Sentences with phrase «combinations give the paintings»

These combinations give the paintings a sense of movement and a dynamic ambiguity.

Not exact matches

Meri Cherry shares this simple but fun art idea that uses the combination of tape resist and salt painting to give your winter art a frosty feel.

I built the long, narrow box out of 1 x 6 boards and gave it a rustic, distressed look with a combination of stain, chalk paint, and some «old» drawer pulls.

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You know I just love that combination of paint and stained wood (I gave my little country end tables got that treatment earlier this year) and this desk is the perfect (beautiful) example of that combination!

What makes it stand out is the combination of colours of the dual - tone paint scheme which also gives a floating roof effect.

Back in the 1990s, when many in the art world had turned their back on painting as a «dead» medium, Amy Sillman was one of the leaders of an underground revival, combining cartoonish imagery, a draughtsmanlike line, and jazzy color combinations to give new life to the legacy of abstract expressionism.

A combination of sculpture, painting, printmaking, video and installation bringing about various overlapping conversations and exploring the way we interpret cultural, religious and personal narrative in a way that gives the viewer a glimpse into something uncanny.

He has an innate eye for color combinations that seems to come directly from his subconscious mind, and gives each painting its own unique personality and presence with such visual depth that the viewer must experience it.

With a keen attention to the tactility of the surface, he uses a combination of addition and removal of paint to give form to the image.

I paint from past memories and feelings of place, giving the viewer a sense of peace and serenity even with the bright color combinations I use to create my works.»

A combination of chance deterioration, created when the paint he uses comes into contact with the foam support of the surface, and the predetermined «masked out» areas gives the effect of an image unearthed.

Extending across the entirety of the museum, the exhibition allows for free association between artists and the themes they address: at once playful and dynamic, works from Ryan Gander, Institute for New Feeling, Liu Wa, and Yangzi invite audiences to explore a wealth of possibilities through combinations of meditation and wry humor; classical mediums of sculpture and painting are reinvented by Yngve Holen and Austin Lee; insidious implications of our hi - tech society are skewered by Lawrence Abu Hamdan and aaajiao; the powers of synthetic materials over human desire are brought to the fore by Sean Raspet and Pamela Rosenkranz; and products of Internet culture are given to refined study with Gillian Wearing and Amalia Ulman.

This one does just that, managing it with a combination of delicacy and quiet that is almost startling, given the bold colors and compositions of his well - known Post-Impressionist paintings.

The combination of the pale pastels and the more vibrant pinks and oranges along with the playful fleeting lines give this painting its charm and dreamy quality.

Mr. Elderfield opens by pairing Jasper Johns's 1982 «In the Studio» with Picasso's 1928 «The Studio,» a great match given their intimations of real and depicted bodies and their shifting combinations of white paint and bare or nearly bare canvas to depict walls, art and studio table.

Smooth blending comes down to a combination between the softness of bristle and the wetness of paint, so a sable brush will always give a softer blend than a hog due to the softness of the hair.

M. (Ted) Dealey Purchase Prize of $ 350 Mrs. Alex Weisberg Award of $ 100 Dallas Chapter of A. I. A. Award of $ 100 Ethel May Brodnax Memorial Award of $ 100 given by the Universal Life and Accident Insurance Company Vivian Stanley Memorial Award of $ 25 for watercolor given by the Dallas Artist League and additional $ 25 cash and supply awards to be announced ENTRIES Artists qualifying under requirements set out above may submit the following: 2 works in either painting or sculpture or a combination of 1 painting & 1 sculpture and 2 drawings in any medium (except pastel, which should be submitted as a painting medium.)

His work involves removing the old painted surface by constant scrubbing and then painting it with new colors and combination to give it a new look.

Two, I think there are so many products out there and different kinds of surfaces to possibly use chalk paint with that it gives a crazy amount of combinations and ideas.

I built the long, narrow box out of 1 x 6 boards and gave it a rustic, distressed look with a combination of stain, chalk paint, and some «old» drawer pulls.

A combination of simple white - painted panelling, dark wooden furniture and white upholstery unite to give this space a classic colonial feel.