It's exciting to be a pioneer and know that behind us will
come generations of writers.
Not exact matches
At the same time, however,
writer - director Noah Baumbach has plenty
of fun along the way, especially when it
comes to the
generation gap that forms when the two couples become fast friends.
For me, it's the former rather than the latter... but, then, I'm just slightly older than the
generation who swore by those toys that were more than met the eye; not that I'm not curious to see how the animated series translates to live - action, but, frankly, I'm much more psyched to find out if the
writers of «The Simpsons Movie» can pull a rabbit out
of their hat and
come up with a flick that's better than, say, the last three or four seasons
of the show.
The first honest,
coming -
of - age film for the millennial
generation is a hilarious and heartfelt gem from debut director /
writer Kelly Fremon Craig.
The work
of the late author,
writer and director William Peter Blatty will continue to haunt the dreams
of readers and moviegoers for
generations to
come.
Told in cinematic style by acclaimed
writer Mal Peet, this brilliant
coming -
of - age novel is a gripping family portrait that interweaves the stories
of three
generations and the terrifying crises that define them.
Writers who sail through the idea -
generation and researching stages sometimes
come to a sudden halt here, but writing the first draft
of your ebook doesn't need to be daunting or difficult.
It was the exploitation
of such unexpected moments that this
generation of artists that
came into prominence in the 1940s and 50s were open to, and these artists, composers and
writers became associated with the New York School.
The great grandson
of Nobel laureate Rabindranath Tagore, Sundaram Tagore
comes from 14
generations of artists,
writers and poets.
Ultimately, her work suggested new ways
of thinking and new models
of working for
generations of writers and artists to
come.
The DIY scene in which they all
came up together has influenced an entire younger
generation of artists, graff
writers and creatives
of all kinds and will continue to do so for years to
come.
Last year, when the novelist Martin Amis was asked to comment on the recent exodus from London to New York
of British
writers of the
generation that
came of age in the 1970s — Salman Rushdie, the late Christopher Hitchens, the poet James Fenton and now Amis himself — he replied, «There's an odd sense in which the novel follows the power.»
But a later
generation of writers, dazzled by the bright lights
of Op and Pop,
came to see his chevrons and straight lines as soulless, and Noland's critical star faded from the 1980s on.
If the laws
of color are to painters what the rules
of grammar are to
writers, then the authority
of Albers will be something worth studying for
generations to
come.
The time has
come for us, David Bilinsky and Garry Wise, to pass the baton to a new
generation of leaders and
writers to carry on the work
of SlawTips.