Sentences with phrase «come see ghost»

So come see Ghost Pipe Fish, Leaf Fish, and more.

Not exact matches

In a time of fear and faith, doubt and worship, the disciples wonder whether they are seeing a ghost, as Jesus «came to them, walking on the sea» (14:25).

When the servant came running in to say that Peter was standing outside at the door, they thought that the execution had taken place and that it was Peter's ghost the servant had seen.

We know the general thought process when facing Tom Brady, and I'm sure the Jim Schwartz - led Eagles» defense will try doing it: Get pressure up the middle and force Brady into seeing ghosts (pressure from players he assumes are coming), like he does in the GIF below.

And when you eventually realize that you have been left in the lurch and ghosted — maybe you finally notice their activity on social media, or a friend of a friend lets you know that they (love interest) are over you - you start to question the genuineness of the relationship you had, why you didn't see it coming.

This is a deliberate flipping of the ghost cities metaphor: whereas «ghost city» implies a metropolis whose time has come and gone — an abandoned city — Caemmerer points out that these cities are yet to see life.

Sadly, Boysenberry Festival has come to a close, and while I'm bummed to see all of the wonderful and unique treats leave, it means it's just a few more weeks until Ghost Town Alive returns!

Within this context, it's not hard to see how trends like ghosting, breadcrumbing and couching come about.

Online dating doesn't come easily to everyone, and it can be a little saddening to be out of luck for a while, to see your inbox degrade into a ghost town.

«Come see our dis - used toilet that may or may not be haunted by the ghost of a drowned cow.»

Based on the tale of the Thumbsucker helmer's own father's experiences with embracing his sexuality at the age of 75, the feature charts the exploits of the introverted Oliver (McGregor, last seen in The Ghost Writer) as he courts enigmatic French actress Anna (Mélanie Laurent, The Round Up), whilst coming to terms with the outing and illness of his paternal influence (Christopher Plummer, The Imaginarium Of Doctor Parnassus).

Following the sizzle reel released this Monday of Forest Whitaker as Saw Gerrera on Star Wars Rebels comes this two and a half minute clip of Saw, uh... conversing with a Geonosian resident on board the Ghost.

Also, who doesn't want to see the ghosts of Panthers past line up to tell T'Challa that his time has come?

Cecil Kellaway, The Luck of the Irish — a leprechaun Jeff Bridges, Star Man — an alien Wiliem Dafoe, Shadow of a Vampire — vampire Ian McKellen, Lord of the Rings: The Fellowship of the Ring — Maiar of race & Istari (wizard) Edmund Gwenn, Miracle on 34th Street — arguably, Santa Claus Brad Pitt, The Curious Case of Benjamin Button — ages backwards Sissy Spacek, Carrie — psychic powers Julie Andrews, Mary Poppins — witch nanny Frederic March, Dr. Jekyll and Mr. Hyde — creepy monster man Mr. Hyde Walter Huston, The Devil and Daniel Webster — the devil Cliff Robertson, Charley — psychic powers Linda Blair, The Exorcist — the demon Pazuzu Warren Beatty, Heaven Can Wait — an angel and / or ghost Robert Montgomery, Here Comes Mr. Jordan — an angel and / or ghost Haley Joel Osment, The Sixth Sense — sees dead people Michael Clarke Duncan, The Green Mile — heals people and nice Alec Guinness, Star Wars — technically, an alien, since Obi - Wan was not born on Earth; also, Jedi, moving things with his mind, speaking from beyond the grave, etc..

«I wish I understood you» So what happens when a small town is coming upon the anniversary of the death of a supposed witch and you have a young outcast boy who has the ability to see and communicate with ghosts?

It was three years before Day - Lewis would appear in another film, having collapsed onstage during «Hamlet» after claiming to have seen the ghost of his father (poet Cecil Day - Lewis); what seemed like an atypically long break for an Oscar - winner became a harbinger of things to come, but that absence also informs his work in Michael Mann's «The Last of the Mohicans.»

Actually, in the unlikely case that we were to get a lone director this year, Ghost Writer, along with Another Year, are the films I could see getting such a nom since both are very much «director's pictures» and both come from academy favorite filmmakers.

Earl Felton's indisputably sophisticated script is yet another to fall victim to the overzealous homage of subsequent entries in the underwater power - struggle genre (The Hunt for Red October, Crimson Tide, Atlantis: The Lost Empire (see sidebar), and even the Dark Castle Ghost Ship come to mind) that it minted; we can give a movie credit where credit is due while admitting that it sometimes exists in its own shadow.

From Alastair Sim's textbook portrayal to the likes of Bill Murray, Jim Carrey, Albert Finney, the Muppets and even Mr. Magoo, you might think you've seen it all, but now along comes a complete original and a breath of fresh air to the saga of Ebeneezer Scrooge and the ghosts of Christmas Past... Read

Still, we think there are some very novel uses for the GamePad when it comes to hoovering up ghosts, so we still want to see this one made available to Wii U owners eventually.

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Following its world premiere at the 2017 Cannes Film Festival, The Florida Project went on to secure distribution with A24 - the indie studio powerhouse that has already seen the release of It Comes at Night and A Ghost Story earlier this year.

«In a gasp - worthy ending you never saw coming, M. Night Shyamalan has revealed that he ghost - wrote She's All That, the 1998 teen romance starring Freddie Prinze Jr. and Rachael Leigh Cook.

Here are seven films every industry pro should see this coming month, from the newest installment of the Marvel film universe to a really, really scary ghost clown doll.

The online mode will give gamers the chance to vote for the circuit, bike class, and number of laps before they take to the track and compete in an online Arcade racer or Career mode championship. Once the race comes to an end it's over to the online leaderboards to see where you rank against the rest of the world. Not only will you find competitors» lap times but the option to upload and download racing ghosts and riding lines, which will help you compete against the very best or for those new to the series learn the skills they need to race to the top of the leaderboard. There will also be a demo available on XBox Live and PSN before the game launches.

He regularly talks with his bikini - clad wife (Claudia Gerini), who we come to realize is a ghost only he can see.

We should see the production Rolls - Royce Ghost in the coming months, with sales starting early next year.

I've never seen a ghost either, but I did have a powerful experience of presence of a loved one, from across the ocean, at the exact time of that person's death — something I happened to record in a journal at the time, even before I came home to learn of my loss.

So I thought of a psychic power that passes from family member to family member — the ability to see and communicate with ghosts — and Clare Cermak came into being.

I recently sent a resume to a ghosting company, to see what came of it.

Come see us for a beautiful night hearing some amazing stories through the streets of the Ancient city on a ghost tour!

However at night a different world comes to live, a world where you will see Spanish dancers, the school of huge Bumphead parrotfish in their sleeping cocoons, Flashlight fish, Bobtail squid, sea moths, ghost pipefish, cuttlefish, starry night octopus, mimic octopus and different kinds of nudibranchs!

With both Call of Duty: Ghosts and Eminem's new album The Marshall Mathers LP 2 coming out on the same date, the offer will see retailer Gamestop offering redeemable codes with pre-ordered copies of Ghosts.

- Batman, Wyldstyle, Gandalf, and the Batmobile all come in the Starter Pack for $ 99.99 - complete the entire critical path with just this content - extra characters, vehicles, or weapons are sold separately - you may see ghosts flying around a level and need the Ghostbusters to take them out - use Scooby - Doo to dig and open up a new area - gameplay has you collecting studs, building and rebuilding within the world, and switching between characters - use Batman's grapple hook to tear down big obstacles - you can also drive the Batmobile to run over poppies (flowers that put characters to sleep if they're near them)- fight the Wicked Witch of the West - use the Lego Gateway outside of the game to avoid obstacles - when the Wicked Witch cast a magic spell, it can lock you into a position - when this happens, the Lego Gateway will flash red, save for one white safe area - move the actual figurine to the white area to be safe - every vehicle has three different forms - you must build and rebuild them throughout the adventure to get by - on mission makes you repower a gateway, but the generator is encased in blue Lego brick - build the Batblaster to use the brick - blaster and electricity shield to get by - in - game instructions tell you how to take apart the Batmobile and physically morph it into the Batblaste - use the sonar brick - blaster to destroy blue bricks

Coming in with a hybrid concave / convex system that sees them measuring 8.6 mm in height, the Ghost sticks will help increase your accuracy and precision, whilst enhancing your movement capabilities.

At this point I could see Ridley coming back as an alien ghost, seems like the next proper contrivance they could use, is not like this franchise hasn't had ghosts.

In each wave of enemies you fight, you'll also see ghosts come out of the ground.

Everything is tied together in Ghost Recon: Wildlands, especially when it comes to the enemy organizational tree and how you can choose to take down whichever you see fit in any order.

We've probably all played it by now, If you haven't you've probably seen the many t - shirts and memes going round the internet with the famous lines «That wizard came from the moon» well no longer will you be having Peter Dinklage as your trusty AI ghost in Destiny as all of his content has been -LSB-...] Read more

Unwilling to put down our phones to see a sunset, sharing our daily comings and goings with the ghosts in the machine, we self - sabotage our peaceful pursuits and further separate ourselves from ourselves.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

The raw and flawed, artless, aesthetic of Prouvost's visuals echo the motto of Prouvost & Sons Ltd., which is, «we promote imperfection» and bring to mind a statement by the critic and commentator, Pavel Buchler in his book «Ghost Stories» where he writes, «to produce a blurred photograph has come to be seen as the exclusive right of the professional, even a sure sign of the professional mandate, whereas the same blurred image taken by the lay photographer implies a «human error».»