Sentences with phrase «colored lithograph by»

31 Color Breakdowns and Different States of Four Color Lithographs by Jean Dubuffet: Sourire I, Nez Carotte, L'homme au chapeau, Bon vent, Frank Perls Gallery, Beverly Hills, California, October 15 — November 12, 1964.

Color lithographs by Jasper Johns.

Not exact matches

Printed and published in 1992 by Tyler Graphics, Ltd. in Mt. Kisco, New York, this unbound portfolio contains six color lithographs alongside poems by Kernan, including the folio depicted here.

The three color lithograph was hand drawn and proofed by the artist with the assistance of Paul DeRuvo last summer.

Color lithograph on two sheets, 57 x 82 inches, 34 + proofs, printed and published by Tyler Graphics, Ltd., Mt. Kisco, NY.

A unique example of a section of color lithograph including hand editions by the artist, collaged on a support board.

The show features thirty recent paintings, lithographs and mixed - media works by an artist known for his large canvases and vivid color palette.

This Suite of Twenty - Seven Color Lithographs, charged with remembered Provençal light, relies on an iconography derived from signage in a palette of primaries, offset by some of the most idiosyncratic tertiary colors of his career.

Be sure not to miss an intricate and fantastical woodblock and lithograph edition entitled Monkey Biz by Duke Riley at Graphicstuide / USF; seminal prints by prominent American Pop artists Roy Lichtenstein and Andy Warhol at Gregg Shienbaum Fine Art; a visually hypnotic nine - color screen print by Jason Middlebrook at Flying Horse Editions; an impressive suite of etchings entitled The Caprichos by Emily Lombardo at Childs Gallery; striking figurative lithographs by American artist Robert Longo at Hamilton - Selway Fine Art; a bold woodcut by Royal Academy artist Eileen Copper at Rabley Contemporary Gallery UK; three - dimensional print sculptures by Lesley Dill and mixed media prints by Cuban artist Sandra Ramos at Tandem Press; a series of haunting portraits by the American artist Monica Lundy at Stoney Road Press / Ireland; colorful mixed media work by Stanley William Hayder at Susan Teller Gallery; subtle and contemplative photolithographic prints by Linda Schwarz at Wildwood Press LLC; and bold and colorful works by Alexander Calder and Chuck Close at Thomas French Fine Art.

An offset - lithograph in colors with cold - stamping on smooth wove paper, An Homage to Monogold was created by the artist in 2012, is hand - signed in silver pen, and numbered, measures 29...

This lithograph in colors on glossy Wove paper was created by the artist in 2010.

A lithograph and woodcut in colors, on triple layered Kozo by Post War / AbEx artist Helen Frankenthaler.

The Hockney will be followed by three Alex Katz prints: two lithographs: Ann I (Est. $ 1,000 / $ 1,500) and Caroline ($ 700 / $ 1,000), as well as an unusual color spit bite and aquatint titled Beach Sandals, 1987 ($ 2,000 / $ 3,000) from an edition of 60.

Detail: Pierpont Morgan Library, 1982, offset lithograph in four colors, by Red Grooms (American, b. 1937).

Suite of four abstract leaves lithographs by Josef Albers, from folder XXV - 1, interaction of color.

Abstract leaves color lithographs, by Joseph Albers from the «Interaction of Color» portfolio, folder XXV - 6, circa 1color lithographs, by Joseph Albers from the «Interaction of Color» portfolio, folder XXV - 6, circa 1Color» portfolio, folder XXV - 6, circa 1960s.

It's characterized by a stylistic evolution that leads from the black of his early charcoal drawings and lithographs to the explosion of color in his later pastels and oil paintings.

TOP IMAGE: CHARLES WHITE, «Sound of Silence,» 1978 (color lithograph on paper, 25 1/8 × 35 5/16 inches), Printed by David Panosh, Published by Hand Graphics, Ltd. The Art Institute of Chicago.

Color Offset Lithograph, 1990 Signed by Hand, Condition: Good Condition Size: 32.2 × 23.2 inches Known for his provocative works across many media types, Gottfried Helnwein is an ar...

This two - color lithograph was created by the artist in 1976.

Color Grano lithograph on paper 36 x 28 inches Edition of 99 Signed and dated «99» by Jeff Koons in pencil lower right recto Numbered by the artist lower left recto Pristine condition, Unframed

planographic color lithograph 33 x 42 1/2 inches Edition of 60 Numbered and titled lower left, «Woman in the Sun» Signed and dated lower right, «James Rosenquist 1991» Tyler Graphics Ltd., blind stamp, lower right Workshop number on verso in pencil, lower left: «TR91 - 1068» Published by Tyler Graphics Ltd, Mount Kisco, New York Literature Constance Glenn, James Rosenquist Complete Graphics 1962 - 1992, Rizzoli, NY, Catalogue Number 225.

Above: Betty Woodman, Greek Pots Visit Edo, 2009, color woodcut, lithograph and chine colle on paper, Museum purchase with funds donated by Martha and Jim Sweeny, © Betty Woodman 2002, Courtesy of the artist and Shark's Ink, Lyons, CO

HELEN FRANKENTHALER (b. 1928) First Stone (Harrison 1) lithograph in colors, 1961, on Arches, signed and dated in pencil, numbered 2/12 (there were also 5 unnumbered artist's proofs), published by ULAE, with full margins, two pinholes in the blank at lower left, very pale time staining, remains of old glue at the reverse of the margin corners, otherwise in good condition, framed S. 22 1/4 x 29.7 / 8 in.

HELEN FRANKENTHALER (B. 1928) Un Poco Más (Harrison 140) lithograph in colors, 1987, on Arches Cover, signed and dated in white pencil, numbered 59/60 (there were also 12 artist's proofs), published by Ediçiones Poligrafa, Barcelona, with full margins, the colors slightly attenuated, minor skinning at the reverse of the margin edges, otherwise in good condition L. 23 1/2 x 30 in.

HELEN FRANKENTHALER Un Poco Màs (H. 140) lithograph in colors, 1987, on White Arches Cover paper, signed and dated in pencil, numbered 46/60 (there were also 12 artist's proofs), published by Ediciones Poligrafa, S. A., Barcelona, the full sheet, minor rubbing in the lower corners, pale foxing on the reverse, otherwise in very good condition S. 27 x 37 in.

Helen Frankenthaler Reflections IX (from Reflections Series) 1995 6 - color lithograph on Rives BFK paper # 22 of 30 Published and printed by Tyler Graphics, Ltd., Mount Kisco Signed and dated lower right; edition lower left Sheet: 20» x 14.75»; Frame: 27.625» x 22.625» Together with copy of invoice from Tyler Graphics, Ltd. dated March 31, 1995 and print documentation

John Cage (1912 - 1992), 30 Drawings by Thoreau, 1974, color lithograph on paper, 30 x 20 inches, Joel and Lila Harnett Print Study Center, University of Richmond Museums, Museum purchase, funds from the Louis S. Booth Arts Fund, H2012.10.03 © John Cage Trust at Bard College

HELEN FRANKENTHALER (1928 - 2011) Variation I on «Mauve Corner» lithograph in colors, on Chatham British paper, 1969, signed, titled and dated in pencil, numbered 2/8 (there were also 2 artist's proofs), published by ULAE, West Islip, New York, with their blindstamp, with full margins, the orange attenuated, a foxmark in the right margin, framed Image: 16 7/8 x 13 3/4 in (429 x 349 mm.)

Helen Frankenthaler (American, 1928 - 2011), «The Red Sea,» 1978 - 1982, color lithograph from four stones and four aluminum plates on pink wove handmade paper, pencil signed and dated lower right, edition 13/58, printed by Roger Campbell, Lee Funderburg, and Kenneth Tyler, published by Tyler Graphics, Ltd., image: 15.5 «h x 20.75 «w, sheet: 24 «h x 28 «w, overall (with frame): 29 «h x 37 «w

HELEN FRANKENTHALER (1928 - 2011) Bilbao lithograph in colors, on wove paper, 1998, signed and dated in pencil, numbered 72/150, published by Art of This Century, New York, the full sheet, in very good condition, framed Sheet: 35 1/2 x 47 1/4 in.

Untitled, 1983 Hand - colored lithograph 18» x 24» Edition 114 of 150 Published by the Institute of Contemporary Art, Philadelphia Framed Courtesy of Ruth & Jack Solomon Laurie Anderson (American, b. 1947) is an ico

On view are a range of printmaking processes including serigraphs, relief prints, color etchings, and lithographs by eight internationally renowned artists: Emma Amos, David C.

Another work by Marden also performed well: the color etching and lithograph L.A. Muses, 1999, sold for $ 8,750.

(New York / Connecticut, 1928 - 2011) Venice II, 1969 - 1972, edition 3/8, published by Universal Limited Art Editions with blindstamp lower left, signed lower left «Frankenthaler» and titled and dated, lithograph in colors in two stones on English hand - made paper, 31 x 23-1/4 in.; sturdy metal frame, floated, full sheet with deckled edges, four points of foxing; frame with abrasions

Helen Frankenthaler The Red Sea 1978 - 82 Lithograph in colors, on pink HMP handmade paper, with full margins, I. 15 3/4 x 20 3/4 in (40 x 52.7 cm); S. 24 x 28 in (61 x 71.1 cm) signed, dated» 1978 - 82» and numbered 35/58 in pencil (there were also 14 artist's proofs), published by Tyler Graphics Ltd., Bedford Village, New York, in very good condition, framed.

Twenty - color lithograph with handwork by the artist in colored pencil and acrylic on Hahnemuhle Copperplate

This artwork titled, Flower, 1990 is a color silkscreen and lithograph on Arches 88 paper, by artist Donald Sultan (American, b. 1951) It is hand signed and numbered 31/125 in penc...

This artwork, titled «Pasteque II,» 1969, is an original color lithograph printed on B.F.K Rives paper by Mexican artist Rufino Tamayo, 1899 - 1991.

This artwork, titled «Essencies De La Terra,» 1969, is an original color lithograph printed on wove paper, by Spanish artist Joan Miro, 1893 - 1983.

Realized by Color Field artist Sam Gilliam, this lithograph with intaglio and relief layers color, movement, and other abstract elements — meditating on both the relationship between shapes and colors as well as elements of a harmonious composiColor Field artist Sam Gilliam, this lithograph with intaglio and relief layers color, movement, and other abstract elements — meditating on both the relationship between shapes and colors as well as elements of a harmonious composicolor, movement, and other abstract elements — meditating on both the relationship between shapes and colors as well as elements of a harmonious composition.

HELEN FRANKENTHALER (b. 1928) Paris Review Poster (Williams College 10) lithograph in colors, 1966, on wove paper, signed and dated in pencil, inscribed «Artists proof for Roz» (the edition was 150), published by the Paris Review, with full margins, some minor surface soiling and time staining showing mostly at the bottom margin edge, otherwise in good condition S. 31 x 23in.

And she follows Degas with one of only two works by women here — Bishop's is the other — Agnes Martin's untitled color offset lithograph of simple horizontals from 1998.

Helen Frankenthaler Card 1971 Color offset lithograph Published by Telamon Editions Limited, New York Signed lower right Sheet: 12.75» x 17»; Frame: 16» x 20.25»

HELEN FRANKENTHALER (1928 - 2011) La Sardana lithograph and sugar - lift aquatint in colors on Rives BFK paper, 1987, signed and dated in pencil, numbered 4/60 (there were also 12 artist's proofs), published by Ediciones Polígrafa, S.A., Barcelona, an area of pale discoloration below the subject, otherwise in good condition, framed Image: 27 1/2 x 18 7/8 in.

This is a captivating folio size abstract mid century color lithograph (this is not an offset lithograph) by the world famous modern artist Joan Miro.

My Self, 1985, Color lithograph printed by Edward Hamilton Image: 7 x 9 inches, Sheet: 22 x 21 inches © The June Wayne Collection, courtesy Louis Stern Fine Arts

Helen Frankenthaler (American 1928 - 2011) Card Offset lithograph in color, 1971, signed Frankenthaler in pencil l.r., published by Telamon Editions, New York; apparently in good condition.

Helen Frankenthaler Dream Walk 1977 Lithograph in colors, on mauve HMP handmade paper, with full margins, I. 22 x 29 5/8 in (55.9 x 75.2 cm); S. 26 x 35 1/2 in (66 x 90.2 cm) signed, dated «77» and numbered 6/47 in pencil (there were also 12 artist's proofs), published by Tyler Graphics Ltd., Mount Kisco, New York (with their blindstamp), in very good condition, framed.

Helen Frankenthaler Madame de Pompadour 1985 - 90 Lithograph in colors, on Arches Cover paper, the full sheet, S. 43 1/4 x 29 3/8 in (109.9 x 74.6 cm) signed, dated «85 - 90» and numbered 40/60 in pencil (there were also 14 artist's proofs), published by Tyler Graphics Ltd, Mount Kisco, New York (with their blindstamp) in very good condition, framed.