Sentences with phrase «come from other studios»

Not exact matches

The model for other studios to follow here would seem to be to, first, test your potential audience with more than just a vague idea and then deliver a product that is both true to its source material while also offering something beyond what viewers have already come to expect from typical superheroes (in this case, that would be the comedy, sex, and violence).

Wanting to keep the studio workers in his employ from organizing, he came up with a canny solution: He founded a collective, the Academy of Motion Picture Arts and Sciences, that would, among other things, distribute prizes to Hollywood's creators — and that would help, Mayer hoped, to keep producers and actors and other laborers of the film industry in his thrall.

They came for Kevin Feige, the unassuming man in a black baseball cap who took Marvel Studios from an underdog endeavor with a roster of B - list characters to a cinematic empire that is the envy of every other studio in town.

25 (hybrid; fka Best Friends) STUDIO: Sony Pictures TV / CBS Television Studios TEAM: Hilary Winston (w, ep), Seth Rogen (ep), Evan Goldberg (ep), James Weaver (ep) LOGLINE: Twentysomething Kyle comes to Austin to finally convince his old best friend from camp that they are perfect for each other.

While two high budget Jungle Book adaptations coming out within a year of each other from rival studios seems like a confusing prospect, it certainly makes for some interesting toing - and - froing, especially in the casting stage...

Best played while drinking or with some other drug, this dancing monkey simulator represented the offbeat creativity coming from Sega's studio during the turn of the millennium.

Then as those start coming out over the next couple months - years, we'll start getting news on the next batch from Guerilla Games, Japan studio, Insomniac's other team, From software, Team Ninja, Polyphony Digital, Sega, Santa Monica efrom Guerilla Games, Japan studio, Insomniac's other team, From software, Team Ninja, Polyphony Digital, Sega, Santa Monica eFrom software, Team Ninja, Polyphony Digital, Sega, Santa Monica etc..

One thing which is earning a lot of interest for this game is the fact that among the development team there are people who worked on BioShock Infinite among other games, which means that the experience level behind the game, even though coming from an indie studio, was not at beginner stage, like most independent developers are.

Nioh is an action - RPG developed by Team Ninja, developer of the Ninja Gaiden franchise and Metroid: Other M. It's releasing worldwide on February 9, 2017, and, in a surprising move from this development studio, it's coming exclusively to PS4.

Square Enix president Yosuke Matsuda recently talked about some big plans for the company in a recent interview with Nikkei Trendy, stating that there are «high - end games» coming from Japan and studios in other countries.

The stellar lineup includes Sony Computer Entertainment's Executive Vice President, Development, Phil Harrison; French MTV Best Music Award - winning directors, the brilliant Alaux, Houplain and de Crécy from H5; game designer legend Tetsuya Mizuguchi; hyper - active Tokyo pop designer collective FuriFuri; game designer and master of eccentric excellence Masaya Matsuura; up - and - coming wireless game studio Newtgames; plus a new edition of GAMEHOTEL's popular Designer Toy Showcase featuring urban vinyl figures by the likes of Michael Lau, Eric So, Brothersfree, and other Hong Kong designer stars (see below for full lineup details).

Other major information to be noted is the development of 20 new mobile titles with 15 coming from in - house studios (10 from SEGA Networks and 5 from SEGA) with a further 5 being co - developed / published.

Safe to say, the folks at Respawn are going as all - out as they can fleshing out Titanfall's universe, but for those who come mainly to wall - run and blow up other players» mechs, Stern assured that a greater focus on story won't stop the studio from making Titanfall 2's multiplayer «even better than it was the first time around.»

Coming from Ready At Dawn, the studio that brought us the PSP God of War games and the poorly received (but utterly beautiful to look at) The Order 1886 on PS4, Echo Arena is one of the first proper second - generation VR titles and serves as a sister title to RAD's other project, a poignant Adr1ft - style narrative in space.

The material and inspiration for her paintings and site - specific installations comes from by - products of other failed or abandoned works generated in her studio.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

For example, we would try not to end up with seven video artists and we tried to make sure we'd still have some people in the print studio and people who came from other countries.

The works came from private collections and Schnabel's studios — one in New York City, the other on Montauk — broken into three distinct periods, to fill out the exhibition.