Having devoted more than a decade to a collaborative practice that
combines pointed critique of socioeconomic inequity with humorous détournement and rigorous formal experiment, (Jennifer) Allora & (Guillermo) Calzadilla are primed for their first comprehensive solo exhibition.
Using as a formalist departure
point the measurement, «a home that is half of a four by six foot cubicle,» which served as a
critique of the treatment of Vietnamese refugees who were given the minimal amount of space in the camps, Ngô
combines architectural sculpture with traces of her siblings» experiences, which are at times poignant, humorous, and profound, but always expressing a full range of agency often denied to children and refugees alike.