saved My Belly Dancer #XXIV, 2015, hand - colored gelatin silver print, from video: 12 min.

YOUSSEF NABIL, I Saved My Belly Dancer #XIII, 2015, hand - colored gelatin silver print, from video: 12 min.

Not exact matches

Lynn Hershman Leeson, Double Drawing (recto), 1966, ink, colored pencil, transfer type, watercolor, collaged gelatin silver prints, and plastic on paper.

Dogtown - Hartley Series 2008 polaroid, color coupler, gelatin - silver print, and halftone montage 18 5/8 x 14 3/8 inches

They represent a history lesson from 1843 to 1981, with prints of salted paper, albumen silver, platinum, palladium, gelatin silver, three - color carbro, dye transfer and chromogenic.

Eye Body # 1, 1963 — 79; gelatin - silver print with hand coloring and scratching; 14 in x 11 1/2 in.

So This Is, (diptych) 2011 Silver gelatin print on fiber - based paper, 3.135 x 4.705 inches and silkscreen on paper with color shifting ink, 8.135 x 9.705 inches (unframed),

Her personal work includes gelatin silver prints, hand - colored silver prints, digital photographs, and most recently, the 19th century processes of daguerreotypes, tintypes and wet plate collodion negatives and positives (ambrotypes).

From the Series Still Life as Landscape, Landscape as Still Life, 1986 Gelatin silver print; printed c. 1986, hand colored by the artist 10 1/2 X 10 1/8 inches

A list of some of the processes, materials, and cameras used in A Fine Experiment reads like a grand catalogue of photography's means: offset lithograph, dye transfer print, Polaroid print, gelatin silver print, Cibachrome print, color - in - color print, photogram, photo collage, double exposure, cliché verre, contact print, large format, panoramic, 35 mm camera.

C - print, Courtesy Steven Kasher Gallery André - Adolphe - Eugène Disdéri, Prince Lobkowitz, 1858 Albumen silver print from glass negative, Courtesy Metropolitan Museum of Art Massimo Vitali, # 4874 Tropea Shadow, Calabria, 2015 Courtesy the artist and Benrubi Gallery Edward Weston, Two Shells, 1927 Silver Gelatin Print, Courtesy Scott Nichols Gallery Edward Weston, Shells, 1927 Silver Gelatin Print, Courtesy Scott Nichols Gallery Ellen Carey, Pull 01 Unique Polaroid color dye - diffusion transfer print, Courtesy the artist and M+B Gallery Denis Brihat, Pelure d'oignon (onion skin), 2006 Gold - toned gelatin silver print, Courtesy Nailya Alexander Gaprint, Courtesy Steven Kasher Gallery André - Adolphe - Eugène Disdéri, Prince Lobkowitz, 1858 Albumen silver print from glass negative, Courtesy Metropolitan Museum of Art Massimo Vitali, # 4874 Tropea Shadow, Calabria, 2015 Courtesy the artist and Benrubi Gallery Edward Weston, Two Shells, 1927 Silver Gelatin Print, Courtesy Scott Nichols Gallery Edward Weston, Shells, 1927 Silver Gelatin Print, Courtesy Scott Nichols Gallery Ellen Carey, Pull 01 Unique Polaroid color dye - diffusion transfer print, Courtesy the artist and M+B Gallery Denis Brihat, Pelure d'oignon (onion skin), 2006 Gold - toned gelatin silver print, Courtesy Nailya Alexander Gsilver print from glass negative, Courtesy Metropolitan Museum of Art Massimo Vitali, # 4874 Tropea Shadow, Calabria, 2015 Courtesy the artist and Benrubi Gallery Edward Weston, Two Shells, 1927 Silver Gelatin Print, Courtesy Scott Nichols Gallery Edward Weston, Shells, 1927 Silver Gelatin Print, Courtesy Scott Nichols Gallery Ellen Carey, Pull 01 Unique Polaroid color dye - diffusion transfer print, Courtesy the artist and M+B Gallery Denis Brihat, Pelure d'oignon (onion skin), 2006 Gold - toned gelatin silver print, Courtesy Nailya Alexander Gaprint from glass negative, Courtesy Metropolitan Museum of Art Massimo Vitali, # 4874 Tropea Shadow, Calabria, 2015 Courtesy the artist and Benrubi Gallery Edward Weston, Two Shells, 1927 Silver Gelatin Print, Courtesy Scott Nichols Gallery Edward Weston, Shells, 1927 Silver Gelatin Print, Courtesy Scott Nichols Gallery Ellen Carey, Pull 01 Unique Polaroid color dye - diffusion transfer print, Courtesy the artist and M+B Gallery Denis Brihat, Pelure d'oignon (onion skin), 2006 Gold - toned gelatin silver print, Courtesy Nailya Alexander GSilver Gelatin Print, Courtesy Scott Nichols Gallery Edward Weston, Shells, 1927 Silver Gelatin Print, Courtesy Scott Nichols Gallery Ellen Carey, Pull 01 Unique Polaroid color dye - diffusion transfer print, Courtesy the artist and M+B Gallery Denis Brihat, Pelure d'oignon (onion skin), 2006 Gold - toned gelatin silver print, Courtesy Nailya Alexander Gelatin Print, Courtesy Scott Nichols Gallery Edward Weston, Shells, 1927 Silver Gelatin Print, Courtesy Scott Nichols Gallery Ellen Carey, Pull 01 Unique Polaroid color dye - diffusion transfer print, Courtesy the artist and M+B Gallery Denis Brihat, Pelure d'oignon (onion skin), 2006 Gold - toned gelatin silver print, Courtesy Nailya Alexander GaPrint, Courtesy Scott Nichols Gallery Edward Weston, Shells, 1927 Silver Gelatin Print, Courtesy Scott Nichols Gallery Ellen Carey, Pull 01 Unique Polaroid color dye - diffusion transfer print, Courtesy the artist and M+B Gallery Denis Brihat, Pelure d'oignon (onion skin), 2006 Gold - toned gelatin silver print, Courtesy Nailya Alexander GSilver Gelatin Print, Courtesy Scott Nichols Gallery Ellen Carey, Pull 01 Unique Polaroid color dye - diffusion transfer print, Courtesy the artist and M+B Gallery Denis Brihat, Pelure d'oignon (onion skin), 2006 Gold - toned gelatin silver print, Courtesy Nailya Alexander Gelatin Print, Courtesy Scott Nichols Gallery Ellen Carey, Pull 01 Unique Polaroid color dye - diffusion transfer print, Courtesy the artist and M+B Gallery Denis Brihat, Pelure d'oignon (onion skin), 2006 Gold - toned gelatin silver print, Courtesy Nailya Alexander GaPrint, Courtesy Scott Nichols Gallery Ellen Carey, Pull 01 Unique Polaroid color dye - diffusion transfer print, Courtesy the artist and M+B Gallery Denis Brihat, Pelure d'oignon (onion skin), 2006 Gold - toned gelatin silver print, Courtesy Nailya Alexander Gaprint, Courtesy the artist and M+B Gallery Denis Brihat, Pelure d'oignon (onion skin), 2006 Gold - toned gelatin silver print, Courtesy Nailya Alexander gelatin silver print, Courtesy Nailya Alexander Gsilver print, Courtesy Nailya Alexander Gaprint, Courtesy Nailya Alexander Gallery

The widely varied work included in the exhibition represents the diversity of our faculty in terms of subject and medium, including analog and digital color prints, silver gelatin and platinum / palladium prints, video, and photographic sculpture.

Gelatin silver print with hand - coloring and scratching.

Over the past forty years I have produced five portfolios, including several series of sculpture - relief paintings, paintings on canvas and paper, and photography series both in color, B&W gelatin silver and platinum palladium prints.

Like a gelatin silver print, an older photographic process, the chromogenic color print uses paper coated in several layers of gelatin mixed with silver.

Ink, colored pencil, transfer type, watercolor, collaged gelatin silver prints, and plastic on paper, 8 x 4 in.

Unlike his contemporaries William Eggleston and William Christenberry, who traversed the South and ventured into color photography, Leigh stayed focused on his native Savannah and silver gelatin prints.

In Untitled (Dingo 4), 1980, four identical gelatin silver prints of a dog appeared side by side, each overlain with a small photocopy that was partially obscured, in turn, by a different - colored paint chip — a frame - by - frame dissolve from color to color that recalled O'Neill's movies.

It was also at a moment when photography was gaining momentum as a recognized art form, while at the same time traditional gelatin silver prints were losing favor in the excitement of the new, of color.

Silver gelatin print with special edition hardback book in slipcase, 720 pages, 400 color illustrations, 800 black and white illustrations

DOYLESTOWN, PA — From Diane Burko's sweeping views in pencil and Emmet Gowin's evocative gelatin silver prints, to Alan Magee's pensive woven cotton tapestry and Elizabeth Osborne's saturated color canvases, Parting Gifts at the Michener Art Museum through January 31, 2013 is a combined farewell and thank you to former Director / CEO Bruce Katsiff.

New Ground: The Southwest of Maria Martinez and Laura Gilpin features 26 pieces of pottery and 48 platinum, gelatin silver and color print photographs.

Five Views of Niagara Falls: American School, 19th / 20th Century, Two Views of Niagara Falls, both unsigned, colored photographic print and gelatin silver print; Attributed to George Barker More...

The survey includes recent large multi-panel and single - panel color photographic works, early black - and - white gelatin silver prints, dye destruction prints, waterless lithographs, and Polaroid prints.

Postcard: pen and ink, graphite, and colored ink washes on gelatin silver print, machine stitched to secondary support.

Postcard: graphite and colored ink washes on gelatin silver print, machine stitched to secondary support.

So This Is, 2011 Silver gelatin print on fiber - based paper, 3.135 x 4.705 inches and silkscreen on paper with color shifting ink, 8.135 x 9.705 inches

Collage of 3 - M Color - in - Color photocopy transferred to buff - colored manila paper, gold star, multicolored thread, gelatin silver print, and rayon braid and tassels, hand and machine stitched to green plain weave cotton with gold rayon faille backing.

Snake format artist's book of gelatin silver prints with colored ink washes, watercolor, and machine stitching.

Gelatin silver print with colored ink washes, machine stitched to secondary support.

IMAGE: JAMES VANDERZEE, «GGG Photo Studio at Christmas,» 1933 (gelatin silver print with applied color).

Experimenting with her stash of gelatin silver print photographic paper, used thirty years ago to create a series evoking Cuban surrealist painter Wifredo Lam, she adds subtle gradations of color, from lavender and peach to silver.

Sigmar Polke, German, 1941 — 2010, Untitled (Quetta, Pakistan), 1974/1978, Gelatin silver print with applied color, 22 3/8 × 33 13/16 ″ (56.9 × 85.9 cm).

Similarly, a few black and white silver gelatin prints by Matthew Barney standing in for «Cremaster 2» (1999) misrepresent his epic multi-film project, which relied on vivid color and surrealist excess.

Tracing Richard Avedon's extraordinary depictions of women over the course of six decades, this ambitious exhibition will include more than 100 silver gelatin prints, 300 contact prints selected from the artist's personal archives, and in a separate room, the artist's lesser - known color transparencies displayed on light - boxes.

Lewis Baltz # 59 from Candlestick Point a portfolio of 72 gelatin silver and 12 chromogenic color prints gelatin silver print 8 x 10 inches

These works are displayed alongside a series of silver gelatin and pigment prints (some colored with amaranth), including a number of landscapes that display past human engagement and abandonment.

Color image numbered «NASA S -66-15802» (NASA MSC) in red on the recto u.l. margin, NASA MSC caption on the verso; gelatin silver prints with NASA KSC captions and RCA stamps on the verso.