Not exact matches
For my next pairs, when I decide I'm ready to add some fun prints and
colors to my
glasses collection, I'm looking at Chilling in Tortoise or Pink Floral, Warren in Navy or the Lindsey in Green.
For a splash of
color, we brought in a
collection of sea
glass bottles, all different sizes, to run down the table over loose gauze runner.
I love the
colors and the giant clear
glass jars... I'm slowly building a
collection of those.
It deals with Ready to wear Dresses for women, Men and Kids.It also provide other accessories like watches, bags, wallets,
glasses and shoes.Now they have just launched their fall / winter wear
collection for Men filled with different cold seasoned outer wear having glowing and eye soothing
colors.
The artisanal texture and
color hues of our Fresca
collection recall handmade, recycled art
glass.
Beautiful
glass beads in so many gorgeous
colors, I don't feel that my passion for them will ever change and you will continue to see those beauties incorporated into my designs and new
collections...
The artisanal texture and
color hues of our Fresca
collection recall handmade, recycled - art
glass.
We offer this
Glass Blower
coloring page with several different sentences in addition to our Labor Day
collection of
coloring page sentence readers.
There are some cool games in this
collection, even for people who don't have their vision clouded by rose
colored glasses.
Whether it is the shimmering patterns from the reflections of the sun onto the ocean waves, the soft palette of sea
glass or the pearlescent
colorings of the shells, all of these elements, which are so important and influential to Jane, have been integrated into the design style for this
collection.
A dense
collection of found, altered objects and painted miniatures all set behind
glass inside a hand - carved, 9 - foot - long carriage, the diorama looks like a pastel -
colored cross between that HBO drama Deadwood and a 1940s variety show.
Explore this magical
collection of
glass sculptures, then look for other inspiring
color combinations in abstract expressionist paintings on the Museum's third floor.
4/5 + 2 AP Frank Stella Untitled, 1959 Enamel on canvas board 17 3/4 x 11 3/4 inches
Collection of Bill and Sheila Lambert Dan Flavin «monument» for V. Tatlin, 1967 cool white fluorescent light 96 x 28 x 5 inches Robert Morris Untitled, 1976 - 1980 Felt with metal grommets 96 x 85 x 20 inches Back Gallery Richard Serra Untitled, 1975 Paintstick on paper 37 3/8 x 49 5/8 inches Private
collection, Switzerland Ad Reinhardt Black Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and
glass beads 29 1/2 x 53 1/8 inches Private
collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white
color 32 1/4 x 32 1/4 x 2 3/4 inches
The New Jeff Koons 1980 duratran, fluorescent lightbox 42 x 32 x 8 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT New Hoover Celebrity IV, New Hoover Convertible, New Shelton Wet / Dry 5 - Gallon, New Shelton Wet / Dry 10 - Gallon Doubledecker Four vacuum cleaners, 1985 plexiglas, fluorescent lights 99 x 53 1⁄2 x 28 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Aqualung 1985 bronze Edition 1 of 3 27 x 17 1⁄2 x 17 1⁄2 inches Private
collection One Ball Total Equilibrium Tank (Spalding Dr. J Silver Series) 1985
glass, steel, sodium chloride reagent, distilled water, basketball Edition 1 of 2 64 3⁄4 x 30 3⁄4 x 13 1⁄4 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Three Balls 50/50 Tank (Wilson Aggressor, Wilson Supershot, Dr. J Silver Series) 1985
glass, steel, distilled water, three basketballs Edition 2 of 2 60 1⁄2 x 48 3⁄4 x 13 1⁄4 inches Private
collection Jim Beam - J.B. Turner Train 1986 stainless steel, bourbon Artist's Proof 11 x 114 x 6 1⁄2 inches Stefan T. Edlis
collection I Assume You Drink Martell 1986 oil inks on canvas Edition 1 of 2 45 x 60 inches Private
collection Italian Woman 1986 stainless steel Edition 1 of 3 30 x 18 x 11 inches Courtesy Leo Castelli Gallery Rabbit 1986 stainless steel Edition 3 of 3 41 x 19 x 12 inches Sonnabend
collection Buster Keaton 1988 polychromed wood Edition 2 of 3 65 3⁄4 x 50 x 26 1⁄2 inches C&M Arts Michael Jackson and Bubbles 1988 porcelain / ceramic blend Edition 2 of 3 42 x 70 1⁄2 x 32 1⁄2 inches San Francisco Museum of Modern Art, purchased through the Marian and Bernard Messenger Fund and restricted funds Pink Panther 1988 porcelain Edition 3 of 3 41 x 20 1⁄2 x 19 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT St. John the Baptist 1988 porcelain Edition 3 of 3 56 1⁄2 x 30 x 24 1⁄2 inches Courtesy Sonnabend Gallery Ushering in Banality 1988 polychromed wood Edition 2 of 3 38 x 62 x 30 inches Private
collection Vase of Flowers 1988 mirror 72 1⁄2 x 53 x 1 inches
Collection of Michael Crichton, courtesy of Christie's Wild Boy and Puppy 1988 porcelain Edition 1 of 3 38 x 39 1⁄2 x 23 1⁄2 inches C&M Arts Winter Bears 1988 polychromed wood Edition 2 of 3 48 x 44 x 15 1⁄2 inches Anthony d'Offay, London Woman in Tub 1988 porcelain Edition 3 of 3 23 3⁄4 x 36 x 27 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Bourgeois Bust - Jeff and Ilona 1991 marble Artist's Proof 44 1⁄2 x 28 x 21 inches Anthony d'Offay, London Dirty - Jeff on Top 1991 oil inks silkscreened on canvas 60 x 90 inches
Collection of Rachel and Jean - Pierre Lehmann Wall Relief with Bird 1991 polychromed wood Edition 2 of 3 72 x 50 x 27 inches C&M Arts Balloon Dog (Orange) 1994 - 2000 high chromium stainless steel, mirror - polished finish with transparent
color coating 120 x 144 x 45 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Bread with Egg 1995 - 1997 oil on canvas 128 x 108 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Play - Doh 1995 - 2004 oil on canvas 131 5⁄16 x 111 1⁄16 inches Private
collection Auto 2001 oil on canvas 102 x 138 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Lobster 2003 polychromed aluminum, steel, vinyl Edition 1 of 3 57 7⁄8 x 17 1⁄8 x 37 inches (plus variable length chain) Private
collection, courtesy Thea Westreich Art Advisory Services Elvis 2003 oil on canvas 108 x 93 inches Stefan T. Edlis
collection
Finch's talk at the New School will focus on the artist's various public and large - scale installations like A Certain Slant of Light (2014 - 15), a site - specific installation at the Morgan Library inspired by its
collection of medieval Books of Hours; Trying to Remember the
Color of the Sky on That September Morning (2014), a commission for the National September 11 Memorialand Museum composed of 2,983 individual watercolors representing the artist's recollection of the sky on September 11, 2001; Painting Air (2012), an installation of more than 100 panels of suspended
glass inspired by the
colors of Claude Monet's garden at Giverny; and The River That Flows Both Ways (2009), a permanent installation on New York's High Line featuring an existing series of windows which Finch transformed with 700 individual panes of
glass representing the water conditions on the Hudson River over 700 minutes in a single day.
115, No. 4 Bui, Phong «Artists to Artists», Volume 2, 25 Years of the Marie Walsh Sharpe Space Program Mason, Isabella «Katie Bell at Locust Projects, Miami», Blouin ArtInfo, Nov. 4th Kaiser - Schatzlein, Rob «Katie Bell's Miami Breakthrough», Two Coats of Paint, Sept. 23 Saltz, Jerry, «Never Has My Breath Been Taken Away Like It Was at Knockdown Center» Vulture, June 16 Final Fridays, Artist Interviews Podcast, Episode 17 2015 Namesake, «Namesakes: Katie Bell», Oct. 19 Montem Magazine, Issue # 5 (Tokyo, Japan) Pini, Gary, ’10 Must - See Art Shows Opening this Week», Paper Magazine, Sept. 23 Salama, Cecilia, «Artist Katie Bell Will Pull the Rug Out From Under You», Opening Ceremony Blog, Sept. 24 Johnson, Paddy, «This Weeks Must See Events: Butch Queens and Dykes in Brooklyn, Regular Queens Has Everything Else», Art F City, Sept 21 Butler, Sharon, «Revitalization by Contamination», Two Coats of Paint, Aug. 2 Mullis, Sidney, Maake Magazine, Featured Interview, Fall 2015 2014 BRIC Arts Media, «BRIC Biennial: Volume 1, Downtown Edition», Sept 20 (Exhibition Catalog) Steele, Marjorie, «Reconstructing History: Artists Create Community inside Site: Lab», The Rapidian, Sept. 21 Konau, Britta, «Gouge, Break, and Hammer», The Portland Phoenix, June 25 Eastabrooks, Erin, «The Home - Wrecker: Interview with Brooklyn Artist Katie Bell», SHK Magazine, May 19 Scott, Megan, «18 Under 37 ″, Knox Magazine, Spring 2014 Toomer, Helen, «How Art World Insiders Started Their Must - See
Collections», Refinery 29, March 25 Galgiani, Allison, «Artist FlashCards: Why Katie Bell is Boss», Bushwick Daily, March 26 Kimball, Whitney, «
Color Wheel: Katie Bell», Art F City, March 12 New American Paintings, # 110, Northeast Edition, March 2014 Bell, Katie, «IMG MGMT: Katie Bell, How We Met», Art F City, Jan 8 «The Form», Viewpoint Magazine UK, No. 33, p. 162-163 2013 Smyth, Cherry and Jost Münster, «Limber: Spatial Painting Practices», Sept. 13 (Exhibition catalog) Katz, Samantha, «Material», Gallery
Glass, Episode17, Sept. 17 Steinhauer, Jillian, «Art Rx», Hyperallergic, Sept. 3 «Material», Time Out New York, August 27 Sculpture Center Tumblr, Featured Artist, «Katie Bell», April 22 Cole, Lori, «PAINT THINGS, Beyond the Stretcher», Critics» Picks, Art Forum, March 26 Johnson, Paddy, «8 Great Brooklyn Artists Under 30», The L Magazine, March 13 - 26, Vol.
Among previous projects are A Certain Slant of Light (2014 - 15), a large - scale installation at The Morgan Library & Museum inspired by its
collection of medieval Books of Hours; Trying To Remember the
Color of the Sky on That September Morning (2014), composed of 2,983 individual watercolors representing the artist's recollection of the sky on September 11, 2001; There Is Another Sky (2014), which transformed a formerly dark alley into an urban forest sanctuary at South Lake Union, Seattle; Painting Air (2012), an installation of more than 100 panels of suspended
glass inspired by the
colors of Claude Monet's garden at Giverny; and The River That Flows Both Ways (2009), a permanent installation composed of an existing series of windows transformed with 700 individual panes of
glass representing the water conditions on the Hudson River over 700 minutes in a single day.
The French artist's vivid imagination is on full display in large - scale strings of
colored -
glass beads, a
glass brick wall draped with strands of
glass jewels, an ornate bed and a
collection of
glass jars.
To put this aspect of the artist's prints into perspective, the exhibition includes, alongside a broad survey of the editioned prints,
color trial proofs; an oil, ground
glass, and crayon painting; and a mixed media metal - relief painting from the artist's personal
collection.
Additional Application Details: — Residencies are open to artists from all artistic mediums — Artists work up to 5 days in the MOG Hot Shop — Artists work in full view of Museum visitors during the hours that the Museum is open to the public (Wednesday — Saturday 10 am - 5 pm, Sunday 12 - 5 pm)-- Exclusive use of the Hot Shop and support of up to three Hot Shop Team members and two days * (8 hours) of basic cold - working during the residency — Artists present a public lecture (Sunday, 2 — 3 pm)-- Artists retain ownership of the work created during the residency — Artists will donate up to two works — one piece made during the residency for the Museum's
collection (selected in collaboration with the — Museum staff) and one piece for the Museum's annual auction — Artists are responsible for travel to and from Museum of
Glass, accommodations,
color, and special order materials — Artists are responsible for initiating packing, insurance, and shipping arrangements for artwork PRIOR to residency
The way a
collection of white dishes look all piled behind a
glass cupboard, the way a reading chair can invite you in to a moment of solitude because of the way it positioned in a room, the beauty of simplicity when you see a pleasing arrangement of beautiful objects on top of a console table, the joy of a burst of
color in a mostly neutral room.
The client has a large
collection of milk
glass, and we needed some
color so that the white pieces would show up in the space.
In this farmhouse kitchen, open shelves provide opportunity to show off a
collection of Depression - era mint -
color milk
glass pieces.
Every good german housewife has to have a
collection of
colored wine
glasses!
I love the
colors and the giant clear
glass jars... I'm slowly building a
collection of those.