This vibration is more evident in Sol LeWitt's
colorful wall drawing located further into the exhibition.
At Bard, he has created slatted walls that allow visitors a peek at
a colorful wall drawing by Sol LeWitt, «# 475 Asymmetrical Pyramids (1986).»
A retrospective in 2000, organized by the San Francisco Museum of Modern Art, which traveled to the Whitney Museum of American Art in New York and the Museum of Contemporary Art in Chicago, concluded with some of these newly
colorful wall drawings.
Not exact matches
Drawing Restraint refers to wall drawing, executed under restraint, with Barney bound to heavy weights — the colorful kind slipped onto ba
Drawing Restraint refers to
wall drawing, executed under restraint, with Barney bound to heavy weights — the colorful kind slipped onto ba
drawing, executed under restraint, with Barney bound to heavy weights — the
colorful kind slipped onto barbells.
Bright, fun and
colorful slab constructions mimic traditional ceramic vessels and sculptural
wall platters use figuration and pattern to
draw narratives dealing with family dynamics and power structures.
Everything signals a childlike glee, from spray paint and cartoon faces to
colorful bedsheets, snappy messages, and
drawings stuck on the
walls as in elementary school.
Focusing on three types of works — namely her monumental
wall paintings,
colorful pixel installations and interactive
drawing machines — SHORT BIG DRAMA presents a selection of existing works together with specially commissioned new pieces.
American conceptual artist Sol LeWitt created over 1,200
colorful geometric
wall drawings in addition to producing works in a variety of mediums, including sculpture, photography, and printmaking.
Part of the generation of British artists that includes Gilbert & George and Richard Long, and often grouped together with American artists like Sol LeWitt, David Tremlett began making
colorful, geometric
wall drawings at the end of the 1960s, with an emphasis on works in pastel since the 1980s.
The five artists in the first session, which began January 3 and lasts until February 12, are Carrie Beckmann, a watercolorist who paints directly from nature and can normally be found working in the Conservatory; Danielle Durchslag, who is using cut and layered paper to represent Wave Hill's natural surroundings; Sabrina Gschwandtner, who has covered her studio floor with 16mm - film strips (some found stock and some she's shot at Wave Hill) that will be sewn together to create illuminated quilts; Nick Lamia, who is experimenting with plein - air
drawings as a source for multi-dimensional abstractions; and Adam Parker Smith, who has been busily painting
colorful,
wall - sized assemblages of plants and flowers based on observations at Wave Hill.
The
colorful hand -
drawn wallpaper on which Collins and Claire Milbrath collaborated, Was Never Okay, 2015, papering one
wall of the space, is littered with an iconography of interrupted childhood, including teddy bears, makeup, sad emoticons, and
drawings of slim - hipped girls in their underwear.