Sentences with phrase «colors as your canvas»

Think of these colors as your canvas on which you will paint.

Not exact matches

small tin buckets easy to find at paint supply stores small cardboard paint buckets also at paint supply stores; paint or cover with paper chinese food boxes most craft stores have these in a variety of colors plain paper sack with a drawing or stickers on the front and tied with a ribbon or a cardstock header stapling the bag closed plastic beach buckets check the dollar store for the best price terra cotta flower pots perfect for a garden theme; the kids can paint these for a party craft too fabric or felt bags with or without a drawstring large tin cans of course, make sure the edges are not sharp mini canvas totes bought or homemade cardboard boxes such as a cereal box, cut down and covered with paper or painted; add a ribbon, string or wire handle baskets lots of inexpensive ones available at thrift stores popcorn boxes available at party supply stores Helpful Tips:

The gradient created with the colors comes out as a canvas of oil paints.

The younger sibling of the sassy Louis Vuitton Pallas comes just as inspired by Greek mythology and combines the emblematic Monogram canvas with supple colored calf leather.

As long as you select a simple, high - neck dress in a dark color, you'll have the perfect, seasonally appropriate canvas to let a bold necklace (Rashida Jones's is Dannijo) take center stagAs long as you select a simple, high - neck dress in a dark color, you'll have the perfect, seasonally appropriate canvas to let a bold necklace (Rashida Jones's is Dannijo) take center stagas you select a simple, high - neck dress in a dark color, you'll have the perfect, seasonally appropriate canvas to let a bold necklace (Rashida Jones's is Dannijo) take center stage.

I love the colors, the canvas is really well made, and it makes a great impact as well.

What primer does is create a barrier between your lips and the lip color as well as help even out the canvas of your lips to allow the color apply more smoothly.

Play with various colors and young & hip accessories like contemporary jewelry or a funky bag and use beige as your canvas.

You are using your nails as a blank canvas and splashing some colors around for that cool effect.

That means that a LWD shouldn't be full of details, embellishment and other details of statement, but a clothing piece functioning as a canvas, giving you the ability to add the details and colors.

The film's animation alternates between black - and - white flashbacks and present - day color sequences to recreate some of Van Gogh's most famous canvases, going so far as to emulate the Dutch painter's groundbreaking thick - brushstroke impasto style.

The painter's toolbox will contain a canvas, a brush, and a few colors, and there will be precise instructions as to the way the brush is supposed to be used in order to yield an acceptable result.

Color - matched Escalade door and tailgate handles as well as door mirrors, Titan 52 - gallon fuel tank with skid, Bedrug, Softopper canvas collapsible shell, brake light under tailgate, two backup cameras, full size spare, tinted windows and windshield, slightly tinted taillights, 4 - inch turbo - back stainless steel exhaust with 6 - inch RBP tip in front of rear tire.

Joan assessed the crowd, lighting upon the most interesting: young men turning white T - shirts into art, pinching the material tight and rubber - banding each section until they looked like porcupines being dipped into huge steaming vats of colored dyes; the young woman with a bird's nest of purple hair sitting at a potter's wheel, slamming down hunks of clay, her hands moving nearly as fast as the wheel, cups, vases, plates, bowls, trays, appearing like magic; the elderly man in a worn blue linen suit, a jaunty straw boater on his head, a smeared palette tight in his hand, painting a mammoth canvas of people on a beach staring out at an ocean where a sailboat bobbed in the distance, though he himself was standing in a mowed field; the handsome young man at an old - fashioned school desk, a manual typewriter in front of him, a stack of paper to the side.

The canvas color also means dirt won't show as quickly as other options.

More colors, larger canvases, and less personality were hallmarks of this era, almost as if the developers were trying a little too hard to show off the latest iteration of «next generation graphics» at work.

You'll see a huge canvas colored plain green, toilets splotched together with masking tape, and paintings that look like someone splashed together twenty colors over five minutes and displayed it as a joke on artistic snobbery.

These can be summarized as: the way his picture moves towards the edge of the canvas in centrifugal waves filling to the brim; his completely impulsive use of pigment as a material, generally thick, slow - flowing, viscous, with a sensual attitude toward it, as if it were the primordial material, with deep and vibratory color; the absence of any effacing of the tracks bearing the imprint of the energy passing over the surface.

Reproduced, paint pushed through Nesbit's canvases appears as flat, mottled color.

the interview was very informative and it makes good sense to approach selling art with a good business mind, I felt relief as I enjoy both the arts and commerce skills and see that selling is an art and an artist should not have trouble in designing a path that will work out sales special interest groups in other social networks this is just another journey a new color on the canvas I can do this thanks Cory your channel has been an inspiration I printed and sold 6 prints the first time I pitched I was selling prints of my work all with in a week end among friends I have now professionally digitized my work for reproduction online and want to offer a nice web gallery and this is where it's scary I'm an artist not enjoying computer mode I moved from an area with an art culture in Cincinnati to rural where artist is odd man in town so this is nice chatting with creative people thank you to Melissa for her uplifting input as well blessings to all

Müller, like Rothko, embraced the canvas as separate from the world - a meditative space defined by color.

Serving as both a complementary as well as antithetical offering to his film, Mathias Poledna has created a new suite of 36 works on canvas in a single color.

Among the exhibition's many highlights are bold, groundbreaking paintings by Matisse from his most adventurous years, as well as highlights from nearly every phase of Diebenkorn's oeuvre from the early 1950s to 1980 — including several monumental canvases from his Ocean Park series, a renowned exploration of color, light, and space.

Newman's late works, such as the Who's Afraid of Red, Yellow and Blue series, use vibrant, pure colors, often on very large canvases.

Refining a technique, developed by Jackson Pollock, of pouring pigment directly onto canvas laid on the floor, Ms. Frankenthaler, heavily influencing the colorists Morris Louis and Kenneth Noland, developed a method of painting best known as Color Field — although Clement Greenberg, the critic most identified with it, called it Post-Painterly Abstraction.

When I first started doing the stain paintings, I left large areas of canvas unpainted, I think, because the canvas itself acted as forcefully and as positively as paint or line or color.

Among the pieces shown at his first solo exhibition in 1950 was the canvas entitled Chief that indubitably referred his childhood, maybe the locomotive with the same name, her power, sound and steaming engine he remembered, or, as some also believed, that the artists fascination with dark color was the result of his growing up in the mining community.

In the case of Seeded (1960), the first work on the right as visitors enter the gallery, these colors are amalgamated in an energetic mass of swirls, curves, bold lines, and planes of color that are further enlivened by patches of canvas left bare.

As Murray adds and removes shapes and colors to its interconnected canvases, she expresses frustration but later satisfaction with the piece.

Thus I channel my personal universe, my experiences and sensations that once transformed into forms, colors and textures emerge on the canvas in a spontaneous and playful manner as if a new and unknown world is being created in every painting.

Unlikely as it seems, this artist, known for many decades as a Pop painter whose canvases throng with violent, sensual imagery amid bright fields of color, began her career working exclusively as a sculptor.

Color Field pioneer Sam Gilliam, for example, first applied acrylic paint to raw, unprimed canvas by staining it like a piece of fabric, as realized in the sculpture - painting hybrid Hedge Sky.

In them all, abstracted rhythms and undulating strokes describe a fluid network of lambent color, such as we see in Untitled III, all spread over large - scale canvases generally measuring 80 x 70 or 80 x 77.

Rutault, 72, who paints his canvases the same color as the walls on which they are hung, is known as a rather grumpy outsider, the kind of artist who's likely to skip his own openings.

Julian Schnabel's Hope (1982) is inspired by European painting and religious imagery, and the canvas is a mélange of color and iconography, its central figure emerging as its own X-ray made flesh.

Towards the end of his period as a painter, Lueg used phosphorescent color on canvases so that the spectator would cast a shadow onto pictures, thus creating their own imagery.

Angelina Gualdoni's works on canvas take patterns, interiors and abstraction as their main focus, locating the rhythm of the everyday sublime in the language of color field painting.

He has worked each canvas hard, until it has no sense left of color or form, much as Josef Albers worked over spatial relationships until they stopped moving or Cy Twombly worked the trace of his hand until trace itself becomes something out of a myth.

She first received public recognition in New York when her richly - colored canvases holding single shapes were prominently featured in the New Image Painting exhibition at the Whitney Museum in 1968 with works by artists such as Susan Rothenberg and Joe Zucker.

MoMA 32 Canvases: 14 x 19», 2017 The thirty most iconic paintings of the MoMA's permanent collection, as reduced to dominant color story and subject matter.

From the «modular» shaped canvases of pristine color fields tapped from the minimal canon, to rudimentary line drawings on found cardboard and post-its, to saturated, unprimed canvases, unceremoniously stitched together, Bradley's evocations of exalted and disposable culture lend equivalency to the discrete elements as they champion the materials of their making.

Other compositions in this series feature an assortment of shapes — including Xs and ziggurats — all pressed against the edges of the square and rectangular canvases and all similarly striped with such colors as goldenrod and cool green.

Often staining both sides of the canvas, her paintings operate as fluid scrims between still life, color field and pattern and decoration.

With work ranging from Abstract Expressionist canvases to experimental film, and including pieces by Ligon, the exhibition resists fixed interpretations, instead enlisting color as a means to pose timely and nuanced questions.

Christina Quarles» slick acrylic on canvas, And When the Clouds Clear, We Will Know the Color of the Sky (2016), depicts a flaccid woman «starfishing,» but not as a lingerie garnering femme fatale, sexually defined to be iTouched, but as a splayed fluid body, stressed by the specific gravity of the piece, like a floating wet noodle.

He sticks to an easel scale and blends colors, as Georges Seurat said one should not, right up to the edge of the canvas.

Tracts of color are dragged across the canvas using a squeegee, so that the various strains of malleable, semi-liquid pigment suspended in oil are fused together and smudged first into the canvas, and then layered on top of each other as the paint strata accumulate to bring color and textural juxtapositions.

In the early - to - mid»60s he constructed nearly human - sized, egg - shaped canvases, monochromes, which he painted in a heavy impasto the colors of Easter eggs, poking and jabbing lots of holes on their surfaces in all - over fashion, à la Pollock, as in Concetto Spaziale, La Fine de Dio (Spatial Concept, the End of God).

Curvilinear and circular shapes became another one of Valledor's many tools in his kit of economical means, along with color and shaped canvases, for exploring an expansive topic such as space and cueing viewers to look beyond the literalness of his compositions and see another world beyond.

The intermediate layer of white, connecting color to canvas, also serves as bridge from painting as composition to painting as an object in the world.