Sentences with phrase «colored pigment into»

In the 1970s, she pour dried colored pigment into shallow trenches dug along the floor of the Mohave as enormous temporal drawings in keeping with similar work around that time by Heizer and Smithson.

A special, highly innovative type of leather on the seats, interior panels, and steering wheel that significantly reduces the heat effect of bright sunshine: Treatment of the leather in Sun Reflective Technology serves to integrate special color pigments into the material to reflect infrared radiation in the sunlight.

Though the paintings appear monochromatic at first glance, extended viewing reveals a hidden layer of prismatic color: Brody incorporates colored pigments into the black and grey plaster bases and mixes gridlines with colored oil paint, creating the sensation of a pulsing center as the underlying color becomes subtly perceptible.

Not exact matches

Usually I'll add at least 3 - 4 cups of kale or spinach (or both) into my morning smoothie which turns a weird purplish gray color because blending purple and green obviously produce a weird pigment.

Demonstrating Cpf1's noticeable specificity, another research team from the same IBS Center succeeded in bringing Cpf1 RNP - mediated mutations into mouse embryos: The researchers targeted Foxn1 (a transcription factor that regulates the immune system, including the growth of skin hairs), as well as Tyrosinase (an enzyme that catalyzes the production of melanin, a natural pigment that determines the color of skin).

And by tracing the remains of pigments in fossils, called melanosomes, scientists have in recent years begun to breathe new life into the dun - colored relicts, discovering the Technicolor hues in prehistoric birds» wings and the clever shading that veiled ancient mosasaurs from predators.

The yellow section, which has small, interlocking protrusions about 50 nanometers high, also absorbs light — and the researchers showed that xanthoperin, the pigment that gives it its yellow color, can be used to convert light into electricity.

Previously, the nanosecond laser (Q - switched YAG) would shatter tattoo pigment similar to how a rock can shatter into pebbles — and the laser then would destroy these pebbles of color.

Using a slew of molecular techniques, the team identified the color - stealing culprit in white grapes as a mobile fragment of DNA, called a retrotransposon, which inserts itself into the gene controlling pigment production.

Many red - colored birds have to convert yellow pigments in their food into the red pigments that make their feathers and beaks so brilliant.

In a 1987 Nature paper, a team led by plant geneticist Peter Meyer, then with the Max Planck Institute for Plant Breeding Research in Cologne, Germany, showed that inserting a maize gene into a petunia enabled it to produce the pigment pelargonidin and take on a salmon color.

Insider tip: Take note: The bronze hues (which flatter all skin tones) are the kind of visual jolt that will send you running for a directional new lip color or dipping into a pot of reflective sheet metal pigment.

This device sends a beam of light that is absorbed by the color brown into the deepest layers of skin, essentially destroying the pigmented cells that created the spot.

(Chlorophyll is a green pigment that not only gives so many plants their color but also allows them to turn sunlight into energy.)

Blondes have less color pigment in their hair initially and are more likely to develop a head of white hair while the darkest hair shades will develop into a deep and attractive shade of steel grey.

Quaglia and Dalrot had the pink pigment mixed into the plaster to get the exact color they wanted.

They're achieved by applying a bright color just to the tips, as if you've accidentally - on - purpose dipped your hair into a bucket of pigment.

Maureen, however, shows how skin tone does lose a little color pigment as we get older and what was probably originally Spring coloring has settled just a little into Light.

With the latest technology, it incorporates a high density of minute particles of pearl into the color pigments.

New technology allows for the incorporation of a high density of tiny particles of real pearl into the color pigments, creating a crease - proof consistency.

oVertone is a pigmented conditioner that deposits color into your hair every time you use it — so you can get unicorn hair (or galaxy hair or mermaid hair or whatever your heart desires) without the commitment!

Rich pigments are blended into our high - quality formulas for guaranteed color that stays true all day.

Pat over the color a few times with your ring finger, which presses the pigment into your lips so you get a nice, soft stain.

Its unique, patented technology transforms pure liquid pigment into a smooth, silky powder through a process of slow baking, leaving true color — from compact to cheeks.This silky smooth, stay - true formula creates a vibrant, healthy - looking glow without a trace of powder residue.»

Hannah agrees and says, «I think it's important to look at color, we are exiting summer and starting fall, which is always a transition into deeper and more rich pigment.»

The powder eye - shadows have huge color payoff (highly pigmented) and they are so creamy / smooth / buttery that they are so easy to blend into an effortless look.

They often pigment into a black color.

Tracts of color are dragged across the canvas using a squeegee, so that the various strains of malleable, semi-liquid pigment suspended in oil are fused together and smudged first into the canvas, and then layered on top of each other as the paint strata accumulate to bring color and textural juxtapositions.

Como «s artistic practice is, as he describes it, «an engagement with and investigation into black... this includes but is not limited to: black as proprietary color / pigment — the mark used for description or obfuscation, black as darkness — the phenomena or event of light's absence, and black as matter — the physical manifestation of objecthood, including black holes and universal dark matter.»

Working quickly to capture the diffusion of pigments with a large - format camera, he makes photographic glimpses into a world that is both familiar and fantastic, awash in unnatural colors.

By contrast, the labels at the New Museum accord with my experience by allowing whatever referential features may be there to remain at the level of suggestion by focusing on form and process («Composed along a central axis, each work is charged with a magnetic asymmetry; delineations between colors are blurred in the process of melting the powdered enamel pigment into glass») and by relying on Müller's biography (her work with a genderqueer collective) to prompt viewers to wonder what exactly gender might have to do with what we see in her paintings — if anything at all.

The artist first applies thick layers of oil paint in various colors, including burnt sienna, green, blue, and yellow, onto a white painted background, then uses her body to vigorously mix and sculpt the material until the once - vibrant pigments meld into a rich gray tone.

The colors in her pigment - on - panel artworks are captivating and create the illusion of transforming into one another.

Rather than adopt the gestural and painterly style of contemporaries Willem de Kooning and Jackson Pollock, Louis instead took to pouring diluted paint directly onto the canvas, letting pigments soak into the support in brightly colored bands.

When invited into the Pace Paper studio, Drew immediately noted the differences from his own, (the studio's sky - light, the color of the pigments) which ultimately and very organically found their absorption into his work (i.e. the first use of silver and blue in the artist's career.)

Unlike her companions» paintings, Slaughter's work does not offer a «feminine» line quality or pigment color to clue us into her gender.

I suspect some may unknowingly morph into dry or liquid color pigments, semblances reconstructed with binder and urethane.

Binder on the other hand, is what holds the color pigment together so that it can be formed into a shape.

The installation transforms its environment into a swirling painterly mass of color and movement, generating unique visual effects as the smoke and pigment erupt and disperse.

Among them are the big, color «Map,» which would have been great to see paired with the darkly magnificent gray version loaned by the Broad's downtown neighbor, the Museum of Contemporary Art; «Diver,» a poetic eulogy to writer Hart Crane, with the artist's hands literally diving into a blackened sea of charcoal and pigment; and «Target With Four Faces,» a mixed - media work that juxtaposes a red - yellow - blue bull's - eye with four three - dimensional casts of an eyeless face.

That particular work is all colored black, but segmented into distinct fields by a precisely ruled stripe of more reflective pigment running through the two panels placed together.

These 2017 works go further into color and gesture where the backgrounds take on pigment, the scribbly black tangles peppered with paint balls recede while brushwork and big pours of paint make larger forms out of the noisiness.

In the current show at Boone (where recent excursions into the art of Peter Saul, the late Ed Paschke and now Bernstein, have turned the gallery into something of a haven for the veteran mavericks of American painting), each canvas is lit by two pairs of alternating white and ultraviolet spotlights, so that you are looking at the colors the artist actually mixed, but heated to a discreetly hyper - pigmented buzz.

Random splotches, contained by careful traces of variegated pigment circulating within the visual frame, build up linearly until they swarm into pools of soft, muted color.

Amino wanted to incorporate more color into his pieces, and he experimented with various methods, including painting wood, mixing pigments with plaster, and carving pieces of colored polystyrene.

Back in Washington, Noland and Louis began experimenting with the «soak - stain» technique, pouring pigment into schematic patterns that reduced painting to a single element - color - and helped usher in the «color - field» school of painting.

(Diane Upright, Morris Louis: The Complete Paintings, New York, 1985, p. 49 - 58) As art historian Michael Fried comments, «Louis discovered that if successive waves of thinned pigment, each a different color, were stained into a length of canvas, what was produced was a single, visually continuous configuration within which the individual configurations left by each wave in turn — or, perhaps more accurately, the limits of these configuration — were still visible.

That is by laying down wave on top of wave of liquid pigment Louis literally put color into color.»

She laid the bags out across the floor and spent the next several days arranging them into various color combinations before pouring her final selections into a vat, the bands of colors blending like pigments in paint.

Moreover, we can track these dual art historical threads into the present, to Abstract Expressionism in the 1950s, to Mark Rothko and Clyfford Still, for instance — to the former's vaporous fields of elusive cloud - like color space, to the latter's jagged and obdurately physical expanses of troweled pigment.