It includes his first abstract paintings, which
combine a Cubist - influenced aesthetic and geometric decomposition, alongside his mature abstract style in which lyricism and geometrical abstraction merge.
Among these, his most famous are those that
combine a Cubist sense of space with Expressionistic palettes and brushwork.
The depiction of robotic parents gazing at their equally robotic newborn, keyed to a bubblegum palette, looked to be some kind of retro pastiche
combining Cubist impulses, hard - edge abstraction, folk art and futurism as practiced by DC comics circa 1963.
In 1974, Harold Rosenberg, one of Saul Steinberg's earliest and most eloquent supporters, wrote that «Cubism... which in the canon of the American art historian is the nucleus of twentieth - century formal development in painting, sculpture and drawing, is to Steinberg merely another detail in the pattern of modern mannerisms; in a landscape, he finds no difficulty in
combining Cubist and Constructivist elements with an imitation van Gogh «self - portrait.
Not exact matches
We're showing Wolfe von Lenkiewicz's celebrated large - scale paintings which
combine what we expect to see with what we never could have seen before,
cubist Samurai for instance, or The Hay Wain, not by Constable but Pieter Bruegel.
They still rely on a flattened
cubist spatial structure but on a much larger scale and with light flooding the canvases and brush marks recalling American art of the heroic post-war days; recalling, in fact, his own heroic days, for despite an increasingly sure technique, these later works are quieter, blander even, than the assertive and clamorous
combines of his early maturity.
We can see the minimalist design elements of Donald Judd, Mies van der Rohe and Brancusi
combined effortlessly with the
cubist abstraction of forms in the work of Picasso and Picabia, mixed with the rugged embrace of nature and land interventions from the Land Artists of the 1960's: Robert Smithson and Walter De Maria.
Combining the linear precision of Renaissance scientific drawing with the primordial gestures of cave painting, the distortions of
Cubist heads and the energy of contemporary street art, the skull became a furnace into which Basquiat poured the contents of his visual imagination, melting together centuries of stylistic influence.
An artist currently having a major market moment, Huma Bhabha is known for her rough sculptures and equally raw works on paper that
combine «primitive» figuration — of the sort Picasso was so enamored of in his early
Cubist days — with futuristic, post-apocalyptic themes and imagery.
Using clay in unorthodox and experimental ways, she
combined modeling, carving, incising, and assembling in sculpture that suggests the shifting planes of
cubist figures, the mythology of Greek gods and goddesses, and a largely feminine sensuality and corporeality that seems to have morphed and merged organically into place.
While Pablo Picasso and fellow
Cubists combined archaic Western forms and appropriated exotica to shatter inherited modes of representation, today ubiquitous computing and the digital image explosion create an intersection of the physical and the virtual, and in doing so, have decentered the locus of artistic praxis.
In the spirit of the
Cubists, Hockney
combines several scenes to create a composite view, choosing tricky spaces where depth perception is already a challenge.
Combining everyday objects easily found in the Chinatown / Lower East Side neighborhood where he lived at the time, we find teapots, rubber balls, canes, and newspapers (a witty reference to
cubist collage.)
Beyond this, Les Demoiselles d'Avignon — as the first
Cubist painting — and Picasso's works of the 1920s and 1930s — in which he
combines harsh
Cubist elements with wide, gentle, and rounded curves — have been stimulating responses among artists for generations.
Whereas the artists» earlier
Cubist phase, known as «Analytic Cubism,» was comprised of paintings that fragmented the world into a series of basic lines and curves, this later period of «Synthetic Cubism» involved
combining fragments of various materials to create a new whole.
A Kurt Weill song is linked to a figure painting by Max Beckmann, an orchestral piece by Darius Milhaud to a Georges Braque
Cubist still life, moments from John Cage's prepared piano «Sonatas and Interludes» to a Robert Rauschenberg «
combine» painting.
Krasner
combined the principles of Hoffman and Matisse with her admiration for
Cubist drawing.