I've also taken notice as to how long my hair is, I mentioned
in a video earlier this week that my hair
comes a
couple inches past my shoulders, I realized it's more like 5 inches (
in my opinion a
couple and 5 are totally
different;) so I needed to clarify):) if you've known me since before my blogging days then you'd know that I have had bobs, pixie cuts, almost every color
of hair (besides rainbow shades) and have loved them all, my hair is
in a stage that is fun but I need something new:) what're some fun
ways to «style» my hair??
Anyway, as the days are getting cooler and scarves are
coming out
in full force (although, on a side note, I believe
in wearing scarves year round), I've had a
couple of you ask me about some
different ways to wear an INFINITY scarf (aka: my favorite
of all the types
of scarves).
Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner
of the Michael Cacoyannis Award for Best Greek Film), a story that follows a
couple (played by
different actors at
different stages
of the characters» lives) across the temporal loop
of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns
of Friends, works
in an underpatronized café, freaks out her hairy stalker by
coming on to him, takes photographs and molests invalids as a means
of staving off millennial ennui, and causes ripples
in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind
of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for
way too long — static, meticulously framed shots
in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up
in the Sky, shown
in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family
of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode
of Angel where David Boreanaz turned into a Muppet.