Sentences with phrase «comes near the end of the film»

One of the biggest twists and surprises in Thor: Ragnarok came near the end of the film, when Thor battled Hela for the fate of the realm.

Not exact matches

Mr. Kingsley gets a big, chilling scene near the end, and the film comes full circle to a concert of the Schubert quartet, where Paulina and Gerardo spot Miranda.

The one redeeming moment of Down with Love is a monologue by Zellweger near the end of the film where everything comes out into the open.

Though it's the entire pretext for the film, there is virtually no evidence to suggest that the FBI actually needed Hathaway's assistance as a hacker, but at least he seems a lot more comfortable using weapons than any of the agents he's working for, which comes in handy near the end.

He is incredible and despite coming across as slightly too nasty nearer the end of the film, he does have a touching moment with Dave Franco that will warm the heart.

The point, I think, at which I dangerously lost faith comes near the end, when what should be the film's rather horrifying climax is turned into an ill - timed bit of jaunty humor.

So we've put together a list of 20 off - the - beaten - path films coming out between now and the end of August that will satisfy your alternative - viewing needs — the documentaries, indies, foreign - language flicks and a few straight - up unclassifiable projects that will also be coming to a theater near you soon.

Sutton does manage to work in a great bit near the end of the film where Bobby asks Gil what he wants from him, and, after a moment of pondering, Gil can't come up with an answer.

Given that a major West End musical adaptation of the film is slated for next year (making this the fourth Whoopi Goldberg blockbuster to beget a stage musical), and that 2010 also just happens to be the film's 20th anniversary, there's a safe bet that a new release will be coming down the pipe in the relatively near future.

There comes a point near the end of the film where worlds are colliding, we go from underwater to space, back to earth and at various points it's hard to decipher what's actually happening.

The most disastrous such veering off - track, and the film's worst failure of narrative nerve, comes near the end, when the narrative is taken over by a showdown between the red - and - blue guy and a huge lumbering green monster emitting bolts of energy, making for a son et lumière as drearily digital as Electro's in the last Spider - Man pic.

One of two short films Bruce Conner made for Brian Eno and David Byrne's My Life in the Bush of Ghosts — itself a defining work of assemblage — MEA CULPA (1981) comes near the end of Conner's active filmmaking career.