Sentences with phrase «come to the auction market»

Leading the selection is one of the most important works to come to the auction market by David Hockney, Beverly Hills Housewife, (estimate: $ 7 - 10 million), 1966 - 1967.

Not exact matches

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«For such an important car to come to the market, it created interest from around the world and was in the end sold to a delighted German buyer, followed by a round of applause in the auction room,» said Chris Routledge, Managing Partner at Coys, of the sale.

They'll figure something out, also Nov 13th there is the AWS 3 auction coming up, don't forget about that, hopefully T - Mobile will be able to get enough spectrum to get more markets up to 20mhz, or even some 30mhz markets, instead of just 15mhz!

When it comes to foreclosed homes in «hot» areas, listed at less than market value, multiple buyers might outbid you — either through a contract submission or auction process — or you may have to bid close to market value to get your offer approved by the seller.

Smart investors will sit on all of the property that they purchase at the auction, and wait for the real estate market to come back to life.

Ten - year Treasuries come to market via a government auction.

What work have you not seen come to market that you would love to get your hands on for the auction?

This includes totals from the Swann sale of the collection of writer Maya Angelou, which set a new auction records for artist Faith Ringgold with the sale of her work Maya's Quilt of Life for $ 461,000, which came close to doubling its pre-sale estimate, and John Biggers» Kumasi Market, which fetched $ 389,000.

Likewise, «institutional critique» has come to be identified almost exclusively with those artists who specifically take up the systems, protocols, hierarchies, and roles of the constellation of institutions that constitute the art world: museums of every ilk, galleries, auction houses, artists» studios, the art market, art criticism, and even art pedagogy.

She also noted that while many pundits have predicted a shift to private sales, the Picasso and Modigliani came to auction «in this year and this market.»

The market for Arte Povera has grown steadily since 2003, although a breakthrough moment came in February 2014 with Eyes Wide Open: An Italian Vision, an auction at Christie's in London of the biggest collection of Arte Povera works ever brought to market which saw fifteen artist records set in a single night.

«Several of the additions point to the growing art trade in mainland China and Brazil, which will shape the art market for years to come,» said Art + Auction executive editor Sarah Hanson.

The most egregious example of this objectivity has to come from writing about the art auctions; writers report on multi-million dollar sales, without mentioning the controversies and problems of the secondary market.

Swann Galleries» Lowry says, «With more auctions taking place now — brick - and - mortar, online, and combinations [thereof]-- more items are coming to market.

Prices like these seemed to sustain dealers, who somehow managed to field nonstop activity despite the fair coming at the end of a unending gantlet of market events that began in March with the Armory Show, continued with the May auctions and Frieze New York, shifted to China for Art Basel Hong Kong, and then to Venice for the Biennale debut before finally concluding in Basel — which, thankfully for all involved, is also an epicenter of the global pharmaceutical industry.

This caused a stir not only because the plate - painting, Notre Dame (1979) doubled its $ 50,000 high estimate, selling for $ 93,500; nor because it was significantly more expensive than Schnabel's primary market prices (which were between $ 25,000 and $ 60,000); nor because this was almost ten times the price of work by Schnabel's peers (which cost around $ 10,000 at the time); but also because it was so rare for such recent work to come to auction in the first place.

Powered by an art market that seems to have achieved nuclear fission — with Christie's record half - billion - dollar auction fresh in memory — and coming on the heels of the Venice Biennale's stellar opening, the fair gathered a city's worth of megacollectors (the Broads, the Horts, the Brants, the Rubells), celebrities (Leonardo DiCaprio, Kanye West, Cate Blanchett), and curators (the New Museum's Massimiliano Gioni, L.A. MOCA's Jeffrey Deitch, the Whitney's Scott Rothkopf).

The success of the Day Auction comes down to presenting and curating interesting sales, providing quality works at accessible prices — both from established names and younger artists - with an enormous amount of material fresh to the market, as highlighted by the fantastic success of a previously unseen Martin Kippenberger painting.»

2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP Art Fair, Online Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.

After taking stock of last month's contemporary auctions, anyone could look to the market of London - born Lynette Yiadom - Boakye and reasonably conclude that her work has crossed over, in market terms, from «up and coming» to something more significant.

«It's the first time [Dupuy - Spencer] is coming up to auction, so we're obviously not throwing three [of her paintings] on the market.»

The kind of work that might galvanize the market simply hasn't come to auction.

The latest round of auctions has been boosted by prestigious estates coming to market.