Sentences with phrase «colour scale used»

This time, the colour scale matches exactly the colour scale used in the Medieval Warm Period figure.

Not exact matches

Use the logos in full colour, correctly scaled to a maximum height of 50 mm, in any of the following locations:

I just love his use of colour and scale.

Like his work on Interstellar, Hoytema's photography for Nolan's Dunkirk renders epic - scale sets and a high stakes story with gentler beauty, using colour to find emotion in the frame, rather than Pfister's harsh, vacuous lighting.

«Hoytema's photography for DUNKIRK renders epic - scale sets and a high stakes story with gentler beauty, using colour to find emotion in the frame.»

Learners will develop their use of composition, scale, colour, pattern, form, and detail while working from primary and secondary sources.

Under greater acceleration, or when braking moderately, the bar in the MID shifts more towards either end of the scale, showing the use of more fuel, and the ambient meter glows a green / blue colour.

SEO, a former master class student of Georg Baselitz (of whom original works are on display at art» otel berlin mitte), has created bespoke large - scale paintings mainly consisting of coloured rice paper torn into strips, which she then used to create dramatic picturesque collages.

Something that really caught my eyes were the use of bright colours, sometimes in games developers use this to catch your attention without actually putting much detail into the mix but Snake Pass has came out on top with nice bright colours and detail to boot i personally liked the level of detail on Noodle (the snake) he's a mixture of white cream and orange, if you manage to get an angle where you are zoomed in you will see each individual scale of his skin, the audio is an upbeat backing track with chirpy bird noises mixed with rainforest type sounds, all in all it fits perfectly!

Still, draining the gaudy visions of urban excess of their fluorescent hues and then using the brightly - coloured energy to scale a 15 - storey tower block in a second or two is pretty sweet.

[10] Jones notes that Riley investigated Seurat's pointillism by painting from a book illustration of Seurat's Bridge at an expanded scale to work out how his technique made use of complementary colours, and went on to create pointillist landscapes of her own, such as Pink Landscape (1960), [10] painted soon after her Seurat study [13] and portraying the «sun - filled hills of Tuscany» (and shown in the exhibition poster) which Jones writes could readily be taken for a post-impressionist original.

Abstract expressionism uses spacious surfaces, covering wall - scaled canvases with flowing expanses of colour that embrace the spectator.

The wide range of references is intriguing, The technical command of the space, and the confidence with which he applies blocks of colour, against a mostly black canvas, and bold and resplendant use of gold leaf, owes something to the great number of large - scale drawings and prints he has made.

By the mid-1950s, Calderara began to move away from figurative painting to embrace a more geometric approach, radically reducing both the scale and the compositional elements of his paintings through use of simple forms and flat blocks of nebulous and subtle colour.

Continuing his exploration of the Welsh coast and countryside, landscape painter Peter Kettle will show a collection of recent paintings introducing a new development in his use of colour, some large - scale and others in a smaller format.

The use of pastel colours, coupled with the work's scale and the fact that you have to delicately weave through and around things, is probably designed to make you feel like a child negotiating the world anew.

I made 11 pieces, all very large and heavy with colour: it was wonderful to be able to use steel on that scale.

Morag Myerscough's practice is characterised by strong colour and big type, as well as her use of geometric structure, often hand - painted and assembled with an affinity for scale and drama.

His sole use of coloured pencil sets Brischler apart in a landscape of young artists working with installations and large scale pieces — «in the past year or so, I've shifted to a practice devoted almost entirely to drawing.

The primal shapes and common materials that Janssens often works with are transformed through a considered use of scale, colour and placement to expose optical or spatial contexts and shift perceptual understanding.

[2] His use of household paint, produced on an industrial scale, and the subsequent idea of using colour as a «readymade», is continued in David Batchelor's «Colour Chart 58» (2012), and the meticulously manipulated pours of Ian Davenport's Circle paincolour as a «readymade», is continued in David Batchelor's «Colour Chart 58» (2012), and the meticulously manipulated pours of Ian Davenport's Circle painColour Chart 58» (2012), and the meticulously manipulated pours of Ian Davenport's Circle paintings.

This diverse collection of art reproductions, both in artistic style and from different time periods, ranged from the flat imagery and distorted scale of animals in the Lascaux Cave Paintings — Hall of Bulls (c. 15 - 18,000 B.C), minimalist colour and subtle light used in Honoré Daumier's painting Don Quixote (1868).

Figure portant une tête ailée shows the artist using pastel colours for the first time on a large scale.

I might use many photographs, combining different parts of them in a drawing, establishing the space, scale, colours, viewpoint etc..

In this presentation Brice expands her recent use of a near single colour palette to include dynamic reds and deep greens to create large - scale paintings which address the art - historical tradition of the female nude.

«He was always immensely enthusiastic about her work, but it became clear working on the exhibition what a significant influence she had been on his — not just in his use of colour, which is widely acknowledged, but her judgment about his work, about scale, about materials, about what worked and what didn't, was absolutely spot on.»

Leigh Ruple creates large - scale paintings that use colour to create energy and define space while also addressing physical and psychological situations of isolation and reclusion.

Although Chicago used industrial methods to make her art - including spray paint and power tools - the work is characterised by a playful use of colour and scale that conveys her interest in sensory responses.

The colour palette of work makes use of scale, form and texture too, to give interesting results.

Based in Saudi Arabia, the brand uses stunning patterns and colours that are not only stylish, but are also fitting for the region's culture and tradition — although the brand's online store offers a range of turbans to suit consumer's tastes on an international scale.

I've never seen Hernández's paintings in the flesh, but I've heard a lot of good things about the Spanish artist mostly known for his large scale abstract painting and his interesting (and contrasting) use of colour.

In the late 1990s, Riley began to make large - scale paintings in which curved blocks of colour are positioned using an underlying grid of verticals and diagonals, creating a sense of joyous movement.

BELIEVE features sixteen artists including, Jeneen Frei Njootli who has been hailed throughout Canada for her work which uses materials from history to reclaim her past; Barbara Kruger, who is creating a site - responsive, large scale text installation for MOCA that will force viewers to revisit what they believe they know and Awol Erizku, whose art is dedicated to the often - missing representation of people of colour.

Paris - based artist Pascal Vilcollet uses bold colours and intense brushstrokes to create these impressive large - scale portraits.

Through portraiture, landscapes and still lifes, Calderara depicted the people, scenes and objects of his native Italy — all suffused by a delicate, misty light inspired by the atmospheric glow of Lake Orta in Vacciago, where the artist moved in 1934 with his wife Carmela, and where he would work for most of his life.By the mid-1950s, Calderara began to move away from figurative painting to embrace a more geometric approach, radically reducing both the scale and the compositional elements of his paintings through use of simple forms and flat blocks of nebulous and subtle colour.

Later, Martin reduced the scale of her square canvases and shifted her work to use bands of ethereal colour.

Her brand new works, commissioned and created especially for this exhibition, include a large - scale sculptural installation, with large plaster works meticulously coloured by hand, and another work suspended from the ceiling which has been hand - crocheted by the artist using thread that has been coloured using dyes created from individual flowers.

In addition to large - scale colour photographs, Disputed Territory includes a series of interventions using found photographs, and a sound / video installation piece, Resolution.

These forms were then developed using colour scales.

The scale of the work, emphatic handling of paint and use of bright colours are testament to the influence of large - scale American abstract expressionist painting, first seen in strength in England in a group exhibition at the Tate in 1956.

German street artist (check out the Widewalls list of 10 German street and urban artists) 1010 (take a look at the 1010 Print Release: Abyss 49) has become well known for his eye catching «portal» designs that play on the eye and the mind, creating optical illusions on a grand scale (read the Bridget Riley: The Stripe Paintings article about one of the masters of creating optical art, Bridget Riley or check the work of Levalet in this Levalet: Bagages article that uses optical illusions in a different way) that turn the sides of flat buildings into an abyss that one could simply walk into as the layers of colour and carefully constructed shadows vanish into a dark centre that hypnotically draw you in (explore the mind blowing optical illusions of Julie Oppermann in this The Intense Afterimage article).

if a person said to me «i do nt believe in the value of professional graphic design, and i wanted to know whether they knew anything about the topic, i could ask — what programme do you use, — if you were producing something for print, what colour scheme would you use, — are pixels or vectors better for large scale printing — what bleed would you set and why would use registration or crop marks — how do you deal with over-print — would use rich - black for text etc, etc, etc

Most maps of anomalies use the same colour scale in successive monthly summaries, apart from the uppermost and lowermost bands depicted in each legend, which are adjusted when necessary to cope with extremes.

The CCSP did NOT decide to compare graphs that spanned different timescale using different colour scales.

Your comment: «In fact you seemed to have gone to quite a lot of trouble to use an image of Model expectations from another source (with different timeframe and colour scale), when four images representing Model expectations were readily available right beside the Observations image.»

Use a large - scale floral wallpaper as your starting point, layered up with plain cushions and throws in the same colour palette.

For larger communal areas, we celebrate the space using light, colour, scale and materials to achieve a wow effect.

I often use a plain colour on walls and curtains and then add contrast colour and pattern in different scales through furniture, headboards, chairs and footstools.

Use varying scales of shapes and designs for interest and if you're feeling more adventurous, team it all with a bold stripe of colour.

Large - scale and intensely ornamental wallpaper with a lyrical and often surprising use of colour.