Thus we were graced with the 5 - hour Bollywood gangster - epic Gangs of Wasseypur, the Korean anime Dwae - ji - ui wang (The King of Pigs), the Chinese period film Dangerous Liaisons, and British horror -
comedy Sightseers (well, Britain can seem strangely distant in the eyes of a Parisian).
A familiar face in British comedy, Oram stood out in Ben Wheatley's 2012 horror
comedy Sightseers.
He did so again with 2012's brilliant black
comedy Sightseers, blending elements of horror and dark English satire, and once more in 2013's wildly experimental, black and white historical drama / «horror» film A Field in England, though to lesser effect.
From his terrifying folk horror KILL LIST, to the uncomfortable dark
comedy SIGHTSEERS, Wheatley is a cinematic chameleon.
The first trailer for Kill List director Ben Wheatley «s dark
comedy Sightseers has gone online, and it's pretty damn nutty.
Not exact matches
But where
Sightseers was merely incompetent, We're The Millers seems to take delight in human misery as an end or source of humour in itself; it doesn't use pain or suffering to deepen the characters, it simply offers it as a benchmark of modern
comedy.
2012's
Sightseers is a vicious and bleak
comedy that is as hilarious as it is gory.
While English
comedies of this sort can go the way of cute and light Feel Good Brit Flick (an often way too saccharine genre), they can also produce generally winning films like «Billy Elliot» and «The Full Monty,» and production company Big Talk have an excellent track record, with «Shaun Of The Dead,» «Attack The Block» and «
Sightseers» among their triumphs.
Their highly idiosyncratic output includes the 2012 bloody black
comedy «
Sightseers» and last year's «High - Rise,» based on a dystopian novel by J.G. Ballard.
Prevenge
Sightseers and Adult Life Skills star Alice Lowe makes her directorial debut in this black
comedy about a pregnant woman out for revenge.
MIFF delivered many other memorable movies, from the giallo scares of Berberian Sound Studio to the bleak, black
comedy of certain English hit
Sightseers.
Sightseers is a near - perfect black
comedy that brought back nostalgic feeling to this West Midlander whose childhood was filled with trips to the Lakes to kill innocent bystanders.
The genius (yes, I'll break out the «G» word) behind films like Kill List,
Sightseers, and High - Rise has been a favorite of mine for years, leaping between genres while maintaining his signature dark
comedy and unflinching ability to sell genuine pain and terror.
Director Ben Wheatley (of Kill List fame) is back with
Sightseers, a blissfully black
comedy that is equal parts shocking and hilarious.
Alice Lowe (Prevenge) Veteran writer and
comedy performer Alice Lowe - you know her from
Sightseers - made her feature directing debut with pitch black and blood drenched
comedy Prevenge, the tale of an expectant mother driven to murder by her unborn child.
13) «
Sightseers» It wasn't really a banner year for
comedy (bar the inventive and consistently funny «21 Jump Street «-RRB-, but the closing weeks of 2012, in the UK at least, came to the rescue with the arrival of «
Sightseers.»
«
Sightseers» If Alexander Payne went to England and decided to cheekily remake «Natural Born Killers,» it would probably look something like «
Sightseers,» Ben Wheatley «s latest humanist horror
comedy.
Sightseers was also a great black
comedy.
Having co-written and co-starred in the wonderful
Sightseers, Steve Oram makes his directorial debut with this utterly bizarre
comedy horror that blends social satire, surreal domestic fantasy, gross - out
comedy and wince - inducing gore to winning effect.
Ben Wheatley's
Sightseers is gearing up for its release through IFC as the dark
comedy will be hitting theaters and VOD next month.
Alice Lowe, who cameos in The Ghoul (pictured above), moved from co-writing and starring in Wheatley's most atypical film,
Sightseers, to directing the dark pregnant serial - killer
comedy Prevenge (while herself heavily pregnant).
In a Director's Statement provided in the press kit, Ben Wheatley writes, «I have endeavoured to marry the emotional intensity of Down Terrace and Kill List, the
comedy of
Sightseers and the formal exercises of A Field in England.