Gilliam was a critical figure within
the colour field school and is recognised for his unique idea of draping a canvas, painting on it as it hung without a stretcher.
Not exact matches
That was life through the primary
school years and the teenage years and it appeared how it would always be, wearing the baggy cap in the local team's premiership, running onto the
field with the home
colours on for the first time in the senior side, moments to savour with pride.
He is one of the best - known American
Colour -
Field painters, and helped establish the Washington Color
School in the 1950s.
Morris Louis (b. 1912, Baltimore, Maryland; d. 1962, Washington, D.C.) is one of the leading figures of
Colour -
Field painting and a founding member of the Washington Color
School.
He is one of the best - known American
Colour -
Field painters, and helped establish the Washington Color
School in the 1950s with Morris Louis.
And in those short three months he met Greenberg and many of the key figures of the New York
School as well as the emerging
colour -
field painters.
Teaching at the Catholic University in Washington DC with the painter Morris Louis, Noland began to experiment with geometric shapes, these evolving into the unbroken areas of pigment which would give their name to
Colour Field painting, the dominant
school of American abstraction after Pollock.
He's celebrated as one of the leading lights among the artists associated with the Washington Color
School (a grouping that took its name from a 1965 exhibition of painting at the Washington Gallery of Modern Art, in DC, and included artists such as Kenneth Noland and Gene Davis) and as a pioneer of American
colour field painting.
Already well established as an important
colour - field painter and figure in the Washington Colour School, Noland left an indelible impression on his British peer with his commitment to the exploration of colour's psychic and phenomenological effects through serialized forms, including targets and horizontal
colour -
field painter and figure in the Washington
Colour School, Noland left an indelible impression on his British peer with his commitment to the exploration of colour's psychic and phenomenological effects through serialized forms, including targets and horizontal
Colour School, Noland left an indelible impression on his British peer with his commitment to the exploration of
colour's psychic and phenomenological effects through serialized forms, including targets and horizontal
colour's psychic and phenomenological effects through serialized forms, including targets and horizontal bands.
Amazingly, during the 1950s, the New York
School - featuring Jackson Pollock's paintings as well as the calmer
Colour Field painting of Mark Rothko - spearheaded a temporary recovery of art on both sides of the Atlantic.
The
school embraced several different styles including: Action - Painting (see in particular Jackson Pollock's paintings); the vivid
Colour Field Painting (in particular, see Mark Rothko's paintings as well as works by Clyfford Still, Barnett Newman); and the gestural painting of Willem De Kooning and others.
During the 1960s, this highly formalist trend of
Colour Field painting (which Greenberg nicknamed Post-Painterly Abstraction) fragmented into smaller groups such as Washington
Colour School, Hard - edge painting, Lyrical Abstraction, and Minimal Painting.
The Phillips» collection began as a museum of modern art, exemplifying Paris - based European art movements such as French Realism (c. 1850 onwards) Impressionism (c.1873 - 83), Post-Impressionism (c. 1880 onwards), Fauvism, Intimism, Expressionism, Primitivism, Symbolism, and Cubism, before taking on 20th century styles such as Precisionism, American Realism, Ashcan
School, Abstract Expressionism,
Colour Field painting, Kinetic art, and geometric abstract art.
Already well established as an important
colour - field painter and figure in the Washington Colour School, Noland left an indelible impression on his British peer with his commitment to the exploration of colour's psychic and phenomenological effects through serialized forms, including horizontal
colour -
field painter and figure in the Washington
Colour School, Noland left an indelible impression on his British peer with his commitment to the exploration of colour's psychic and phenomenological effects through serialized forms, including horizontal
Colour School, Noland left an indelible impression on his British peer with his commitment to the exploration of
colour's psychic and phenomenological effects through serialized forms, including horizontal
colour's psychic and phenomenological effects through serialized forms, including horizontal bands.
Colour field painting School of painting, usually on a large scale, in which solid areas of colour are taken right up to the edge of the canvas, suggesting that they extend to inf
Colour field painting
School of painting, usually on a large scale, in which solid areas of
colour are taken right up to the edge of the canvas, suggesting that they extend to inf
colour are taken right up to the edge of the canvas, suggesting that they extend to infinity.
Neither purely abstract nor expressionist, the style embraced two broad groupings: the
school of «Action Painting» (a style of gestural painting) whose leading members included Jackson Pollock and Willem De Kooning; and the more passive style of
Colour Field Painting practised by Mark Rothko and others.
Note: For developments among American abstract expressionists, during the period 1955 - 65, read about Post-Painterly Abstraction, and its individual
schools such as
Colour Field Painting (involving Clyfford Still, Mark Rothko, Barnett Newman, Helen Frankenthaler and others), and Hard - Edge Painting (Ellsworth Kelly, Frank Stella and others).
Schools, Movements and Influences Joseph Mallord William Turner Johann Goethe, Theory of
Colours Amédée Ozenfant Purism Color
Field Painting Jack Bush Adolph Gottlieb Jules Olitski Kenneth Noland Clement Greenburg Emma Lake Artists» Workshop