The Harlem Renaissance, with its celebration of African American music, art, literature and history, was in full force, as paintings such as William H. Johnson's vibrantly
coloured Street Life, Harlem (1939) and Arthur Dove's Swing Music (Louis Armstrong)(1938, below) suggest, while the latter also reflects the rising force of abstraction, its irregular shapes in varying reds and yellows
against a deep
black background evoking «red hot» jazz in a darkened space.
He had merely given his «stream» painting a larger theatre; an aerated web of silver and
black line, of spattered paint,
against a
background of delicate
colour diffusions and stains, replaced the old opaque, resistant pigment.