«How to Work Better» at the Guggenheim Museum, New York, surveys three decades of collaboration by Swiss artists Peter Fischli and David Weiss, whose sculptures, photos and videos deftly
combine absurdity and high seriousness, cleverness and existential angst.
Creating the world, we wanted to
combine absurdity with diversity.
Not exact matches
When they
combine that awareness with atheism, they become existentialists or governed by the thought that there's no escape but death from the miserable
absurdity of who we are as ephemeral specks caught between two abysses.
Okay, so we can focus on this grown man's sweatshirt and the fact that it, A) makes no sense, and B) seems kinda harsh for a day at «The Happiest Place On Earth,» or we can absorb that information,
combine it with a pair of Mickey Mouse ears and a hilarious caption, and laugh about the
absurdity of it all together.
Honing techniques inspired by Stabley Kubrick,
combined with a story that would seem to be inspired by Michael Haneke, Lanthimos twists his
absurdity in favour of a horror story.
This is an actual joke in the movie (stated once and shown another time), which regularly engages in a brand of
absurdity that
combines the ridiculous and the grotesque at various levels.
Combine one part kid's books, one part school librarianship, a splash of
absurdity and you get 100 Scope Notes.
It's a crazy adventure story that
combines high - fantasy, cooking, and lots of
absurdity.
Mario + Rabbids is one of the best looking titles on the Nintendo Switch, with clean, colorful graphics that take advantage of the usual Mario aesthetics,
combined with a bit more
absurdity to compliment the Mushroom Kingdom's current invaders.
Combining chance and
absurdity, these images lyrically and impressionistically represented objects such as ropes, light bulbs, and thumbtacks.
She
combines her knowledge of fabrication and sculpture with open - source hardware to build a language of
absurdity, using homemade electronic hardware experiments in a storytelling practice sometimes referred to as «performance with robots,» or «critical wearable practice.»
It was a question that had plagued me ever since my first encounter with Nicole Eisenman's paintings, prints, and sculptures.1 Eisenman's investment in art history, when
combined with her penchant for
absurdity and subversion, seemed to upend everything I knew about contemporary art.
By
combining the familiarity and accessibility of Pop Art and the unpredictability of Dada and Surrealism with iconic and controversial imagery (for example, corrupt Popes, headless horses, Nazi salutes), the disturbing aspects of Cattelan's work are lightened somehow by their
absurdities — while still being powerfully subversive.
Performance art would never have been what it was without Laurie Anderson, who ushered in an entirely new aesthetic — matched only by Nam June Paik — that
combined new technologies,
absurdity, poetry, and found - objects.
He is fascinated with kitschy humor and
absurdity, and how these elements can add a new layer to these complex social structures,
combining and contrasting a range of classes and subcultures.