Not exact matches
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image: (Top)
color samples used in the
present study.
To create the
image above, computer scientist Michael Towsey of the Queensland University of Technology in Brisbane, Australia, assigned
colors to three acoustic indices — numbers representing characteristics of a recording, such as the timing and frequencies of sounds
present.
Our sample of 107 YSO candidates was selected based on IRAC
colors from the high spatial resolution, high sensitivity Spitzer / IRAC
images in the Central Molecular Zone (CMZ), which spans th... ▽ More We
present results from our spectroscopic study, using the Infrared Spectrograph (IRS) onboard the Spitzer Space Telescope, designed to identify massive young stellar objects (YSOs) in the Galactic Center (GC).
The new
images are
presented in false
color, detailing an area that once played host to huge volumes of water, leaving scars across the Red Planet's surface.
Illustrated by astounding
color and black - and - white
images, the book
presents the best of this mind - bending genre, detailing through insightful commentary and behind - the - scenes stories why each film remains essential viewing.
The real news here is what a beautiful Blu - ray
image it
presents, the widescreen and the
color looking super-spectacular.
Decisions are made and finalized regarding how content is going to be
presented onscreen, the interactivities to be used, the activities / assessments to be added,
colors,
images, animations, and the additional resources to be provided.
An
image and phoneme
color - coding is
presented on 1 side, with the whole word
presented on the back.
Our tester's Desert Khaki
color paired well with the wheel design to
present a true off - road
image, paying homage to Subaru's roots.
The spheres had hemispheres of two contrasting
colors that would rotate to
present one
colored side to the viewer when voltage was applied to the sheet, thus displaying on screen an
image or text that would stay there until the next electric charge.
(c) a
color display for
presenting at least some of the motion
images of the series of motion
images corresponding to the captured
images of the scene, the
color display having an arrangement of
color display pixels including at least three different
colors in a pattern different from the first
color pattern;
Dark areas
presented a ghosting effect with
colors and
images bleeding over into the darkness for a sullied look.
Square Enix
presents a Slime - decorated joypad that's
colored blue and imprinted with
images of teardrop - shaped slimes on the buttons and on the front of the shell.
In 2011, for instance, Pryde produced It's Not My Body, a series of digitally retouched scans of a fetus that superimposed an MRI scan onto desert - like landscapes and introduced psychedelic
colors, constructing final
images that were stylistically fluent with certain tendencies
present in fashion photography.
Anyone familiar with the work of Alice Neel (1900 - 1984) has seen her portraits of people of
color, but to realize the depth of this aspect of her practice and view more than 30 of these
images presented together was a moving experience.
This sense of sound, and the searching process by which Scully achieves his
colors, confirms his statement: «Painting is permanently primitive...»; he attempts to
present the viewer not only with separate
images or sensations, but with «everything at once.»
The show
presents more than 75 works chronologically, grouping time periods into five major categories, beginning with «The Sensual Body» — her 1970s feminist explorations through neon
colored abstract nudes — and ending with «Landscape: The Power of Native Place» — works from the 2000s that pair native designs with
images of the lands that specific tribes have lost to colonization.
In keeping with his then current practice, Warhol took a sequence of Polaroid photographs of the German artist, and the
present work results from the distillation of
color and contour of one of those
images.
The works that brought her to international attention, the series Ground and Field,
presented photographic blurs caused by focusing the camera on an unoccupied foreground; these lushly
colored images tested connections between the descriptive clarity of photography and the haze of memory.
The exhibition, titled Intersections Intersected, looks at the relationship between the past and
present by pairing Goldblatt's earlier black - and - white
images with his more recent
color work.
Self - Portrait, another LEGO work,
presents an
image of Ai Weiwei that adopts the bright
color and repetition of Warhol's silkscreen portraits.
Alongside the meticulously composed, large - scale,
color images of interiors for which Höfer is known, the exhibition
presents photographs from the artist's remarkable new body of work.
The viewer is told what the «real Life»
image is in the title of the piece, but through abstraction and reconstruction of that
image, the viewer is then asked and challenged to explore the shapes,
colors, movements and forms, which the abstraction and reconstruction
presents.
«Another is to try to
present all these versions of an
image, from the original to its reduction to a single solid
color, as equally authentic, equally beautiful, and equally true,» he added.
Dinh Q. Lê's exhibition at Shoshana Wayne Gallery, Los Angeles, also
presents a continuation of Dinh Q. Lê's photo - weavings in which black and white photographs taken during the Vietnam War are woven together with richly
colored images from
present day.
The drawing / scraping into the «skinny jeans» paintings with a palette knife reveal the vibrant
colors underneath and
present a comic (unstable)
image — along with the ambiguity of a possible lurking figural presence, the psyche of the painting.
The hardcover book, which features over 200 lavish
color images documenting Texas» unique role (past and
present) in the world of abstract art, will be available at Galveston Arts Center during the exhibit.
As
images appear on her canvas, and
colors ask to be
present, the process of working and solving the painting begins.
The film is
presented as part of an immersive installation on MoMA's 3rd floor Elaine Dannheiser Project space, an expansive gallery painted to match Syms» signature [The
Color] purple (see martinesyms.com), and equipped with a series of movie poster - sized photographs that transform into moving
image works with the addition of a site - specific augmented reality app called WYDRN (ie.
This work is from a series where I scan and and re-print
images of high end advertising to paint on them, using the composition,
color and other formal elements already
present in the
image as a means to arrive at abstraction.
Tugendhat House from the L.M.V.D.R., Ludwig Mies van der Rohe Series
Color c - print mounted on aluminum - dibond 23 x 27 1/2 inches 14 x 21 1/2 inches (image size) Edition of 40 Signed in pen and numbered in pencil by Thomas Ruff on a Label attached to the verso Pristine condition unframed, never framed, hinged or matted Literature Matthias Winzen, Thomas Ruff Photography 1979 to the Present, DAP, Cologne, 2001, p. 242, another impression reproduced in c
Color c - print mounted on aluminum - dibond 23 x 27 1/2 inches 14 x 21 1/2 inches (
image size) Edition of 40 Signed in pen and numbered in pencil by Thomas Ruff on a Label attached to the verso Pristine condition unframed, never framed, hinged or matted Literature Matthias Winzen, Thomas Ruff Photography 1979 to the
Present, DAP, Cologne, 2001, p. 242, another impression reproduced in
colorcolor.
Nude on Couch, from Nudes series
Color iris print on rag paper 29 1/2 x 23 1/2 inches 10 1/4 x 13 inches (image size) Edition of 50 Hand signed and numbered in pencil by Thomas Ruff verso Pristine condition unframed, never framed, hinged or matted Literature Matthias Winzen, Thomas Ruff Photography 1979 to the Present, D.A.P., New York, 2003, p. 239 Catalogue Reference tos03, larger version reproduced in c
Color iris print on rag paper 29 1/2 x 23 1/2 inches 10 1/4 x 13 inches (
image size) Edition of 50 Hand signed and numbered in pencil by Thomas Ruff verso Pristine condition unframed, never framed, hinged or matted Literature Matthias Winzen, Thomas Ruff Photography 1979 to the
Present, D.A.P., New York, 2003, p. 239 Catalogue Reference tos03, larger version reproduced in
colorcolor.
Primarily I'm drawn to the metaphorical possibilities
presented by linear perspective, but Schifano's evocative
color and palpable sense... read more... «
IMAGES: Karen Schifano»
The Foundation has published a full -
color, 84 - page catalog documenting the award recipients» work, and it
presents images, artist biographies, and streaming video samples on its website at www.louiscomforttiffanyfoundation.org.
With more than 400
color images of the artist's works, this catalog
presents works which have rarely shown in public and his most recent works.
One room
presents several collaged panels made with scans of Smith's previous paintings, their
colors warped and modulated, along with layers of silk - screened
images and newsprint.
In Faded Remains the viewer is
presented with a series of
images of ancient greek sculptures that now is white, but originally was painted in a variety of
colors.
From May 3 — 6, 2018 Galerie Kornfeld will
present Natela Iankoshvili's work at Frieze New York, her first exhibition in the US.A book, published by Wienand Verlag, 88 pages, with an introduction by Mamuka Bliadze, an art historic essay by British art historian Mark Gisbourne and
color images of all works from Christopher Lehmpfuhl's trip to Georgia, will be launched on Thursday, May 24 at 6 pm.
Incorporating
color in her new paintings, Pensato
presents crazed
images of Batman, assemblages of toys, ephemera, stuffed animals, and photographs.
Including over two dozen full -
color images of works from 2001 to the
present, as well as essays by Sabine Eckmann, Meredith Malone, and Benjamin Weissman, Absolutes and Nothings is a fascinating premier monograph from one of our most vital and exciting contemporary visual artists.
Highlights include: Flags I Jasper Johns» richly layered 1973 screenprint,
presenting an iconic
image within the artist's oeuvre in its most striking graphic form; a monumental screenprint on linen, Océanie, la mer, Henri Matisse's largest scale editioned piece and a brilliant example of his use of «cut - outs»; Andy Warhol's beloved Flowers, a powerful wall of
color that is his 1970 portfolio of 10; and Baby Charles Looking Over His Mother's Shoulder (No. 2), Mary Cassatt's unique pastel counterproof, portraying the artist's extraordinary ability to capture maternal love.
Fully illustrated, it is rife with
images of what the author calls «high - styled rebels,» black men with a penchant for bold
colors and mixed prints and «
presents and celebrates individual dandy personalities, designers and tailors, movements and events that define contemporary dandyism.»
Full -
color images appear throughout and an 80 - page section is devoted to
presenting each of the artist's included works.
Alongside the meticulously composed, large - scale,
color images of interiors for which Höfer is known, the ex - hibition
presents photographs from the artist's remarkable new body of work.
In his thesis exhibition, Schafter demonstrated his skill at mastering the kind of figurative painting that was prevalent both locally and nationally at the time, where representational
images are
presented as juxtaposed vignettes and rendered with expressive brushwork or bold
colors.
Ocean
Color Image Archive Page NOTE: All SeaWiFS
images presented here are for research and educational use only.
The selfie camera also shows up in this
image, but all of the sensors are hidden by the black bezels (which will likely be
present on all
color variants).
Apple Computer Inc.'s QuickTake 200 digital
color camera offers several options for
presenting images on computers and televisions: slide shows, videotape recording, and real - time Internet videoconferencing.