Sentences with phrase «combining oil paint»

Combining oil paint with acrylics, James De Vere's Moon, demonstrates the possibility of new and exciting art material blends.

At the fair's northeastern edge were San Francisco artist Henry Jackson's playfully lugubrious edge - of - abstraction paintings — unobtrusively combining oil paint with other media — shown by Stewart Gallery of Boise, Idaho.

She works on burlap, often combining oil paint, charcoal, resin, hair, paper, tar and ash in heavily textured compositions.

Clare Bonnet says: «Combining oil paint with a variety of other materials allows me to contrast areas of loose mark making alongside fine blending.

Like Lee Krasner, Conrad Marca - Relli and other Abstract Expressionist collagists, Vicente typically avoided newsprint and magazine pages in favor of combining oil paint and artist papers, and the resulting works usually resemble painting more than they do collage.

Combining oil paint, canvas, and paper with non-traditional materials such as latex rubber, linoleum, straw, leaves, and hair, along with weathered objects salvaged from abandoned farms, she constructs works that occupy a space between painting and sculpture while hinting at transgressions and violence within the domestic setting.

Francisco Toledo, an artist of vast formal range and varied iconography combines oil paint, watercolor, sand and collage in his work.

The artist's canvases combine oil paint with elaborately textured and printed papers, as well as computer manipulated photographs.

DeBrincat's distinctive technique seamlessly combines oil painting, digital photography and...

Untitled combines oil paint, crayon, pastel, paper, fabric, print reproductions, photographs and cardboard on wood.

Combining oil painting and textile collage, the colour palette is very much inspired by a 19th century approach, with Fritz Bornstück working like an impressionist in the field, while at the same time turning the works around to pull them in a decidedly more contemporary direction, inflicting contrasting architecture and items on the classical compositions.

Not exact matches

She builds layers of meaning by combining ephemera, oil paint and beeswax, rendering modern images in an ancient medium.

Who combine drawing with oil painting by using both the knife and the paintbrush and like the effortless movement, looseness and luminescent quality that oils allow.

Combining elegance and luxury with original hand painted oil paintings throughout the hotel.The hotel features comfortable rooms and a lobby bar for a relaxation.

Who combine drawing with oil painting by using both the knife and the paintbrush and like the effortless movement, looseness and luminescent quality that oils allow.

Her analog compositions combine acrylic paint and oil paint, original illustrations dating from 1900 till today and three dimensional recycled components.

Over six decades, the artist has explored through her distinctive style of lyrical, luminous abstraction, which reflects through her paintings executed in oil, carrying a sense of intriguing intimacy combined with uncompromising yet gentle intensity.

Her work begins with marks, stains and cracks on the ground which Calame traces, then combines layers and retraces, transforming them into drawings in coloured penicl or pure pigment and paintings in enamel or oil pain.

Increasingly she combined Pollock's epic battlefield with the flesh - like leaves of de Kooning's 1948 Painting — but in sepia rather than black enamel and white oil.

Roberta Smith: The deft oil paintings of Hurvin Anderson, born in England in 1965, fall within a familiar genre of architectural interiors that play it both ways: they combine the... read more... «NY Times Art in Review: Anderson and Auerbach»

Now, as an oil painter, I enjoy combining the subtlety and sensitivity of drawing with the richness and vibrancy of oil paint.

Through his investigational approach, Otero combines the traditional act of painting with his innovative creation of «oil skins,» produced by layering oil paint on glass and then peeling it off in «sheets» before transferring it to canvas.

The installation combines a triptych of oil paint, latex rubber, and linoleum with a metal gutter, a water trough, and dried leaves attached to or placed in front of the painting.

Tomlinson's complex canvases combine areas painted in oil with elaborately textured and printed papers, as well as computer manipulated photographs.

In addition to these large oil paintings, Halasz has produced a dramatic video composed of underwater visuals and music that combine to create a dark, foreboding moodiness.

In addition to Laura Owens's untitled (2016), other works in the exhibition that combine digital and hand techniques to introduce network themes onto the canvas include a pair of untitled paintings by Albert Oehlen (2008) and Avery Singer (2015), and a series of Chat Paintings produced in oil by Celia Hempton in 2015 paintings by Albert Oehlen (2008) and Avery Singer (2015), and a series of Chat Paintings produced in oil by Celia Hempton in 2015 Paintings produced in oil by Celia Hempton in 2015 and 2016.

While some artists create large - scale oil paintings, others draw on top of photographs, or combine sculpture and two - dimensional work.

The complex box constructions utilize fourteenth - century techniques, and are wood covered with chalky gesso and adorned with gold leaf, bole, graphite, watercolor, oil paint, ink, and mixed media, combining the most precious with ordinary materials.

The dazzling mixed - media works of Mickalene Thomas (b. 1971) combine rhinestones with acrylic and oil paints to create compositions that often reference iconic works of art from nineteenth - century Europe.

Hilariously gorgeous, even garish, these colorful, highly tactile works combine oil and enamel, are dense with dots, patterns and sartorial finery and suggest an artist thrilled to be painting again.

Her use of digital media, combined with the traditional craft of oil painting, creates a set of paradoxes mirroring contemporary lives and longings in an increasingly mechanized world.

His bold brushstrokes lyrically combine the gestural impulses of action painting with the tradition of Chinese calligraphy painting and the artist often playfully pairs the traditional medium of ink with alternative materials such as coffee, tea and oil paint.

Faiz continues this tradition with her large - scale oil painting «Divider» (2015), by combining post-painterly abstraction with Albert Oehlen's version of abstract art, an aversion away from recognisable forms.

The high pigment - to - oil ratio and furrowed surfaces of these paintings combine to create an unusually saturated color with a grounded, concrete physicality.

ACME is exhibiting a series of new oil paintings combining text and abstraction by Monique Prieto.

David Claerbout's paintings on paper are fundamental to his film practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the modernist movement has been translated, appropriated, and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezepaintings on paper are fundamental to his film practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the modernist movement has been translated, appropriated, and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezepaintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezepaintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezePaintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezepaintings reimagine the still life as a chance freeze - frame.

Often combining two or more abstract forms into one piece to create a three - dimensional composite wall relief, the surface of the canvas is painted using industrial materials such as oil - based enamel and spray paint.

The results are sumptuous abstract encaustic paintings that utilize a minimal color palette and repetitive imagery, thick layers of translucent and opaque wax, paper prepared with batik markings and hand rubbed oil stick combined to create multi dimensional panels.

Armed with a spray of vaporized oil pigments, Ferris has created a fresh and original abstract language that combines her own distinctive approach to mark - making with the history of abstract painting.

This technique has been created by her combining the techniques of Japanese Art that she learned at the undergraduate and those of oil painting.

Combining acrylic and oil with collage and printmaking techniques, Wilson depicts a variety of imagery that draws from traditional painting genres and historical influences that range from Matisse to Bearden.

Despite the efforts of the above pioneers, along with those of inter-war artists Marcel Jean (1900 - 93), Joan Miro (1893 - 1983) and Andre Breton (1896 - 1966)- see their respective works Spectre of the Gardenia (1936, plaster head, painted cloth, zippers, film strip, Museum of Modern Art NYC); Object (1936, stuffed parrot, silk stocking remnant, cork ball, engraved map, Museum of Modern Art NYC); and Poem - Object (1941, Museum of Modern Art NYC)- junk art did not coalesce into a movement until the 1950s, when artists like Robert Rauschenberg (1925 - 2008) started to promote his «combines» (a combined form of painting and sculpture), such as Bed (1955, MoMA, New York) and First Landing Jump (1961, combine painting, cloth, metal, leather, electric fixture, cable, oil paint, board, Museum of Modern Art NYC).

Important Neo-Dada works include Washington Crossing the Delaware (1953, Museum of Modern Art NYC) by Larry Rivers; Combines such as Bed (1955, nail - polish, toothpaste, paint, pillow, quilt, sheet, Museum of Modern Art NYC) and First Landing Jump (1961, cloth, metal, leather, electric fixture, cable, oil paint, board, Museum of Modern Art NYC) by Robert Rauschenberg; Target with Plaster Casts (1955, David Geffen Collection), Three Flags (1958, Whitney Museum of American Art), and Ale Cans (1964, Private Collection) by Jasper Johns.

Combining them with layers of acrylic and oil paint, he creates...

Mitchell combined psychological searching with fiery oil painting as well as any of the boys.

Combining various materials such as photography, oil painting, textile, sculpture and beadwork, the presentation of Galeri Zilberman aims to bring together young generation local artists with visitors in an international platform.

Untitled (Combine) 1958 features oil painting on a Solo coffee cup lid, which is mounted on paper within the artist's frame.

The rumpled combine, with its gestural smears and dribbles of oil paint, also made wry fun of the sometimes - grandiose claims for the Abstract Expressionist paintings of the generation that preceded him.

Hanging on Gallery 1's walls are six mixed - media works combining photography, paint, graphite and cartographic collage, which include proposal texts handwritten by Helen explicating watercolor and oil overlays by Newton.

In this 2007 Ellsworth Kelly piece, four separate oil - painted canvases combine to form a single work, Green Blue Black Red.