Not exact matches
If you're looking at straw -
colored lions walking
in straw -
colored grass
in Africa, after three days of
filming you
see them really well.
When we do finally get a glimpse of what happens to the victims after Johansson lures them to her would - be boudoir, the
film suddenly sheds its local
color and naturalism and takes us just far enough into the alien lair to quietly offer some of the creepiest imagery you're likely to
see in any movie this year.
«It's like I can
see in color again,» says Marlo, who earlier
in the
film refers to her body as «a relief map for a war - torn country.»
Good things tend to come when Michael Winterbottom works with star Steve Coogan (24 Hour Party People, Tristram Shandy, The Trip), so we're happy to
see Coogan starring as infamous British pornographer, club - owner, real estate developer, multi-millionaire, and so - called «King of Soho» Paul Raymond
in a dramedy that spans decades and includes scenes shot
in black - and - white and
color, constantly changing to match the
film styles of each period.
To really truly appreciate this classic movie it is best to
see this
in the «widescreen» format (Originally
filmed in widescreen Cinemascope and Breathtaking
Color).
«Insurgent» also has one of the most diverse casts
seen in a blockbuster
film, with women and people of
color playing roles both central and peripheral.
The common problem of Solondz's characters is an inability to
see the world
in shades of grey, which is fitting
in a
film where
color - garish, boring or just plain ugly - is so important, and the actors are working off palettes of such extreme emotions.
This year, Telluride enticed the likes of the Coen Bros, Robert Redford, Steve McQueen, Jason Reitman, Penn & Teller, Brad Pitt, Michael Fassbender, the cast of Palme d'Or winner Blue is the Warmest
Color, Alfonso & Jonas Cuarón, Alejandro González Iñárritu (who was just
in town to
see films) and so many other notable names.
But as Telaroli's focus on each
film's
color and appearance hints, the blocked images peppered throughout the article are best
seen in her original context, as a trio of her exuberant, dizzying «image essays.»
Of course, Night of the Living Dead has been crudely colorized
in the past for home video releases, but we'll never truly
see what the
film would've looked like had Romero shot it
in color.
No
film in 2013 made me feel more than «Upstream
Color,» and an early morning festival screening meant walking around
in a haze for hours after, not quite sure what I'd just
seen (though I think it's more narratively coherent than many give it credit for, especially after a rewatch), and almost wanting to shake it, but also not willing to trade the experience for anything.
Then we did screen tests with all these different combinations of fabrics and
colors and off - whites and grays until we ended up with the outfits you
see in the
film.»
Last year we
saw the two - year drought of no acting nominations for people of
color turn into nominations
in all four categories, two winning (Mahershala Ali and Viola Davis) and Moonlight become the first black - led and LGBTQ
film to win Best Picture
in Oscar's 89 - year history.
The Combo Pack includes access to a Digital copy of the
film as well as the following: Blu - ray · Feature
film in high definition · Bonus Content: o Part 1 — SOUTHERN REACH § Refractions —
See how director Alex Garland created the tone, textures and
color palettes for the various
film environments on set.
It has to be about Forrest Gump and Pulp Fiction and Chungking Express (a
film many of us only
saw because Quentin Tarantino forced Harvey Weinstein to release it uncut and
in its original language, something Weinstein is loathe to do with his Hong Kong properties to this day), not to mention Sátántangó and Ed Wood and Pom Poko and Exotica and The Shawshank Redemption and He's a Woman, She's a Man and Three Colors: Red and Drunken Master II and I Can't Sleep and Hoop Dreams and Clerks and Speed and In the Mouth of Madness and and an
in its original language, something Weinstein is loathe to do with his Hong Kong properties to this day), not to mention Sátántangó and Ed Wood and Pom Poko and Exotica and The Shawshank Redemption and He's a Woman, She's a Man and Three
Colors: Red and Drunken Master II and I Can't Sleep and Hoop Dreams and Clerks and Speed and
In the Mouth of Madness and and an
In the Mouth of Madness and and and.
As we
saw in films like «Blue is the Warmest
Color,» which may be a natural comparison, it reiterates the falsehood
in which that foreign
film presents lesbian and love mirrored with the exploration, passion, and complexity that is demonstrated
in Lelio's treasure.
Martin Scorsese surfaces
in a 2014 Criterion interview, recalling his first memories of
seeing the
film, the detail of the
film's
colors, and Renoir's influence on him.
Howell has appeared
in «The
Color Purple» and «The Blind Side,» and her role
sees her dealing with Katniss» (Jennifer Lawrence) and Peeta's (Josh Hutcherson) drastic actions from the first
film, while becoming intertwined with the future of the Hunger Games as a result.
The iffy contrast and signs of digital manipulation will look familiar to those who
saw the
film in theaters, but the overall impression is sharp on Blu - ray, with strong detail and true
color.
But * they will * pay to
see white actors play primary roles
in films supposedly about people of
color.
Refn uses his trademark bold neons throughout the
film — he's colorblind and has to saturate
colors in order to better
see them — and on a purely aesthetic level Demon is stunning to look at.
It is especially nice to
see Blue Is The Warmest
Color make that list as the
film will not qualify for an Oscar nomination the following night because of a technicality
in the rules that states a
film must open
in its home country on or before September 30th.
Its nice to
see these moments
in living
color, but it also slows the
film.
It's no surprise that we were swept up
in all the excitement (the
film was a shoe -
in for our 15 most anticipated TIFF
films) and yet, now that we've finally
seen it,
color us disenchanted.
Colorful being not only the vast racial differences
in the southern elements of the
film, but the costuming and production design switching to a vibrant
color scheme is wonderful to
see.
Enough to make you think that VistaVision was developed by Paramount engineers with Blu - ray
in mind, their high - definition transfer of Hitchcock's
film — the second
in his career to take the Best Cinematography Oscar — is one of the best - looking home - video reproductions of a
color film I've ever
seen, up there with the studio's own disc of North by Northwest, or Criterion's The Leopard.
12 or so «old»
films,
in the order
in which I
saw them: Night and the City (UK version, Jules Dassin, 1950): on 35 mm nitrate (May, Rochester) Until They Get Me (Frank Borzage, 1917): an incredibly advanced Western, on 35 mm (June, Bologna); Secrets (Frank Borzage, 1924) was also notable, DCP West Indies (Med Hondo, 1979): 35 mm, anamorphic
color print (Bologna) Furcht (Fear, Robert Wiene, 1917): German «impressionism» before «expressionism,» 35 mm (Bologna) Mit hem är Copacabana (My Home is Copacabana, Arne Sucksdorff, 1965): A Swedish documentarian meets Brazilian Cinema Novo, DCP (July, Bologna) El rebozo de Soledad (Soledad's Shawl, Roberto Gavaldón, 1952), DCP (Bologna) Where would the Mexican Cine de Oro have been without Gabriel Figueroa's cinematography?
When a
film like that is released late
in the game people have already fallen
in love with it, studios have already gotten it
seen by people who do early voting so it is likely that the PGA will have
seen it — it is likely that it will have already run the Twitter gauntlet and passed with flying
colors.
Most footage of the war was shot
in black and white, but the filmmakers spent two years on a world - wide search of any existing
color film that might exist and what they found was that much of it was practically pristine since it had never been
seen before.
In Canetuck, N.C., for example, which is the focus of the student film, Seeing It in Color, families raised $ 1,200 for their two - teacher schoo
In Canetuck, N.C., for example, which is the focus of the student
film,
Seeing It
in Color, families raised $ 1,200 for their two - teacher schoo
in Color, families raised $ 1,200 for their two - teacher school.
Each Prism
color film can be
seen at the E Ink booth # 7 - 3030 during NeoCon
in Chicago from June 12 - 14, 2017.
For a final paper
in college, I was supposed to critique a
film or play; at the eleventh hour I still hadn't
seen any performance, so I wrote about leaves changing
color in the fall.
Color blind siblings only
see the world
in black and white, while nostalgic kin view their environment through a dusty brown tone one might find
in an old silent
film.
It is surprising then to
see a video game
in 2017, an era marked by companies vying to create the «world's most powerful console,» forgo intense photorealism for muted
colors and
film scratches (then again, it's not uncommon for indie titles to employ striking art styles).
I am also starting a project using B&W
film rather than
color which I haven't done
in years so I cant wait to
see how it unfolds.
Kahrs»
film - like
color references the emotive palette
seen in work such as Luc Tuymans» Gaskamer, but builds another narrative context that remains familiar but unidentifiable.
The use of Chroma - Key Blue (the
color traditionally used to superimpose a background into a
film) is a common exploration
in Perry's works; as
seen in her 2016 solo exhibition Resident Evil, where she displayed looped videos on screens attached to exercise equipment.
A sequence of ten paintings depict a
film test - intended to be used by technicians to calibrate how
color is captured and presented on
film, not necessarily
seen by an audience - of a woman's hand passing
in front of various
colors of cloth.
And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988
In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Tex
In Cologne
sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows
in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Tex
in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy
in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Tex
in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats
in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Tex
in Bag Bags
in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Tex
in River
color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates
in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Tex
in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street
in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Tex
in New York 1992 LA riots 1992 DAAD residency
in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Tex
in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets
in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Tex
in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8
films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged
in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Tex
in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works
in New York and Marfa Tex
in New York and Marfa Texas
In 1962, when he began, his first rolls of film were Kodachrome, and only after the first year of working in color did he realize that black and white prints enabled him to hold images in his hands rather seeing them on a scree
In 1962, when he began, his first rolls of
film were Kodachrome, and only after the first year of working
in color did he realize that black and white prints enabled him to hold images in his hands rather seeing them on a scree
in color did he realize that black and white prints enabled him to hold images
in his hands rather seeing them on a scree
in his hands rather
seeing them on a screen.
When I first
saw the
film, I too was dazzled at all the little touches — the pendant chandelier, the odd, earth - tone
colors, sparkling kitchen tiles and the «red oak» floors (actually a substitute for a vulgar phrase,
in answer to the neighbor's inquiry, that they decided not to have Brad say, so they could put it elsewhere — watch the DVD commentary).