He first paints six or seven layers of different -
colored pigments suspended in water on one canvas.
Not exact matches
Nara paints by adding and removing
pigment until he reaches his desired effect: a canvas made up of
suspended colors.
Tracts of
color are dragged across the canvas using a squeegee, so that the various strains of malleable, semi-liquid
pigment suspended in oil are fused together and smudged first into the canvas, and then layered on top of each other as the paint strata accumulate to bring
color and textural juxtapositions.
Relying on the thinner quality of acrylic paint compared to oil, Nara creates each painting by adding and removing
pigment until he reaches his desired effect: a canvas made up of
suspended hues that allows the figure to emerge through layers of
color, inviting the viewer to stand still and enter a moment of contemplation.
Using dethreaded burlap canvases, painted with
pigmented ashes and soil, Emblema created works that
suspend color between the viewer and the wall on a translucent scrim.
In any case, both of them think in terms of
color and
pigment suspended in a physical, material matter.
In these works, Joel Shapiro extends the investigations of his recent
suspended sculptures [Pace Gallery, 2010; Museum Ludwig, 2011; Rice University Art Gallery, 2012] that explore the dispersion of form and
color in space, exchanging the three - dimensional space of the gallery for the two - dimensional plane of the paper, and industrial cordage and
pigment - soaked wood forms for aqueous eruptions of line and
color in gouache and charcoal.
For example, Splendor (2001), evokes a sense of glimpsing the cross section of dozens of crushed stones and gems packed tightly together, the universe shortly after the Big Bang, a picture of dark matter moving across time and space, a light - sensitive view of a subatomic world, dozens of different
pigments suspended in a translucent material, rivulets of calligraphically inflected
color swirling slowly.
All paints comprise two elements: a
pigment, which provides the
color, and a binder, in which the powdered
pigment is
suspended.