Not exact matches
Described by one prominent critic as
Revenge of the Nerds
with an increased fart quotient and added projectile vomiting, this dumb - dumb frat
comedy cast Heder, Spade and Schneider as a trio of losers who form a baseball team to thwart a bunch of elementary - school bullies; Heder played a booger - eating dork
with an unhealthy degree of maternal attachment.
Former «Daily Show
with Jon Stewart» correspondent Al Madrigal applies his comedic insight to relatable topics like cilantro politics, anger management, and an unbelievable tale of seafood
revenge in this stand - up
comedy special.
Occasionally, movies work for audiences simply because they want them to — which may have been the case
with «
Revenge of the Nerds,» an erratically funny 1984 college
comedy — full of raw, predictable gags — that became a surprise smash hit.
Leading the pack this year are Kate Winslet's fashionista
revenge comedy The Dressmaker (still awaiting news on a US release) and the critically beloved Max Mad Fury Road
with 12 and 11 nominations respectively.
; MEN AND CHICKEN, Anders Thomas Jensen's dark, twisted and extremely animalistic
comedy as black as pitch, but
with the sweetest heart, starring Mads Mikkelsen; Fernando León de Aranoa's black
comedy A PERFECT DAY, a freewheeling tale centering on two veteran aid workers starring Benico Del Toro and Tim Robbins; the International Premiere of Brendan Cowell's debut RUBEN GUTHRIE about an advertising exec trying to quit the booze, which spikes social observations
with dark, wounded humour and the European Premiere of Japanese auteur / icon Takeshi Kitano's latest
comedy, RYUZO AND HIS SEVEN HENCHMEN, about a group of elderly, retired Yakuza who reteam to take
revenge on a younger rival gang.
Cameron Diaz will star in the
revenge comedy «The Other Woman»,
with «Bridesmaids» headline - act Kristen Wiig also circling the picture.
In Cats & Dogs: The
Revenge of Kitty Galore, a
comedy that blends live action
with state - of - the - art puppetry and computer animation.
After rising to fame
with violent
revenge features El Mariarchi and Desperado, cultivating a cult audience
with horror
comedy From Dusk till Dawn, and helming a segment of anthology effort Four Rooms alongside Quentin Tarantino, his ability to create entertainment for younger viewers had not crossed many minds.
The first
with the HFPA's love for Paul Verhoeven's hot - potato rape
revenge comedy Elle — a movie previously deemed too controversial for major acclaim.
(In Kinyarwanda
with subtitles) Offshore (Unrated) Globalization
comedy about a couple of telemarketers (Emily Rose Merrell and Deb Tunis) who decide to take
revenge when their jobs are outsourced and they are asked by their company's CEO (Marty Bufalini) to train their East Indian replacements.
Expect that and more from the writer / director's latest stinging triumph «Three Billboards Outside Ebbing, Missouri,» a bleak, all - out brilliant pitch - black
comedy that taps the raw nerve of America's
revenge - fueled zeitgeist
with its unpredictable narrative about how a mom's quest to avenge her murdered daughter upends a town.
Slick, smart «Tower Heist» is a timely
comedy caper
with Ben Stiller as the infuriated manager of one of New York's most luxurious residences who's determined to wreak
revenge against a Wall Street tycoon (Alan Alda) who masterminded a Ponzi scheme that swindled the employees» pension fund.
But the real reason to get pumped for this Directors Fortnight premiere is filmmaker Jeremy Saulnier, who last came to Cannes
with the tense black
comedy /
revenge thriller «Blue Ruin.»
The Outskirts (PG - 13 for profanity, crude humor, suggestive content and teen partying)
Revenge comedy about a couple of ostracized nerds (Victoria Justice and Eden Sher) who join forces
with other geeks to topple the clique of popular classmates making high school miserable.
Then the mists of mystery drift away and Blue Ruin morphs into a
revenge thriller splattered
with momentsof black
comedy and existential horror.
Extra Special: No mainstream Hollywood composer has so beautifully balanced experimental funk
with soaring, lush orchestration as Thomas Newman, the scion of a film scoring family whose humble musical beginnings were spent in bands and writing the funky beat - driven scores of such youth - oriented
comedies as «
Revenge of the Nerds» «Desperately Seeking Susan» and «Real Genius.»