Sentences with phrase «colored lozenges»

Jenny Cox's marker drawings featured in her Fleisher / Ollman exhibition Like Logs consist of conglomerations of brightly - colored lozenges each containing words and various hatch marks — refugee text balloons from comics as if they were somehow stolen from their original sources, completely transformed by the artist, and stacked one on top of the other like logs.

Parker's paintings utilizing this method of stacked, clearly colored lozenges and floating forms are straightforward and basically geometric in shape.

Not exact matches

This tribal patterned Oushak runner features a double diamond lozenge design in opposite color palettes of muted crimson red, espresso, mocha brown and cream...

The brightly colored, hard - edge dots and lozenge shapes that Larry Poons painted in the early 1960s, against expansive, monochrome grounds of contrasting tones, appear to dance on the surface, flicker and bounce, in primal rhythmic beats.

Moving from one drawing to the next the viewer will also discover thickets of angled sticks; lightly rendered floating lozenges; surprisingly colored vortexes; compilations of line passing as broad brushed symbols; hermetic compositions repeating within the same drawing; forgotten hieroglyphs becoming form; atmospheres menacing and combative and others lighter than the last wisp of sun - dissipated fog.

Her marker drawings are vividly colored, playful conglomerations of lozenge - shaped forms containing words.

Dan Walsh Paula Cooper Gallery, 534 West 21st Street, through February 14 Dan Walsh's wobbly grids of squat lozenge and pill shapes of dry - looking, semi-transparent color can strike one as initially boring — another handsome geometric abstraction.

Lozenges, zigzagging lines and circles meet up with amorphous forms, gestural sections as well as with liberally applied lines that suggest silhouettes; powerful colors or reduced black - and - whites constitute some of the elements of a highly personal pictorial realm.

The overlapping tongues of color in Carey's Polaroids recall the lozenges and plumes of paint in color - field abstractions by Morris Louis and Larry Poons, minus their paintings» claim to descent from high - art tradition.

Lester's «color cells» — dots, chips, or great lozenges of pure color that stipple or consume her botanical compositions — are a recent development in her ongoing investigation into representing genetic modification and its aftereffects.