Sentences with phrase «comedy than horror»

There's nothing all that scary about Weeping Doll; any sort of creepy imagery just tends to fall flat and the game's voice acting can, at times, make the game feel more comedy than horror.

DI2 is more comedy than horror I guess.

It's also much more of a comedy than a horror movie, if the screening audience was any indication.

It plays more like a dark - comedy than a horror flick simply because despite the random disturbing scenes thrown in here and there, they never really get under your skin the way you hope a horror film will.

I was about 9 when this came out and even by this point, it was more black comedy than horror.

Director McG's self - aware spin on the babysitter slasher is more comedy than horror, delivering a bloody fun time in a stylish manner.

Trollhunter is definitely more comedy than horror, as at no time does the film actually seek to scare you.

This movie is more of a comedy than a horror.

Not exact matches

i love to exercise and stay as fit as i can.i like comedy and horror the most.i listen to almost all music other than metal and jazz.i have a nice penis thats what im told.

I went in this movie expecting a cheap slasher horror film, but I was having high expectations, because it has been announced in development since 2009, what I got was way too more in depth than I was barging for, this movie can't be reviewed without spoiling it, what I have to say is... SEE THE CABIN IN THE WOODS, it is different dark comedy with mystery and great visuals (hint) SEE THIS MOVIE.

The result is a lot more moronics than demonics in the wry comedy - horror IDLE HANDS.

She has sustained more of a career than you might have expected, following her sophomore script the 2009 horror comedy Jennifer's Body falling short and Hollywood's general marginalization of female voices.

REC 4 won't win any points for being scary or terribly original, as this is more of an action thriller than horror, but it is mostly successful due to the fact that it drops the slapstick comedy of REC 3 and goes for a more serious tone, and the setting make this stand out in the zombie genre.

Comedian Jordan Peele steps behind the camera for a brainier - than - usual horror comedy that forgets to go for the jugular.

You're Next — A group of killers thinks they've got easy prey when they decide to attack the Davison family's wedding anniversary, but they get more than they bargained for in this horror / comedy / action film.

While largely avoiding the Twilights and Divergents of the world, he's made interesting career decisions, weaving horror and indie films throughout his comedy roles, and largely using social media in a much more subversive and less thirsty way than some of his peers.

Joe Dante's a great filmmaker, but I wish he had made his return to features with a movie better than Burying The Ex, a glib, EC Comics - influenced horror comedy that would probably work better as a short chapter in an anthology film.

Smart and dumb, scary and silly, and never less than entertaining, Scream one of the best horror comedies of the modern era.

There was no more perfect movie for this year than Jordan Peele's «Get Out,» with its uncanny mix of horror and comedy, and the way it eviscerated the complicit (white liberals) rather than more obvious targets.

But the tone is all over the place, wildly veering from broad comedy to surprisingly dark horror — a sign there was never a guiding vision behind the picture other than a movie poster and Depp's bankability.

Of course, there's also a big rubber demon that is more funny than scary [since it's pretty much immobile], but the mix definitely gives Jack Brooks the kind of horror / comedy play that has elevated Raimi and Whedon to stardom.

Far from being horror - comedy, What We Do in the Shadows extends to a further audience than genre fans and could possibly become This is Spinal Tap for horror fans.

Pierce Brosnan starred as Dr. Lawrence Angelo within the sci - fi, horror flick, The Lawnmower Man, only one 12 months earlier than his step forward position within the Robin Williams co-starring family - friendly comedy.

Though it is written, directed, and produced by Jordan Peele, half of the comedy duo Key & Peele, Get Out is no more comical than your average serious horror movie.

As for the limited wiggle room that the public has given Sandler, his and Samberg's latest collaboration, the animated family horror comedy Hotel Transylvania, grossed more in its opening weekend than That's My Boy made in its entirety.

But despite some promise, Burying the Ex mostly disappoints as a horror comedy that you're more likely to find annoying than funny.

Since her first feature, Girlfight, Karyn Kusama has hardly been the most prolific of directors — a problem not unique to her, as women have a harder time landing directing gigs in Hollywood than do men — but she has not been entirely absent, either, helming the Charlize Theron vehicle Æon Flux and Megan Fox indie horror comedy Jennifer's Body.

Although it works better as a romantic comedy than as a horror movie, this film is cute and breezy with a likable cast that might help zombie fans overlook the glaring lack of gore.

Jordan Peele's horror sensation is again the subject of debate after it was reported that Universal Pictures submitted the film for Golden Globe Awards consideration as a comedy, rather than a drama.

After all, «Jennifer's Body» is a comedy first and a horror film second, and nobody writes high school characters better than Cody at the moment.

Overall, it seems as if HELLBENDERS bites off a little bit more than it can chew with a poor quality EXPENDABLES-esque Horror - Comedy, that is intended capitalise on current, modern trends in the film industry.

But they ultimately discover that the California city is more deadly than they anticipated, in the horror comedy, «Meet the Blacks.»

I'd called it a black comedy rather than horror.

This makes the film feel less like a superhero movie than like the fantastical cinema of Guillermo Del Toro or Bong Joon - Ho, romantic horror extremists who fill their films with grotesque comedy beats and heartfelt sociopolitics.

While Warm Bodies is more slanted towards comedy and romance rather than horror, it remains true to the zombie genre while pushing it in an unexpected direction.

Ragnarok never looks more like its own film, as opposed to another MCU assembly - line product, than when drawing on the antagonistic bond between these twin muscles, bickering in captivity like the bloodsucking roommates of Waititi's found - footage horror comedy.

When news broke that Get Out, Jordan Peele's runaway hit horror movie, would be in the «best motion picture» Golden Globes category for musicals and comedies, rather than drama, the backlash was swift — due in no small part to the movie being an important expression of racial issues.

A mix of horror, comedy and thriller, Get Out is less scary than downright uncomfortable.

Everything about it screams «niche,» from the budget ($ 4.5 million, which is what its studio, Universal, spent to make approximately two - and - a-half minutes of The Fate of the Furious), to the first - time director - writer, Jordan Peele, a cable - TV star whose show ended and who was looking to branch out, to the complete lack of movie stars (although now, Daniel Kaluuya and Allison Williams are nicely on their way), to the genre: horror cut with more than a dash of comedy and of pointed sociopolitical commentary.

If you like cheesy horror and goofy comedy, you'll probably get more mileage out of Club Dread than I did.

Well, that depends on your cinematic appetite, but perhaps more than any other month this summer, July offers something for everybody — you've got comedy, horror, action, and big - budget sequels... but why are we telling you this now?

The talented mind behind the festival one - sheet for the Elijah Wood - starring horror comedy, Cooties, is none other than Mr. Jay Shaw who has been laying his unmatched artistic vision down on canvas for quite some time now.

«Vamp» is equal parts teen comedy and horror film, but one can't help but feel that screenwriters Richard Wenk (who also directed) and Donald P. Borchers were more than a little inspired by Scorcese's «After Hours,» which was released the previous year.

BE: I know that some people have tried calling the movie a horror film, but it's really more comedy than anything.

I think this was the hardest I laughed at a horror comedy since Zombieland, and while I won't say Hell Baby is on the same level that Zombieland is, I will 100 % admit that it was a whole hell of a lot funnier and more creative than any spoof movie to come out in the past 15 or so years.