Sentences with phrase «colored graphic works»

It includes 75 vividly colored graphic works — etchings, engravings, aquatints, lithographs, collagraphs, screenprints, photo projections, and monotypes — all created over a span of thirty years.

Not exact matches

Building upon previous work on fluid and viscous sheet simulation also done at Columbia Computer Graphics Group, Zheng has developed a new viscous sheet simulation method to model the color film stretch during the hydrographic printing process.

Computer graphics work similarly: A screen of pixels, each capable of reproducing red, green, and blue, can produce nearly all the colors the human eye can see.

The cool graphic and color combo make this tee a winner, and it works with any pants for stylish school spirit.

What's nice about bringing a graphic bag or wallet to work is that it helps inject a bit of color or pattern into your work wardrobe without you having to wear it all the time... you'll probably be parking your bag at your cubicle for most of the day, anyway.

This is how your fonts, colors, images, graphics, layouts, and effects work together to create a cohesive design.

Sensei for Study Island makes managing and analyzing student data easier than ever with intuitive charts, color - coded graphics, and visual cues that work to save time and frustration when monitoring classroom progress.

The Uconnect system works well, without major shortcomings, but the graphics aren't very refined and the color touchscreens could benefit from a resolution boost.

Nook: Again, graphic novels won't work on a standard black and white Nook, but they work fine on Nook HD, Nook Color, or Nook Tablet, as well as the Nook app for Android or Windows 8.

I am working on a graphic novel now, which I want to use color in, and am hoping not to self publish.

When it comes to color graphic novels or comics it seems offset printing is the way to go (otherwise the cost per book would be so high people won't purchase) but for black and white comics it seems either POD of offset printing works, so cheers for that!

The 9.7 - inch iPad Pro is powered by A9X chip with 64 - bit architecture and M9 coprocessor in order to effortlessly deal with various professional apps and hardcore mobile games, and the 9.7 - inch Retina display features 2048 x 1536 pixels resolution, 264ppi pixel density and wide color display as well True Tone display so that you can get more excellent graphics performance for your favorite multimedia content and graphical work, and built - in four speakers deliver more immersive entertainment experience.

High - impact graphics, great color and wonderful geometrics in the form of boxes and bags offer display options storeowners can really work with.

Breaking free of the regimentation of graphic design, her work is loose and unplanned, but the designer's eye for color and composition prevail.

More colors, larger canvases, and less personality were hallmarks of this era, almost as if the developers were trying a little too hard to show off the latest iteration of «next generation graphics» at work.

Stuffed with foam or stretched over starbursts of stretcher bars, these exuberant works combine bold T - shirt graphics with brushy renderings of rabbits and snowmen, and cheerful colors with ambiguous connotations.

The artist's seemingly distinct activities — the severe black abstractions, the prolific and caustic social and political graphic work, and the color slides of historical monuments, temples, and buildings that showed his equally prolific world travels and keen sense of photographic record keeping — were received in coexistence by jubilant viewers, especially young artists and art students (during the artist's lifetime it would have been career suicide to show all simultaneously practiced sides together).

Richly colored and laboriously hand drawn, Brischler's work investigates the intersection of graphic design and abstraction through his devotion to drawing.

Formally, the works are defined by Hull's distinctive and characteristic visual style - angular figures, bold, graphic lines and marks in black, contrasted with gestural abstraction in vivid, sometimes shocking, color, and recurring imagery — ships and nautical themes, and court jester or clown - like figures alone or interacting in totemic or frieze - like compositions.

The influence of the psychedelic aesthetic is visible in such works as the colorful «Flow» paintings of Gerhard Richter, the electric colored sculptures of Katharina Grosse, and the graphic paintings and sculpture of Takashi Murakami.

Her command of the arrangement of elements of color can be seen even more clearly in her graphic work.

The suspended works are graphic panels, sometimes of solitary color, other times with painted dots, or punched holes.

This confluence of color and graphic iconography is emblematic of the artist's concerns throughout this entire body of work.

Other thematically unrelated but visually cohesive works include a trio of Early Modernist knockoffs from the mid-1980s by Sherrie Levine, which remain conceptually irritating but here look refreshingly, crisply graphic; a 45 - minute video from 1994 by Gary Hill; a 2009 color photograph of a child in a white Levi's t - shirt by Josephine Pryde; some bundled pseudo-newspapers by Robert Gober (1992) and, in a collaboration between Gober and Christopher Wool, a photograph of a girl's dress hanging in a tree (the dress presumably Gober's handiwork; the photograph, Wool's), near one of the latter's enamel - on - aluminum pattern paintings.

In this, the artist's first solo exhibition at Marlborough Gallery since 2013, Güneştekin lends his signature detailed, combed brushwork, rich symbolism, graphic lines and intense color schemes to artwork in textiles, ceramics, and metal, in addition to oil on canvas works.

While Krushenick's graphic forms and bright colors are akin to Pop art, he remained interested in abstraction, distancing his work from the representational forms of Pop art.

Gently flowing wisps of color surmount low arching hills in «The Sky Searches for the Prairie Below» by Oxford - resident Amy Mitchell, who works in many media including pen and ink, watercolor, oil, acrylic, cut paper illustration and graphic illustration.

This coloring book for all ages marks the first publication of the graphic works of Russian artist Amanita.

His work is associated with Geometric abstraction, Abstract Illusionism, Lyrical Abstraction, Hard - edge painting, Color field painting, Shaped canvas painting, and 3D Computer Graphics.

He started with graffiti, later switched to the abstract graphic forms, always using color as the prime element in his work.

The artist's work synthesizes information into an entirely graphic language, starting with the formal concerns of surface, composition, color and tension, while introducing a range of subtle contemporary references and symbols.

Transitioning from the sparer, more graphic works of 1960 — 61, Frankenthaler made paintings that more readily filled the space of the canvas, moving toward what critic B. H. Friedman described as the «total color image» that would become a hallmark of her later work.

Peter Max is a German - born American illustrator and graphic artist, known for the use of psychedelic shapes and color palettes as well as spectra in his work.

As an artist resident of Westbeth, and a member of the Westbeth Graphics Studio, Francia's newest work examines color, shape, line and how they interact with the concept of Freedom of the Press in the 21st century.

The work retains the poetic and diaristic qualities of Andrade's earlier Notebook drawing series, commingling the mundane, the poetic, and the confessional amidst a swirl of brightly colored, nostalgic graphic forms.

Works such as Yodel Me Back to Orville Overhaul (1998) extends the vocabulary that Wirsum began in the 1970s, which combined motifs from graphic illustration and comics with hard - edged geometric patterns and designs that spoke to the flat horizontality of Color Field Painting as well as the intricate patterns and rhythms of Latin American and Oceanic folk art.

Through lush brushstrokes and a graphic sensitivity, her understanding of color and pattern imbue her work with passion and magic.

Designed by Miami - based graphic designers Fulano, Inc., the catalog features full color photos of works in the exhibition and recent and related works of conceptual needlework by Frances Trombly.

Designed by Miami graphic designers Fulano, Inc., the catalog features full color photos of works in the exhibition and recent and related works of conceptual needlework by Trombly, an artist born and raised in Miami.

In the 1950s and»60s, reacting against Abstract Expressionism's seriousness and influenced by Surrealist Roberto Matta, Saul began to paint everyday objects like iceboxes, steaks, and toilets in bright colors, along with political works like his series of graphic, cartoonish «Vietnam» paintings (1960s), which though had no clear moral message or political agenda, were evidently anti-Vietnam War.

Over the years, she has developed a resolutely graphic style of abstract painting that typically includes an amazing variety of bold patterns and bright colors in a single work.

The graphic work by Bourgeois presents isolated body parts, animal and insect imagery, breastfeeding women and anthropomorphic furniture in black and white as well as primary colors with mastery of line and a sculptor's sense of depth and gravity.

Using a variety of mediums with a blend of bold graphic design, geometric shapes, and vivid colors, Pantone has managed to create striking work with an ultra-modern aesthetic.

By the 1980s, suffering from alcoholism and dementia, De Kooning's paintings became more sparse and graphic, featuring amorphic lines with shapes of color, less dense and more open and airy than his earlier works.

Odili Donald Odita's horizontal planes of graphic color and works by Sanford Biggers and Radcliffe Bailey, anchor the final gallery.

Works such as Latz (2014) depicts Neukamp's ability to create almost vector - like graphics, which oscillate between ambiguous planes of texture, geometry and color.

In the early 1990's Mark studied the techniques of watercolor painting, used these techniques in graphic and color field paintings and then adapted these techniques to acrylics and to his interest in the EXPLOSION OF COLOR, EXPLORATION OF MOVEMENT and EXCITEMENT IN DISCOVERY which has become the essence of his color field paintings and then adapted these techniques to acrylics and to his interest in the EXPLOSION OF COLOR, EXPLORATION OF MOVEMENT and EXCITEMENT IN DISCOVERY which has become the essence of his COLOR, EXPLORATION OF MOVEMENT and EXCITEMENT IN DISCOVERY which has become the essence of his work.

Known primarily for his intensive exploration of color, Albers often utilized tones of black, white, and grey while working out new ideas and new techniques, crafting finely tuned studies of light and perception while emphasizing the graphic and rhythmic qualities of his compositions.

The «Waterfall» paintings continued into 2000, but Steir worked concurrently on installation projects (some were recreations of earlier projects) that incorporated more diverse elements, including figurative fragments, primary color, sculptural objects, and graphic symbols from Celtic lore.

Her work blends bright colors and 1990s PowerPoint gradients with a more structured, graphic design approach to form.