Sentences with phrase «comedy come with a time»

Not exact matches

Ultimately, good intentions aside, the only point that You Don't Mess With the Zohan really proves is Newton's Law of Gravity; cowriter Judd Apatow has been THE dominant voice in American film comedy for the last three years (and I'm even counting the underrated Drillbit Taylor), but this movie proves that even HE had to come down some time!

With one - liners and physical comedy that hit the mark nearly every time, The Hangover is one of the best comedies to come out this year.

And the result is a mix of tones that works, with our review from the Venice Film Festival declaring that, «while the film flirts with a number of genres genres — melodrama, comedy, coming - of - age — it ultimately lands closest to being Green's first western by the time it reaches its conclusion.»

The laughs may not be as strong as they were the first time, and the sense of discovering something fantastically illicit may have faded to mellow, familiar charms that come with the occasional giggle fit, but that's life as a stoner comedy.

It's also treacherously predictable at times, the two leads lack chemistry and it has the token horrible Rob Schneider cameo that seems to come with every Sandler comedy.

Comedy comes courtesy of the inevitable dwarves, with Nick Frost returning from the first film, this time partnered by Rob Brydon.

Gerwig's wise and perceptive coming - of - age comedy shares the Best Film category with Christopher Nolan's Dunkirk, a time - bending WWII epic, and Paul Thomas Anderson's Phantom Thread, a resplendent melodrama with a prickly and poisonous aftertaste; Gerwig, Nolan, and Anderson assume their respective places in the Best Director category.

Previous attempts to exercise his funny bone came with varying degrees of success: The King of Comedy stands alongside De Niro's best work while Midnight Run proved his sharp sense of tightly - wound timing as the straight - half of a memorable comedic double - act.

Now, in an unexpected announcement, comes word that he's teaming up with Anderson again — this time for a comedy special.

Whannell, who also wrote the script, tried to work in some light comedy with Specs and Tucker awkwardly talking to Elise's nieces (Caitlin Gerard and Spencer Locke), but it just comes off goofy and ill - timed.

Despite the fact that these comedies have been built almost entirely around boorish body fluid jokes and a very few bawdy gems («This one time, at band camp...»), in «American Wedding» director Jesse Dylan jumps so impetuously from dog - doo - mistaken - for - chocolate gags to trite tender - moment montage sequences to sex scenes involving invalid grandmothers that none of it — the jokes or the sentiment — comes across with any conviction.

It's apparent that John Hughes» (Christmas Vacation, Ferris Bueller's Day Off) creativity had been running on empty in coming up with a reason to come back for another film, but given the surprise smash that the first film was (it would go on to become the # 1 comedy of all time), the sequel had been inevitable.

It certainly plays half of the time as a coming - of - age drama with war elements, but in the mix we also find rebel - punk angst, teen romance, quirky comedy, and, perhaps most oddly, a fantasy element involving telepathic connections between characters.

This is a nightmarish thriller with an occult premise, which comes across sometimes as a mad documentary and at other times as a soft - focus sex comedy gone wrong.

The humor can also be overly silly at times, more befitting a cartoon than a subtle independent comedy with melancholy beats, and the action elements toward the end, including car chases and destruction, feel like they belong in a spoof of 1980s blockbusters more so than in a poignant story about two misunderstood and withdrawn characters finding ways to come together.

The trifecta known as Boyle, Hodge, and MacDonald come together again to bring us a delightful comedy with an exceptional cast and more energy in one minute of this film than most have in an entire running time.

However, along came more enlightened times, and the classic Western gave way to comedies like Blazing Saddles (1974), as well as iconoclastic variations on the theme a la Little Big Man (1970) and Dances with Wolves (1990).

Boy is a curious mixture of outright comedy with coming - of - age drama, balancing moments of laughter with heartbreak, all in a perfectly timed and measured package.

A mostly sweet - natured comedy with a little more on its mind, the film sees South London teenager Yemi (Malachi Kirby) come face - to - face with his Nigeria - raised brother (Nollywood superstar O.C. Ukeje) for the first time.

Blending great silent film era comedy with full blown visceral action sequences, and shifting gears on the spur of a dime, «Kung Fu Hustle» is one of the most richly imaginative, creative, downright enjoyable movies to come along in some time.

At times, this honestly does come off as more of a romance with some comedy thrown in than an actual mystery / thriller, and the editing does it no favors.

Bringing together the all - star comedy duo of Simon Pegg and Nick Frost for the third time with award - winning Director Edgar Wright, comes the third installment in the successful Cornetto Trilogy following the hilarious «Shaun of the Dead» and «Hot Fuzz».

This is where most of the comedy comes from because as she begins to evolve, she slowly learns to respond with «no» instead of «yes» all the time.

Comedy Driving understands the frustrations that come with getting a traffic ticket, it's always unexpected and its never the right time due to our busy lifestyles.