«It's a genre that [holds] so much that is so genuinely wonderful, but so genuinely stupid at times» — which, he says, is exactly what makes it ripe
for comedic potential.
This one definitely sounds rife with BL
comedic potential as a job hunter finds himself employed at a place selling «adult goods» and at the constant harassing whims of the company's slick secretary.
Starring as the film's definitive anti-hero, a 40 - year - old miscreant named Guy Trilby determined to become the nation's best speller, Bateman knew in order for the material to reach its
highest comedic potential he would have to step in front of the camera as well.
Worst - case scenario: Another damn zombie movie mining the last scraps of
comedic potential from the premise, like a bargain - basement Detention Of The Dead.
Multiple Man has plenty of room
for comedic potential and it's hard to imagine Franco doing anything else but that for the character of Jamie Madrox.
The concept is original and ripe
with comedic potential, Mark Wahlberg and Mila Kunis are perfect choices for the two leads, and Ted (who is voiced by MacFarlane) looks every bit the scene stealer he was intended to be.
The First Wives Club was a major success story for so many reasons: an original mainstream comedy, a movie about women over 50, a movie that recognized
the comedic potential of actresses like Diane Keaton, Bette Midler, and Goldie Hawn... with every year that goes by, the movie seems more and more like a miracle.
And while the film shows flashes of
comedic potential, it depends far too much on the scenes involving marijuana to steer the ship.
Ragnarok doesn't abandon the core elements of Thor — Chris Hemsworth still stars as the hunk - ish, Hammer - throwing God — but Taika Waititi, fresh off the success of his wiseass adventure film Hunt for the Wilderpeople, optimizes
the comedic potential of the character, turning the third chapter into an absurd, Technicolor zing-fest.
Cobra Kai creators John Hurwitz, Hayden Schlossberg and Josh Heald do embrace
the comedic potential of the has - been nature of the both characters.
Mullin exploits
the comedic potential of Sam, in his under - appreciated job as a security guard, and the irony of Amira trying to sell pirated copies of Western romantic comedies on the side of the road while sporting her hijab.
Judging by his films, it's a conceit that would probably make Noah Baumbach bristle as he dismisses the concept, only to note
its comedic potential for future character reference.