Sentences with phrase «colored handmade paper»

Fun tribal patterns rendered in bright pink and wine hues on khaki colored handmade paper with deckled edge.

The Kenneth Noland exhibition of brilliantly - colored handmade paper works will open September 18th at Meredith Long & Company.

Tyler describes: «For the Genji and Madame Butterfly woodcuts, she made wonderful painted wood panels that were used as the guide for making the color woodcuts on colored handmade papers (made by John Hutcheson and Tom Strianese).

Not exact matches

-- Library Journal «The pleasurable descriptions of colors and tastes and various Italian tourist destinations, plus the poetry written by the writer character, the gardens planted by the gardening character, and the handmade paper made by the paper - making character, etc., are enough to keep this party going all year long.»

Handmade in Minneapolis with traditional bindery techniques, Pad & Quill's case can be personalized with different colored paper lining.

Assp, 2012 Aluminum planters, sphagnum moss stake, stepping stool, toilet paper, handmade papyrus, black gesso, garbage bags, looped video, monitor and colored soap, dimensions variable

Among the works included will be four new drawings made by Jasper Johns after his Catenary work, which was exhibited at Matthew Marks Gallery this past spring; the largest single drawing Roni Horn has ever made, executed in yellow - green pigment and collage; a suite of five new plant drawings and a collage of colored geometric forms by Ellsworth Kelly; two new folios by Brice Marden, each consisting of a group of seven drawings on handmade paper; and several large - scale, brightly - colored ink drawings by Charles Ray.

With saturated colors on handmade paper and canvas, Freeman enhances the modernist flatness of her forms, while exploring and pushing the boundaries of minimalism.

To make her pictures, Nielsen cuts, shapes, layers, draws on, and assembles transparent color gels into a handmade «negative» through which she projects varied light sources onto photographic paper — from an enlarger light to lasers to cellphone lights (and everything in - between).

Gouache, house paint, acrylic, spray paint, Dura - lar film, digitally printed vinyl, SolarFast ™ shadow prints, naturally - dyed and handmade paper, colored paper, and found images.

Lot 45: SAM GILLIAM (1933 ---RRB-, «Untitled,» 1997 (color lithograph, handmade paper, and chine - collé).

Lot 122: CHARLES WHITE (1918 — 1979), «Love Letter # 1 (Angela Davis),» 1971 (color lithograph on handmade cream wove paper).

Complementing Griffin's work are Jeanie Gooden's large - scale paintings, which explore the interaction of colors and incorporate a variety of mixed media including handmade paper, metal, and hand stitching.

In Robert Rauschenberg's Hiccups (1978), ninety - seven sheets of handmade paper zip together to present a swath of imagery that at a distance resembles a color bar, the individual panels surrendering their details in a sweeping line of vibrant squares.

Helen Frankenthaler, Snow Pines, 2004, thirty - four color woodcut from sixteen woodblocks on handmade paper.

Kenneth Noland: «Handmade Paper Compositions,» by a master of color field painting, through Oct. 18; Meredith Long and Company, 2323 San Felipe; 713-523-6671, meredithlonggallery.com.

«The scale and the handmade paper that has been colored — it's not just one medium, but he's really gone out of his way by using etching and wood cuts simultaneously.

Helen Frankenthaler, East and Beyond, 1973, eight - color woodblock print on buff laminated Nepalese handmade paper Sheet: 31 3/4 × 21 in.

This color woodcut on White Richard B. Tullis II handmade paper was created by the artist in 1991.

Kate Shepherd, Color Trope Black Lemon Yellow, Reds, Orange, 2011 Stenciled linen pulp paint on cotton base sheet 24 x 18 inches May 17 — June 25, 2011 Dieu Donné is pleased to present an exhibition featuring select works in handmade paper created in our wet studios by artists Ian Cooper, Arturo Herrera, Kate Shepherd, Jean Shin, Allyson Strafella, and Richard Tuttle.

Exploring techniques such as working additively, reductively, and often quite physically in pulp to build line, color and form, these artists build on the rich history of abstraction, allowing the processes unique to handmade paper to push boundaries in their work.

Helen Frankenthaler, Tales of Genji IV, 1998, twenty - one - color woodcut from twelve woodblocks and one stencil on handmade paper, 47 × 42 inches (119.4 × 106.7 cm)

Gouache, acrylic paint, metal leaf on assorted handmade papers with graphite, colored pencil, mica and archival digital prints

Circles and curves dominate gouaches such as Green / Orange / Blue (2010), in which the colored form has been applied to handmade Japanese paper.

Illustrated with more than 200 full - color reproductions, Show and Storeexamines drawings, handmade books, cardboard and paper constructions and collages.

In her variable edition, Endless Outcomes, Campbell developed an «arrested mobile» using handmade paper, with embedded strings and shaped color components encapsulated between a colored base sheet and a translucent abaca paper overlay.

These beautiful, often decorative sculptures are made of handmade paper over chicken wire, some colored with a variety of materials including ground coal, watercolor, gold leaf and glitter.

For this project the artist translated his fantastical imagery into handmade paper by using an alternating set of stencils and an open approach to color.

These studies were interpreted by Tom into numerous stencils, the stencils then employed to apply color pulp to handmade paper substrates.

Relief and woodcut on white TLG, handmade, hand - colored paper, 66 x 52 inches.

Kenneth Noland: «Handmade Paper Compositions,» by one of the masters of color field painting; opens Thursday, through Oct. 18; Meredith Long and Company, 2323 San Felipe; 713-523-6671, meredithlonggallery.com.

Helen Frankenthaler Tahiti 1989 Mixograph in colors, on handmade paper, the full sheet, S. 32 1/4 x 53 1/2 in (81.9 x 135.9 cm) signed, dated «89» and numbered 13/45 in pencil (there were also 11 artist's proofs), published by Mixografia, Los Angeles, in very good condition, framed.

HELEN FRANKENTHALER Guadalupe (H. 164) mixograph in colors, 1989, on white handmade paper, signed and dated in pencil, numbered 50/74 (there were also 16 artist's proofs), published by Mixografía, Los Angeles, the full sheet, apparently in very good condition, not examined out of the frame S. 69 x 45 in.

Available at VFA: Frank Stella Egyplosis Relief, 1996 Relief etching and aquatint in colors on handmade TGL paper, 31.5 X 31.5 in., Edition of 36

Helen Frankenthaler Bronze Smoke 1978 Lithograph in colors, on J.B. Green Katuash handmade paper, with full margins, I. 24 7/8 x 18 3/4 in.

Monotype printed in colors on handmade paper.

TALES OF GENJI V Color woodcut, 1998, on rust TGL handmade paper, signed and numbered 11/36 in pencil, published by Tyler Graphics, Ltd., Mount Kisco, New York and with their blindstamp, the full sheet, framed.

Helen Frankenthaler Gateway 1988 Etching, relief and aquatint in colors with hand - stenciled margins, on three panels of TGL Handmade paper, the full sheets, all S. 68 3/4 x 29 1/2 in (174.6 x 74.9 cm) signed and numbered 29/30 in pencil on the right panel (there were also 10 artist's proofs), published by Tyler Graphics, Ltd., Mount Kisco, New York (with their blindstamp), in very good condition, framed.

HELEN FRANKENTHALER (1928 - 2011) Sirocco Mixographía in colors, 1989, on handmade paper, signed and dated in pencil, numbered 34/52 (there were also 11 artist's proofs), published by Mixographía, Los Angeles, the full sheet, in very good condition Sheet: 37 1/4 x 34 5/8 (946 x 880 mm.)

Helen Frankenthaler (American, 1928 - 2011), «The Red Sea,» 1978 - 1982, color lithograph from four stones and four aluminum plates on pink wove handmade paper, pencil signed and dated lower right, edition 13/58, printed by Roger Campbell, Lee Funderburg, and Kenneth Tyler, published by Tyler Graphics, Ltd., image: 15.5 «h x 20.75 «w, sheet: 24 «h x 28 «w, overall (with frame): 29 «h x 37 «w

HELEN FRANKENTHALER Beginnings screenprint in colors, 2002, on heavy handmade paper, signed in pencil, numbered 28/126 (there were also 18 artist's proofs), published by the Lincoln Center / List Poster and Print Program, the full sheet, in excellent condition, framed S. 36 3/8 x 35 5/8 in.

HELEN FRANKENTHALER (B. 1928) Sanguine Mood (Harrison 33) pochoir and screenprint in colors, 1971, on J.B. Green Hayle Mill English handmade paper, signed and dated in pencil, numbered 2/75 (there were also 5 artist's proofs), published by the Women's Board Commission, San Francisco Museum of Art, the full sheet, in excellent condition, framed S. 22 3/4 x 18 in.

HELEN FRANKENTHALER Earth Slice (H. 59) etching and aquatint in colors, 1978, on mauve HMP handmade, signed and dated in pencil, numbered 8/46 (there were also 12 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with wide margins, the paper slightly attenuated, a small purple stain in the upper right margin corner (possibly inherent in the paper), remains of old hinges at the reverse of the upper margin corners, otherwise in very good condition P. 8 3/4 x 19 5/8 in.

Helen Frankenthaler The Red Sea 1978 - 82 Lithograph in colors, on pink HMP handmade paper, with full margins, I. 15 3/4 x 20 3/4 in (40 x 52.7 cm); S. 24 x 28 in (61 x 71.1 cm) signed, dated» 1978 - 82» and numbered 35/58 in pencil (there were also 14 artist's proofs), published by Tyler Graphics Ltd., Bedford Village, New York, in very good condition, framed.

HELEN FRANKENTHALER (1928 - 2011) Tales of Genji VI, from Tales of Genji woodcut and pochoir in colors, 1998, on TGL handmade paper, signed in pencil, numbered 10/35 (there were also 14 artist's proofs), published by Tyler Graphics, Ltd., Mount Kisco, New York, with their blindstamp, in very good condition, framed Sheet: 47 x 42 in.

HELEN FRANKENTHALER Frankenthaler Alaska (H. 165) mixograph in colors, 1982, on heavy white handmade paper, signed and dated in pencil, numbered 20/50 (there were also 13 artist's proofs), published by Mixografia, the full sheet, in excellent condition S. 48 x 37 in.

Color lithograph on TGL pink handmade paper.

Simple in form but not strictly minimalist, these richly colored works, painted on handmade Indian paper, are deeply soulful contemplations on wholeness and unity.

The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.

Twenty - one color woodcut from twelve woodblocks and one stencil on handmade paper, 47 x 42 in.