Sentences with phrase «colored vertical lines»

Not exact matches

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fit a pastry bag fitted with a 1/8» or 1/4» round tip and use a paint brush to paint vertical lines of the food coloring inside of the pastry bag.
Using gel food coloring (I use Americolor brand) take a food only paintbrush and paint vertical lines of each color you want to include.
Each vertical line is a new version; each color is a different editor.
With the TP roll on its side, place a vertical line of hot glue from edge to edge and adhere a piece of colored tissue to the roll.
A Color Story has tools to straighten in the post editing process, but I always try to pay attention to horizontal and vertical lines and make sure they are nice and squared.
You also want to avoid entire outfits in one color, and instead experiment with color and texture in order to create vertical lines.
Using one color to enhance a slender illusion is the oldest trick in the book, and for a good reason: It helps create a long vertical line.
This bikini is made from a white fabric which has has a vertical, taupe colored, small line design added to it.
However, if you're petite and you create a contrasting color combo between your top and bottom, it brokens your vertical line making you appear shorter.
Long Vertical Line Also, keep your vertical line long to complement your body shape by going for monochromatic and tonal color combinatiLine Also, keep your vertical line long to complement your body shape by going for monochromatic and tonal color combinatiline long to complement your body shape by going for monochromatic and tonal color combinations.
Instead, the screens utilize a low - key, alternating colors vertical - line design, with tiny pictures of four characters adorning the Main Menu and a small shot of Hayley Mills attached to the Set Up menu.
Back markings consist of a vertical line down the spine from butterfly to tail with a vertical stripe paralleling it on each side, the three stripes separated by stripes of the ground color.

< h4 style ="margin: 0px; padding: 0px 0px 15px; border: 0px; font - family:» Open Sans», sans - serif; font - size: 18px; line - height: 22px; vertical - align: baseline; color: # 444444;"> Distances by car from Sweetwater Lodge to: < p style ="margin: 0px 0px 20px; padding: 0px; border: 0px; font - family:» Open Sans», Helvetica, Arial, sans - serif; font - size: 14px; line - height: 20px; vertical - align: baseline; color: # 777777;"> Cairns Airport — 1 hour 15 minutes < br / > Port Douglas — 30 minutes < br / > Daintree Ferry — 55 minutes < br / > Daintree Village — 1 hour < br / > Kuranda Village — 55 minutes < br / > Mareeba / Tablelands — 30 minutes < br / > Tableland Lakes and Waterfall circuit — approx. 1 hour < br / > Mossman — 25 minutes < br / > Mt Molloy — 5 minutes < br / > Cooktown — 2 hours 15 minutes < br / > Cape Tribulation — Approx 1 hour 45 minutes

< h4 style ="margin: 0px; padding: 0px 0px 15px; border: 0px; font - family:» Open Sans», sans - serif; font - size: 18px; line - height: 22px; vertical - align: baseline; color: # 444444;"> From Cairns to Sweetwater Lodge via the inland way (via Mareeba).
< h4 style ="margin: 0px; padding: 0px 0px 15px; border: 0px; font - family:» Open Sans», sans - serif; font - size: 18px; line - height: 22px; vertical - align: baseline; color: # 444444;"> From Cairns to Sweetwater Lodge via the coast road / Captain Cook Highway.
< p style ="margin: 0px 0px 20px; padding: 0px; border: 0px; font - family:» Open Sans», Helvetica, Arial, sans - serif; font - size: 14px; line - height: 20px; vertical - align: baseline; color: # 777777;"> From Cairns International airport take the Captain Cook Highway North.
It consists of a group of four very dark colored, reddish - black thick strokes imposed on thinner black lines, which describe an open, more or less vertical and horizontal structure.
Colors and lines are everywhere: on walls, on the ceiling and floor; in corridors of vertical strips of colored tape.
Revisiting an idea he first employed in his late - seventies project «128 Photographs of a Painting», he divided the work's surface into two vertical sections, then halved those halves, and so on, he had each work printed to his desired scale, so that we might contemplate what have become remarkable horizontal, rhythmic fields of fine lines, oscillating with vibrations of color, the largest of which stretches over ten meters, as seen on the gallery's first floor.
And where Wall of Light Cubed shows shades of gray and pink stone, cut with horizontal and vertical lines marking stripes, Boxes Full of Air, which has only the natural color of Cor - Ten steel, is a gigantic physical realization of the drawings.
Hit for Six (2013) straddles the line with the unlikely combination of lime green and purple with a color block offset by two strong vertical bars.
By the late 1940's, Newman had established his two main painting motifs: thin vertical lines, also known as zips, which were used to create focal points, and the range of bright colors that these lines organized.
A number of the later pieces are untitled, and they feature both horizontal and vertical lines with larger intervals between them in soft pastel colors, immersive emotional landscapes with the pink, yellow, and blue hues of the dawn sky in New Mexico.
The sense of rhythm between horizontals and verticals recalls that of Mondrian, and the relationship between planes of simplified color and line, that of Frank Stella.
He paints geometric patterns, manipulates color, and his distinctive painterly expressions with vertical lines, diagonals and triangular forms and curves appear to be grasping for the borderline between representation and abstraction.
This motive remains prevalent and becomes varied by proportional divisions — halves, thirds, fourths and so on — along with horizontal and vertical divisions of increasingly complex line systems and color schemes.
«The Cherry Tree III,» an aquatint with drypoint and etching, comprises vertical leaning lines and other geometric and organic shapes in the colors of nature against a background of pink and orange.
Gene Davis was an American painter and printmaker who created works incorporating vertical lines of color.
This is characterised by areas of color separated by thin vertical lines, or «zips» as Newman called them.
The reduced color palette and stark opposition of black vertical and horizontal lines against blocks of white and primary colors were meant to spiritually represent natural harmony.
Here he lays thin, unevenly spaced horizontal and vertical black lines over light blue acrylic, to him the color of open sky.
Without depicting a subject, the Dutch artist also limited himself to horizontal, vertical and above all straight lines, which would come to give boundaries to primary colors only.
Each of these works focuses on a distribution of color separating the screen into two sections divided by one or two vertical lines.
In The School Papers, the cream color and vertical lines of grade school notepad paper play off painted geometric forms.
While the McNay show traces the development of Diller's art through various grid and primary color preferences to a drawing of a simple black rectangle encompassing four vertical yellow lines («He gets very minimal,» Williams says), an «anomaly» from 1938, during the time the artist was an administrator with the WPA, features a curving, flowing central image that echoes the human form, probably influenced by Stuart Davis.
This Frank Stella artwork is a geometric wonder, defined by circular and curvilinear shapes and pairs of horizontal and vertical lines that intersect at the right angles, filled with almost psychedelic color.
Tim Bavington's current work marks a new direction in his oeuvre, where the more classical and strictly vertical and horizontal lines are transformed into an intense swirl of brilliant media - inspired color.
In 1912, Mondrian began to create his «compositions,» paintings constituted by grids of horizontal and vertical black lines in three primary colors.
To create this colorful and highly impactful work, Davenport covered an aluminum panel with a structured sequence of more than 1,000 vertical lines of color.
The subtle color shifts from blue - green to reddish - orange to brown follow the vertical lines of the shovel and hoes.
The vertical lines on this work created additional zones within which to consider both the application of paint and the meaning of color, to reconsider the meaning of home and the spaces they inhabit.
Among the organic and ovular shapes, another more subtle work stands out in its geometric, dynamic lines, like an ice - colored, slender vertical waterfall of translucent paper bow ties, sprinkled with a smattering of colored confetti.
His various methods for producing optical effects on canvas, including his use of color — contrasting, physical mixing or varying proportions of just one color — in combination with other techniques, such overlapping planar shapes or lines in compositions; defining shapes with hard or diffuse edges; adding vertical or horizontal lines to activate the surfaces; and layering dots, dashes and triangles in contrasting colors on the surfaces to produce vibrational effects.
He had smeared a line of cadmium red light on a strip of masking tape that divided a vertical canvas painted cadmium red deep into two halves, creating a bilaterally symmetrical image of solid color.
ADOLPH GOTTLIEB (1903 - 1974) Untitled, for the Benefit of Phoenix House etching and aquatint in colors, 1972, on wove paper, signed and dated in pencil, annotated «Artist's Proof» (the edition was 125), published by Brooke Alexander Editions, New York, with full margins, minor surface soiling, vertical and horizontal lines of staining on the reverse (not showing through), otherwise in good condition, framed P. 23 1/2 x 17 3/4 in.
His vertical stripes in the 1960s varied, from wide bands of candy - colored hues to thin lines clustered on the left and right side of the canvas, flanking a blank center.
Martin's pre-minimalist paintings did so with vertical and horizontal lines and grinds painted upon washes of subdued color, while Tuttle investigated the same concerns in handmade constructions using ordinary materials like wire, tape, thread and cardboard.
This is one of the simplest yet graceful holiday letter template that features countless yellow colored thin vertical lines forming an elegant design themselves.
I'm not saying you should draw a vertical line and paint each side different colors; rather, create a visual divider with wall hangings and art.
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