Not exact matches
The pastel -
colored world of Zubrowka is captured with all the idiosyncrasy and precision Anderson is known for: written notes, books and
objects are shot straight on with loving detail, flat - planed shots center characters in the middle of the frame, and hand - crafted miniatures
depict many of the film's more fantastical settings and vehicles.
The story is told from Min's perspective, a bittersweet diatribe of their breakup arranged around
objects, which are artfully
depicted in Kalman's full -
color paintings.
A number of especially romantic paintings are notable for their brushy, atmospheric depths; they
depict more - or-less real
objects overwhelmed by preternatural forces... Experienced together, the paintings conjure a vibrant, eclectic mysticism, based in fertile allusions and buoyant
color and texture.
His work often
depicts everyday
objects and places using vibrant
colors and simple shapes.
Fauvism
depicted objects with intense arbitrary
color, while Orphism was characterized by bright patches of
color rather than a figurative subject.
Through enlivening these dated portraits with an updated palette and active washes of
color, Fischer attempts to re-imagine the representation of history as only painting can by
depicting intangible mental characteristics excluded from an
object - based historical archive.
Where other artists might mix warm
colors that would create the illusion of light falling on cooler -
colored objects, Krieger cleverly divorces light from
object, using thin yellow thread - like lines and fat transparent off - white ones to
depict light waves rather than showing the result when they illuminate something else.
Her interiors
depict imperfect realities of seemingly trivial
objects (fallen flowers or broken pots) set against cheerful
color palettes and domestic scenes.
They made random spots of
color and encrusted the canvas with strokes that did not always correspond to the
object that they were
depicting but that formed coherent internal relationships.
The small photograph Night Jam, 2013, is a study in
color contrast,
depicting gently creased strips of variously hued photographic paper arranged on top of a paper guillotine, bringing to mind series such as «Lighter,» 2005 — , for which Tillmans turns flat pictures into three - dimensional
objects by bending, folding, or creasing photographic prints and exhibiting them in Plexiglas boxes; or the famous «paper drops,» 2001 — , for which he takes pictures of photographic paper gently furled into drop - like forms.
The style of Pergusa Three is abstract, in that it does not
depict a recognizable
object or scene, but its lines,
colors, shapes, and textures have an external referent in the movement, speed, and asphalt of auto racing cars and tracks.
In her paintings and collages she
depicts heavily patterned interior scenes with vibrantly
colored objects that she uses as a framework for conveying emotion.
These four, large - scale,
color photographs
depict a collection of
objects ranging from feathers, skulls, clips, chains, and photos.