Sentences with phrase «colour from»

Here's a great post about this beautiful colour from my great friend Sharon who happens to live «Down Under»

I also brought the peach colour from the wall over to this side with the vintage chenille bedspread and the hand made lamp shade.

Don't pull a colour from the sky or an inspiration picture, make sure it's part of your decorating plan!

White kitchen units with wooden worktops create a modern country look and are brightened up with pops of colour from retro - inspired storage tins, tea towels and accessories

This neutral scheme is warmed up with colour from artwork and accessories.

A mobile of pompoms and stars adds colour from a distance and texture when viewed close up.

sah.com: What's your personal favourite colour from Benjamin Moore's 2009 colour palette?

The result is an almost seamless continuation of style and colour from the house into the garden.

It is best viewed from the well - maintained coastal footpath — the riot of colour from the wild flowers in spring must be seen to be believed ``.

2 Brush the paint onto one side of the paper, graduating the colour from dark to light; let dry completely.

I also painted it the same turquoise shade, but when it gets renovated, I will paint it a coordinating colour from the master.

Like the rest of the house, the bedroom is a simple mix of clean lines, reflective surfaces and shots of bold colour from rugs, cushions and artwork.

I have just painted my kitchen a colour from Benjamin Moore called «Lotus Yellow» and I just love it!

The hint of colour from the raspberry red rug and touch of glamour in the pair of brass lamps bring the predominantly black and white space to life.

Selecting a colour from the Intaglio range the wall gap was measured and the three double sockets taken into account.

It will become available for sale in black colour from the 6th of April, 2018 on...

It will be available in Soft Gold colour from tomorrow 1st October 2016.

It's a little more expensive second time around, but the addition of 4G, a better battery, smoother Android experience, a slightly neater (although slightly larger) design, plus added colour from the interchangeable Bands, are all plus points.

So they remove the HTC logo and change the front face colour from black / silver, to all black, move the capacitive buttons closer to the bottom, YET THEY STILL KEEP THE RIDICULOUS BEZEL........

Tuckett is also part of the DuPont minority counsel network in the U.S., which is comprised of lawyers of colour from the 40 law firms that do work for the company and lawyers of colour within the DuPont legal department.

The simplest way for most of us is to use one of the smart web pages set up to render colour from our inputs.

From 2003 on, the prints are said to be in full colour from high quality PDFs.

Domestic workers of colour from the Caribbean and the Philippines started arriving in the late 40s, and unlike their white counterparts were largely denied citizenship rights.

If the Court is to continue to insist that reasonableness is a single standard that takes its colour from its context, the Court ought to be more open about the factors that comprise the context.

It is not enough to say that «[r] easonableness is a single standard that takes its colour from the context.»

Winter all by itself leaches colour from the environment, and though a good greyscale can be lovely in the right hands, there's no need for us to go along with winter's plan of severity.

That's why Pacific islanders and Inuit hunters and low - income people of colour from places like New Orleans travel for thousands of miles to attend.

The bold green colour from the collage has been replaced by a thin, soft line.

I would like to free colour from its limitations.

The exhibition Deutschland 8 will be on view in Beijing from September 16th until October 31st, 2017 at the Imperial Ancestral Temple Art Museum (Traces of Memory — Masterworks of Contemporary German Painting from September 17th until October 20th), CAFA Art Museum (Paradigms of Art — Contemporary Art from Germany from September 16 until October 29th), Today Art Museum (Arrested Time — New Media Art from Germany from September 17th November 12th), Whitebox Art Center (Next Generation — Young German Art from September 15th until October 31st), Beijing Minsheng Museum (Language of Photography and the Duesseldorf School from September 16th until October 22nd), Red Brick Museum (Prologue — German Informel Art from September 16th until October 22th), Yuan Art Museum (Dialogue — The Spatial Dimension of Colour from September 16th until October 31st).

AN INHERITANCE OF COLOUR May 24 - Jun 23, 2018 A blaze of abstraction and colour from Terry, Anthony and Luke Frost.

His mid 20th century paintings demonstrated a sensuous feel for paint and for colour, that was unrivalled at the time, and ranged in colour from monochromatic but luminous browns, greens and blacks, to luscious fields of red and white.

We see a man coated in various vicious liquids ranging in colour from a sinister tar - like black to blood red and milky white.

While this dried, I mixed a dark wine colour from the red, burnt sienna and a touch of blue.

We knew this already, of course, but it's surprising that subject matter as contentious as this can throw up such beautiful detail; blue and white Israeli flags jarring against the lush green of a suburban garden, a crushed beer can still radiating colour from the top of a landfill site.

«Mondrian and Colour» explores Mondrian's (1872 — 1944) practice, tracing his use of colour from figuration to early abstraction.

When he died in 1980, the Brazilian artist was at the vanguard of contemporary practice, placing the viewer at the centre of his attempts to free colour from form.

Brazilian artist, Hélio Oiticica, was occupied by the attempt to liberate colour from a flat, two - dimensional plane and the removal of the space between the art object and viewer.

The exhibition is accompanied by an illustrated catalogue which includes an ongoing project by David Batchelor, a collection of thoughts on colour from notable thinkers and artists from antiquity to the present day.

When Bridget Riley first started to make abstract paintings — beginning in 1961 with her chequerboard composition Movement in Squares — she banished colour from her art, using only black and white.

You can isolate the elements of a great Gorky: the decoupling of colour from line, the trademark shapes, from winged biomorphs to quirky triangles, their points on the verge of bursting open; the sense of being nose - deep in a scene that might be scaled to an insect or a giant, being equally intimate and epic; of teeming incidents held in nebulous space.

His work evolved through complex orchestrations of colour from a Cubist - derived geometry in the 1960s and 1970s, through painterly applications in the 1980s to complex compositions in the 1990s, the latter stimulated by his DOUKHOBOR heritage.

In Batchelor's argument: «chromophobia manifests itself in the many and varied attempts to purge colour from culture, to devalue colour, to diminish its significance, to deny its complexity... colour is dangerous, or it is trivial, or it is both.»

We are first introduced to the symbolic monochrome used by the Spiral Group, in which Romare Bearden drains the colour from his signature collage work and embraces the then new technology of the photostat.

The colour from the pencil is sucked in and effervesces out.

Conceived and selected by the African American New Yorker theatre critic, Hilton Als, the show concentrates on Neel's depictions of people of colour from the time she moved to Spansih (East) Harlem in 1937 to her final decades on the Upper West Side.

Conceived and selected by the Pullitzer Prize - winning, African American New Yorker theatre critic, Hilton Als, the show concentrates on Neel's depictions of people of colour from the time she moved to Spansih (East) Harlem in 1937 to her final decades on the Upper West Side.

One of the great stories of the modern painting is about the liberation of the colour from the object represented, and the development of its own materiality.

Don't worry about catching the colour from the outline, but be sure to clean it off the brush straight away, so that it doesn't sully all of the colour.

In ancient times this was a highly sought - after colour from the area around Athens («Attic» means Athens).