Sentences with phrase «colour pigment print»

Dawit L. Petros, Act of Recovery (Part 1), 2016, Archival colour pigment print 20 × 26 1/5 in 50.8 × 66.44 cm Editions of 3 + 1AP Courtesy Goodman Gallery

Stephen Waddell, Man in Car Powell Street, 2012, colour pigment print.

Not exact matches

Sidel will outline how beverage producers, brand owners and co-packers can benefit from high speed, high quality digital printing of variable graphics and text on pack at the point of filling, through a unique inline digital printing (IDP) solution based on DataLase colour - change pigment technology.

The leading packaging and filling equipment manufacturer is outlining how beverage producers, brand owners and co-packers can benefit from high speed, high quality digital printing of variable graphics and text on pack at the point of filling, through a unique inline digital printing (IDP) solution based on DataLase colour - change pigment technology.

Jessica Eaton, Additive Colour Wheel in 12 parts: swatches mixed in camera via filtration of the primaries Red, Green, Blue, Triangular Pyramid base paint 9 % Grey, 2012, archival pigment print, 50 x 40 inches.

In this show, we have juxtaposed images made in many different ways: handmade colour C - type prints and big pigment prints made on cotton paper, and a whole series of smaller, gelatin silver prints, in The Interior and the Exterior — Noah Purifoy (2014).

Printed with a combination of digital - pigment and silkscreen print onto aluminium and mounted directly on the wall, this new edition typifies Sonnier's use of industrial materials and luminous colour.

Digital Pigment print on Somerset Photo 300gsm with one colour silkscreen and glaze 30.7 cm x 43 cm Edition of 75 each signed and numbered on verso.

Digital pigment print in colours, signed and dated in pencil, numbered 12/50.

He worked almost exclusively with Kodachrome slide film for over 50 years, and only in the past decade has technology allowed him to make archival pigment prints that match the exceptional colour and intensity of the Kodachrome slide.

The print involved 12 hand pulled colour silkscreens, using ground pigments from L. Cornelissen, light - fast Altramarine Blue Dark, Altramarine Blue Light and Cobalt Blue.

David Hartt (l — r) Fragment, 2014, cast bronze, 48 x 48 x 24 in.; The Republic I, 2014, archival pigment print mounted to Dibond and framed, print size 59 x 88.5 in., frame: Small Corp. profile - TIG 6 (0.5 x 2 inches), colour - harbor gray P705,.25 inch acrylic glazing Edition of 3 + 1 AP

Each print involved 12 hand pulled colour silkscreens, using ground pigments from L. Cornelissen, light - fast Altramarine Blue Dark, Altramarine Blue Light and Cobalt Blue.

Colours (Marlon Jones)(Immigrant Series), New York, NY, July 4, 2014 Archival pigment print on metallic paper, printed 2016 35 x 35 in

While Eggleston historically chose to work with the dye transfer process for the intense saturation of colour it provided, the technique is no longer available, so the artist has turned to printing with pigment - based inks, which allows for larger formats.

To be fair, this bright pigment is a brave colour choice, but it works beautifully in this modern living room scheme, broken up by the liberal scattering of grey and white details in the cushions and floral prints.