Sentences with phrase «combat sequences with»

- Heavily conscientious level design - Metroidvania progression - Classic open - world Overworld and Dungeon format -16-bit graphic and audio style -8-voice Chiptune and lofi sample soundtrack - Classic 8 - way and 4 - way navigation modes for gameplay - Enemy design invoking original standards of 16 - bit era - Intense, brutal bosses which require learning and observation - Highly challenging combat sequences with a high skill ceiling - Puzzles built around observation, item use, and sequential logic - Complex trading system to obtain optional items - Customizable playstyle based on which items player obtains and equips

There are some slight jump scares and some truly distressing creepy crawlies to see, but the bulk of the gameplay here is made up of long combat sequences with a partner who pretty well revives you immediately upon your death, leaving things inherently less scary.

Financially and artistically, the movie would have benefited from replacing one of the tiresome combat sequences with most of these scenes, even with their few unfinished effects.

There are some awkward deviations here and there — sometimes characters are thrown into a combat sequence with barebones, nonsensical exposition to guide them — but on the whole, it's a compelling tale that culminates in, bar none, the craziest, most audacious ending I've ever seen in a video game.

Not exact matches

Some ways are obviously smarter than others when it comes to training for contact and combat sports e.g. high - low sequencing of training, not sparring with full intensity too frequently etc..

Players step into the roles of OPTIMUS PRIME, BUMBLEBEE, ARCEE, AUTOBOT RATCHET, BULKHEAD and more as they explore unique vistas all around the world with brawler - style combat and diverse driving sequences.

Well, Breath of Death suffers from the same ailment, with only two differences - you need to use a different Key (ENTER, in this case), and holding it doesn't work, so you need to be hitting it like a maniac in combat sequences.

After a stint in westerns, Wellman was chosen in 1927 to direct Wings, a major drama dealing with pilots during World War I that was highlighted by air combat and flight sequences that remain impressive over 60 years later.

Blu - ray Highlight: The audio commentary with directors / producers Mike McCoy and Scott Waugh is filled with a ton of great information about making the movie, including the technical aspects of filming the combat sequences, the real stories that inspired them, and the level of realism that was achieved thanks to the cooperation of the Navy.

Batman: The Enemy Within is an improvement on the first season in nearly every way, with enhanced combat sequences, a strong presentation and voice cast and an engrossing relationship between Batman and the Joker that produces some memorable and heart - wrenching moments that feel well - justified by the player's choices up to those moments.

Whether it's showing an aerial combat sequence, a high - speed footrace, a fight against a shark, or a quiet moment of tension between two characters, Jolie handles Unbroken with a sure hand.

They certainly bring an action pedigree however, although this is also mixed, with hand - to - hand combat resorting to the jittery nonsensical camerawork we were just getting over, while chase sequences are exciting and easy to follow.

Numerous battle sequences occur with characters fighting against each other in spaceships or hand - to - hand combat.

With bigger, more epic action sequences, a more intriguing story, fleshed out characters, a multiplayer component, and damn near perfect combat mechanics, Uncharted 2 was an excellent sequel and still the best game in the franchise (even though Uncharted 4 was really, really good!).

And Jang's command of the visual grammar of the old - fashioned combat sequence is in sync with Park's corny dialogue and stock conflicts.

Between what I've played previously and after today's launch, it's a lovely little action RPG, packed with features one generally doesn't expect in a free mobile game, like combat pets that level alongside your character, or different opening sequences for each different Lightseeker race.

Playing a little more like an entry in the Bourne series than the Bond series, not only with its «rogue agent who can't trust his organization» story, but also its hyperkinetic way of editing the sometimes brutal action sequences, Quantum of Solace falls a bit from star Daniel Craig's debut due to the fact that impressively choreographed hand - to - hand combat fails to impress when the action and stunts are this grandiose.

The Russos, with assistance from people such as Winter Soldier cinematographer Trent Opaloch as well as second unit directors David Leitch and Chad Stahelski (the longtime stunt coordinators - turned directors of John Wick), serve up several precisely - choreographed action sequences, varying from quick - cutting fisticuffs to exhilarating foot chases and combat situations that make great use of individual superhero's unique abilities.

Director Nima Nourizadeh has fun with the action sequences and opportunities they open up for absurd, violent combat, but he never fully realizes these sequences.

While weapons use is minimal, the hand - to - hand combat is brutal with sound effects and slow motion sequences.

In repetition, he finds opportunities to impress, integrating elements of comic mistiming in with increasingly impressive combat sequences.

This is Bay's bread and butter, and he doesn't disappoint with some expertly shot action sequences that drop the audience right into the middle of the combat.

While the movie succeeds as a love letter to everyone involved in the hunt for the world's most wanted man, the film itself, from a cinematic standpoint, is a disjointed mishmash of gripping behind - the - scenes details paired with lousy combat sequences, awkward performances and a boring finale.

Most Hong Kong pictures are good for three or four jaw - dropping combat sequences, yet Zhong spends almost of his time trapped in the club chatting with Wu.

Regrettably, though, Favreau gets carried away with his leading man, resulting in a protracted middle section — involving Stark's return stateside to flirt with loyal secretary Pepper Potts (Gwyneth Paltrow), quarrel with buddy Jim Rhodes (Terrence Howard), and infuriate business partner Obadiah Stane (Jeff Bridges)-- in which Iron Man - construction sequences come at the expense of high - flying combat.

It's an enthusiasm that immediately wins you over with the unmistakable strains of mast - swinging combat, a nimble dexterity that is inexhaustibly fun through any number of elongated action sequences, from a carriage chase to scaffold rappelling and a climactic high seas battle.

With new, powerful combat moves, players can jump into the action with adrenaline pumping fighting sequences that let them jump higher, kick harder, swing further and defy gravity to conquer their enemWith new, powerful combat moves, players can jump into the action with adrenaline pumping fighting sequences that let them jump higher, kick harder, swing further and defy gravity to conquer their enemwith adrenaline pumping fighting sequences that let them jump higher, kick harder, swing further and defy gravity to conquer their enemies.

As a game that knows what it does and does it well (especially when you realise that this is basically identical to its predecessor), it should be little surprise that this is just the main combat sequences reproduced with human players instead of AI.

Like Josh points out, on the design side, as well, we can really get the player into a mood: so yeah, there's still times we'll push the player into a very intimate combat space — if we want to layer on extra pressure for an escape sequence or something — it just gives us a wider variety of trees, density, variety, foliage, background environments and how vivid and detailed they are... it gives us all that to play with.»

Much of this has to do with the game's stance and Ki Pulse systems, which reward players with more stamina or an extra attack if they successfully time their attack sequences in combat.

It also showcases a huge Titan combat sequence, wherein a gigantic enemy creation forms a moving location during the game, with Dracula scaling the moving behemoth as it assails his castle.

Though the set piece action scenes aren't as dramatic as those in the following Uncharted games, and the thrill aspect isn't as exhilarating, Uncharted: Drake's Fortune is still an enjoyable platforming experience, with some of the most satisfying combat sequences.

Strategy Evolved: XCOM: Enemy Unknown couples tactical turn - based gameplay with incredible action sequences and on - the - ground combat.

The game will pack in a plethora of super-cool character abilities, combat - like action sequences, epic battle scenes, puzzle - solving and a unique story told with playful LEGO humour.

Newcomers to the fighting genre can jump in and learn the basics quickly enough, the flashy and fast combat creating a satisfying feedback loop, while the window for the infamous Fatalities is larger than ever, so almost everyone can end a fight with a grisly death sequence which are now portrayed in more beautiful graphical detail than ever.

These combat sequences synchronize well with the overarching board - game style of gameplay, even though it feels like a complete genre - switch.

The change in pace with combat sequences keeps the game fresh and unique, and prevented me from ever feeling bored.

With one main mission branch in the beta (and all too brief), the main mission branch shows a lot of promise, filled with action - packed combat sequences that'll have players scrambling for cover and shooting at tricky and often cover seeking A.I. enemies, making for a challenging tWith one main mission branch in the beta (and all too brief), the main mission branch shows a lot of promise, filled with action - packed combat sequences that'll have players scrambling for cover and shooting at tricky and often cover seeking A.I. enemies, making for a challenging twith action - packed combat sequences that'll have players scrambling for cover and shooting at tricky and often cover seeking A.I. enemies, making for a challenging time.

Players step into the roles of OPTIMUS PRIME, BUMBLEBEE, ARCEE, AUTOBOT RATCHET, BULKHEAD and more as they explore unique vistas all around the world with brawler - style combat and diverse driving sequences.

RATCHET, BULKHEAD and more as they explore unique vistas all around the world with brawler - style combat and diverse driving sequences.

The game will have a varied pace with both platforming and combat sequences interweaving, but this fluidity may work in Remember Me's favour.

Journey with and learn more about a crew of half - zombie girls through visual novel sequences and as you crawl through dungeons, beating up twisted creatures that were born from the fall of society in fast - paced turn - based RPG combat, and ultimately deliver the only known cure for what ails your party members to a place where it can be mass produced!

Frame - rate performance between PS4 and PS4 Pro remains pretty identical with the majority of combat gameplay running at a stable 60 FPS, although the frame - rate drops to 30 FPS during intro sequences and super moves which does not impede upon gameplay at all as they are both non-interactive instances.

The space combat sequences play out like a lighter, streamlined version of Wing Commander or other classic space sims, with players having access to two main weapons and a subweapon, and a lock - on system that takes out the difficulty of chasing and shooting at the same as it puts the Jackal on autopilot so that players can concentrate on shooting.

Naruto Shippuden: Ultimate Ninja Storm 4 could have tried to be a little more accessible to those who are not yet in love with the Naruto canon, but even they will be impressed by the combat sequences and intrigued to find out more about the main cast of characters.

Even with these slight issues, Comanche 4 is sure to please combat and flight sim fans alike with its stellar graphics, easy to learn controls, and intense action sequences.

The background score fits perfectly with the game's situations, be it a combat sequence or an emotional bonding scene between Geralt and Ciri.

New over-the-shoulder combat sequences amp up the violence a tad with the LEGO version of a carnival shooting gallery.

I also liked that there are times were you really feel vulnerable in some combat sequences and not just like some overpowered character who can kill everyone with ease.

With over-the-top, choreographed combat sequences featuring martial arts and magical weapons, the show has all the trappings to make an exciting video game.