Sentences with phrase «combine filmed images»

His podcasts clock at anywhere from two to five minutes and combine filmed images of the home with a soundtrack and spoken narration.

Not exact matches

New technology that combines old ones often makes such things possible, much like film blended record music with moving images to create an entirely new medium.

Combine that with the overly dark look and gauzy images and so much of the film looks positively out of focus in 3D.

Like in the earlier films where the space for personal monologue and storytelling is expanded for even very minor characters, Elvira's brutally honest tape - recorded interview in the final moments combines with the image for one of Fassbinder's most moving and penetrating moments in one of his best films.

With the screenwriters» ingenious idea of combining screwball comedy with vivid images of genocide, all the ingredients are there for this film to be a massive, unprecedented success.

It's a compelling visceral film — sound, images and characters combined into a decidedly odd visual experience that evokes the feel of a graphic novel.

Via NYTimes: «The artist Laure Prouvost, whose works combine whimsical objects and drawings in evocative settings with an Instagram - like stream of film images, has won this year's Turner Prize, the prestigious and often contentious annual award for a British... read more... «Quick Study: Turner Prize, Miami, Zwirner, and, yes, surfing»

This major exhibition combines works in film and video with an extensive presentation of his photographic images.

A brazen multidisciplinary artist who studied film history and theory, C. Spencer Yeh presents a program of two new moving image works combining diaristic and documentary footage.

The work Sun Xun will make whilst in the gallery, combined with thousands of images produced in the six months prior, will be filmed sequentially — culminating in an expressionistic, stop - motion animated film, pulsating with creative energy.

In the new works, Sarmento combines his seminal portraits of the female form with images taken from popular culture (found and personal material) silk - screened directly onto the surface of the paintings, that read almost like fragmented film stills.

David Claerbout's paintings on paper are fundamental to his film practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the modernist movement has been translated, appropriated, and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freeze - frame.

All have thought seriously about the form of their work, and the three film - makers combine images from the past with more recent footage as a way of playing with conventional narrative and visual structures.

For COSMIC RAY, Conner combined images he shot of streaming street - lights and a strip - tease dance with found elements, such as countdown numbers, flash - frames, and head - and - tail indicators, to produce a rhythmic and energetic film.

The essay, «Play Dead,» combines art historical analysis with juxtapositions of texts and images from film, literature, and history.

Strongly influenced by pop culture, Stikki Peaches combines images of classic films, celebrities, and musical icons into hybrid characters.

Considered a pioneer of combining image and the motion, he makes films that consist of slow - paced series of images with very little movement and progression, if any.

This quasi-narrative film, featuring writer / poet Anne Carson and actor Stephen Dillane, combines multiple places, geologies and seasons into a single cinematographic image.

Obi Sunt is a forty minute film that combines footage of Pope.L that was shot in Goldfield, Nevada with black and white images from a rare photo album that documents the legendary 1906 boxing match that pitted Joe Gans, an African American, known as «The Master», against Oscar «Battling» Nelson, the «Durable Dane».

In the new series of «Rio» paintings, Morris both expands and reduces her abstract compositions, and in the Rio film, images of Rio's beaches, fruit stands, hospitals, iconic modernist architecture, football stadiums, factories and favelas are combined with images from the office of Oscar Niemeyer, the mayor of Rio and the parades of the city's famous Carnival.

Mary Beth Reed's film poems explore the intersection of visual abstraction, representational images, color, memories, and movement combining cinematography, hand painting / processing, and optical printing.

In this experimental, quasi-narrative film, which features writer / poet Anne Carson and actor Stephen Dillane, Dean has gone so far as to combine multiple «scapes» and events within the single film frame, therefore, mixing different places, geologies and seasons into a single cinematographic image.

This quasi-narrative film features writer / poet Anne Carson and actor Stephen Dillane and combines multiple places, geologies and seasons into a single cinematographic image.

Known for his work in film and photography that combines intricate surfaces with an investigation into the nature of perception and the present - day image, Lassry has become one of the most celebrated young artists working today.